A year ago today the lead to my January 15th, 2013 column spoke succinctly to the mantra. “A glass or two of wine might just be the thing to help ward off the common cold and the flu.” In that rant some substantiating evidence was laid out in support of drinking wine (in moderation) to help fight off the nasty bugs of winter. A year on my conviction does not waver. Wine can help cure what ails.A wine prescription for cold and flu has been a curiosity read for many over the past 365 days. Ridiculousness? Perhaps. Personal hermeneutic? Yup. Something to consider? Definitely. Words to live by? You be the judge.

In that article I talked about wine’s antioxidant properties (called flavonoids) and compounds that attack bacteria, like resveratrol and polyphenols. All in the name of trying to immunize the body against hundreds of common viruses. What I failed to discuss was the positive mental health of a lifestyle that includes wine. Wine drinkers, at least the ones I spend time with here in Ontario, are happy people. Friendly folk, community-driven, supportive, neighbourly. Wine brings everyone together. It’s really something to see and be a part of.

In Argentina, Bodega Norton has forged and maintained some of the longest contracts with growers in comparison to anywhere in the vinous world. Vines, mountains, rivers, roots and the hands of workers are all treated with respect, professionalism, honesty and commitment. Norton’s wines are accessible and affordable, including the flagship Privada, described by winemaker Jorge Riccitelli with the fanciful comment “you can feel the grapes inside your mouth.” I sat down with Mr. Riccitelli on Monday, November 11th, 2013 at The Ritz-Carlton Hotel in Toronto. The hour with Mr. Riccitelli sent me away with one profound thought. When you take care of your people, your team and the tonic you produce, health and happiness are not far behind. The tasting with Jorge was the stuff of pure joy. A visit to Norton must surely follow.

Michael Godel and Jorge Riccitelli

A recent mini spat slash argument in Toronto Life on the subject of 0rganic and biodynamic wines helps to push the point. In response to an inflammatory comment noting the ”pseudo-scientific claptrap of biodynamic agriculture” the cosmogonal-minded Bench Vigneron Harald Thiel retorted, “the primary difference between organic and biodynamic production practices is the “cosmic and stellar” forces that biodynamic producers believe differentiate their wines.” To each his own says Thiel. I’m quite certain that Harald would concur that drinking wine can help bolster the immune system but going the natural route, in theory, will boost defences multi-fold.

Some take it to the extreme like Alain and Philippe Viret, winemakers who go beyond being organic and even biodynamic. They practice cosmoculture. Their vineyard is studded with menhirs and ‘planetary beacons’ in order to connect with celestial and earthly energies. It embraces Maya and Inca agricultural and spiritual concepts.

Alexandra Marnier Lapostolle is a flying ambassador who believes in the credo. At an October Trialto Group lunch at Luma Restauarant, the eerie connection between the restaurant group’s acronym and the act of natural winemaking was not lost on me.  The devastation of Chile’s black frosts were being discussed and the magnificent Ms. Lapostolle-Marnier pushed the sapient necessity of O & B practices to a group of diners/tasters. “Being organic and biodynamic, the vines are heartier, able to handle the frost’s potential damage, budding time and produce healthy vines.” Casa Lapostolle also has scientific data to prove that organic and biodynamic vines mature 10 days ahead of the others.

PHOTO: Michael Godel
Trialto Lunch at O & B’s Luma Restaurant

No one works harder or believes in the O & B philosophy to achieve wine nirvana more than Paul Pender of Tawse Winery. Everything Mr. Pender makes comes from fully certified and sustainable vineyards. I tasted through 25 barrels with Paul last Friday. His 2013 Chardonnays will be amongst the best we have ever seen on the Niagara Peninsula. The group of 2012 Cabernet Franc, Merlot and Cabernet Sauvignon are all showing lush, deeply resonant aromatics, all pies of one fruit or another and with minimal oak intrusion. More pudding proof will come from the most recent tightly planted Pinot Noir, in the Tintern Road Vineyard from the Vinemount Ridge appellation. At only three years of age, the juice from those healthy vines already emit an aura of verve, wisdom and viability.

Not all of the wines reviewed here come from O & B vineyards but each and every one can contribute to your mental and physical health. Wine is your friend. When approached, integrated and embraced in the right way it can help to promote a healthy lifestyle. The defence rests.

From left: NORTON RESERVA MALBEC 2010, CENTUNO NERO D’AVOLA 2010, LA CARTUJA TINTO 2012, LAPOSTOLLE CUVÉE ALEXANDRE APALTA VINEYARD CABERNET SAUVIGNON 2011, and TAWSE GROWER’S BLEND CABERNET FRANC 2011

NORTON RESERVA MALBEC 2010, Mendoza, Argentina (17061, $17.95, WineAlign)

As Malbecs come and go, group themselves into dime a dozen pigeon holes and fall from serious wine grace, this stalwart stays the course. Norton’s Reserva bottling has a proven track record for consistency. My most recent ’02′s spoke of strength, longevity and balance. In 2010, true to form, violets lead the arrangement of multi-floral scents and a kinder, gentler, sweeter set of tannins promote connectivity. Restrained and calm, this Norton forgoes the jams and jellies of other moderately-priced Malbecs and carries with it a smooth, long finish.  90  Tasted November 2013  @BodegaNorton

CENTUNO NERO D’AVOLA 2010, Sicily, Italy (357103, $17.95, WineAlign)

Though not exactly a chick magnet or my Sicilian dream, this Nero D’Avola is chock full of animal magnetism. It reeks of four-legged musk, circus mammal and deep-sea predator. Despite the oppressive mob of animale there is also lush berry to attract more than just the curious imbiber. A dense fruit roll up, unfurling, spewing earth, prune and coal. Will petition the non-sectarian toper.  88  Tasted December 2013  @Eurovintage

LA CARTUJA TINTO 2012, Priorat, Spain  (358861, $18.95, WineAlign)

This symbiotic blend of 70 per cent Garnacha and 30 Carinena rolls out the red carpet straight from the heart, not unlike Terrabianca’s 70/30 Sangiovese/Cabernet Sauvignon Tuscan Campaccio. Only here the value is palpable, especially for Priorat. Fueled by blazing red cherry and plum. Vivacity with bright fruit seeped in acidity but also a coated note, though not of over-oak, that paints the tongue red. A rumbling layer of licorella slate lies atop eruptive rock and beneath a rolling thunder of boulders. This is high-octane Spanish winemaking, a red velvet car that doesn’t “even touch the break.”  89  Tasted December 2013

LAPOSTOLLE CUVÉE ALEXANDRE APALTA VINEYARD CABERNET SAUVIGNON 2011, Colchagua Valley, Chile (947929, $24.95, WineAlign)

“We don’t want too ripe, jammy or confiture,” pleads Alexandra Marnier Lapostolle. While this Super-Chilean is certainly full-bodied, it remains a finessed red and silky in every way. Leans IGT, as opposed to Bordeaux or warmer climate (California). Stupidly easy to drink, built for resto luxuriousness and really is a terrific value. A choir of dark fruit aromatics, sung like songs by the birds of the vineyard and a late sensation of charcoal and char are expressed in this Cabernet of fashion and caste.  90  Tasted twice in August and October 2013  @LapostolleWine

TAWSE GROWER’S BLEND CABERNET FRANC 2011, VQA Niagara Peninsula (284570, $26.95, WineAlign)

From selected prime Cabernet Franc vineyard sites across the headland, the Grower’s Blend reaches near maximum potential in 2011. An immediate sense that “leaves are falling all around” in a composted layering of earth, cedar, savoury produce and sweet herbiage. A tart tincture spikes and sauces the fruit, straight from the “darkest depths of Mordor.” Winemaker Paul Pender’s perfume permeates the mess, lifting the CF to great Niagara heights. Ramble on Grower’s Blend.  90  @Tawse_Winery  @Paul_Pender  Tasted October 2013

Good to go!

The physiological and emotional roller coaster heaped upon grapes and growers these past 55 days has been nothing short of exhilarating, frightening and exhausting. First this monster climatic Dementor known as the Polar Vortex. Along with the demonic weather came the devastation of an ice storm, followed by record low temperatures. More recently, thaw and re-freeze. Consequences and challenges have abounded. Also, a silver lining. Freezing temperatures can kill grape buds on vines unprepared and left to fend for themselves. Those little vine kinder can also just be unlucky enough to grow up in the wrong place at the wrong time. Some Niagara growers are reporting heavy losses to Riesling, Cabernet Franc and Chardonnay vines. Here are the numbers as reported by Wines In Niagara’s Rick VanSickle.

I spoke with winemaker Paul Pender of Tawse Winery in Vineland, Ontario yesterday. Paul is both unconcerned and not yet ready to make any sort of call on damage to his crops. “It’s still too early to tell,” he notes, “I won’t really head out to assess any potential damage until early March.” While Beamsville vineyards are reportedly hard hit, Pender is confident that his team’s strident and prudent vineyard management will see the vines through.

Balanced pruning means leaving a specific number of buds during the winter on a dormant cane for this year’s crop, the number based on the amount the vine grew the previous season. Tawse’s canes are cut back to two feet, the dead wood removed before winter’s freeze can hit. Buds this season were thinned from 12 to six, giving those tender bits a fighter’s chance to survive. And while Pender will not enter into an unequivocal conversation with respect to the heartiness of his vineyards as a consequence of 100 per cent organic and biodynamic farming, I can hear the surety in his voice and imagine the twinkle in his eye at the thought.

Other growers concern themselves with what may happen inside the many parts of the vine when there are freezes, thaws and re-freezes. Again, Pender is not concerned. Proper pruning should prepare a vine for a harsh winter, whether or not they are protected by a warm blanket of snow. In New York’s Finger Lakes region, Lenn Thompson is reporting “some minor bud damage to vinifera vines, but little to no vine death.” Steve Shaw of Shaw Vineyards on Seneca Lake had this to say. “Yes, this winter is definitely presenting itself in a rather volatile manner. As far as I can tell from checking a number of varieties and many buds, there does not seem to be any catastrophic primary bud kill. There is damage, but not too bad so far. I do not think that with things being this wacky that we can really rest easy until most of the winter has passed.” Brock University’s Cool Climate and Viticulture Institute in St. Catherines helps local growers with much needed information and infrastructure to deal with damaging weather. Their VineAlert program helps protect vineyards during frigid temperatures.

PHOTO: Weather INnovations Consulting LP (WIN)
Icewine Hours 2013

The news is not all bad. According to many icewine makers in Niagara, 2013 will shape up to be what many are forecasting the best ever vintage for the province. Temperatures dipped to the requiem in late December and most picked their shriveled, sugary berries before the new year. That is unprecedented, allowing this season’s icewine to remain high in necessary balancing acidity and well ahead of the fermentation arresting challenges from most years. Wine Country Ontario reported that “early icewine harvest in Wine Country Ontario starts the festival fever.” Look for the most balanced icewines out of 2013. Not to mention the Grape Grower’s of Ontario reporting the province’s grape growers gathered a record 79,756 tonnes of grapes in 2013 valued at nearly $100 million.

The Niagara Icewine Festival encompasses three weekends in January dedicated to the region’s beloved ambrosial elixir, wines that have become the calling card beyond the broader confines of Canadian borders. Icewine has been made since 1981 and in that short span of 33 years, Ontario and B.C. winemakers have challenged, and in many cases lapped their counterparts in Germany and Austria. Canadian icewine is globally renowned, even if it is not the most important wine resource bequeathed upon the rest of the world.

Icewine 101. Simply put, made from grapes that have been left to freeze naturally on the vine. Ontario’s stringent Bolshevik Initial Decrees-like laws insist that icewine must be made from approved grape varieties; the most popular are Vidal Blanc, Riesling and Cabernet Franc. Some small lots include Gewürztraminer, Chardonnay and Cabernet Sauvignon.  Grapes are left on the vine until a sustained temperature of -8°C or lower is reached and then picked from those vines encapsulated in nets to protect them from birds possessive of a sweet tooth.

A national icewine debate is ongoing, inflamed by a recent Macleans Magazine article discussing the ideological differences between the VQA law preventing vine and grape separation before pressing and the Quebec practice of letting the grapes freeze in nets. Quebec growers do this out of necessity for fear of their fruit being smothered by excessive snowfall. Ontario’s old guard vehemently oppose the practice. The irony of VQA Ontario’s website low volume statistic, “with average yields of 500 litres for each acre netted,” is not lost on the curious. Two questions arise. How many grapes in Ontario nets end up in bottles of VQA labelled icewine and how can a culture of Canadian icewine be brought together without some form of compromise and collaboration? Yet again, is togetherness integral to the success of Canadian icewine, or more specifically, Ontario’s industry?

According to Klaus W. Reif of Reif Estate, apparently there are 3,750 berries needed for one bottle of 375ml icewine. Just consider the concentration for a moment, the hand-picked (though not all) labour involved and the specificity of the practice. The sweetest wine known to Canadians can indeed be re-worked as a palindrome for Niagara Ice Wine Festival.

A wet vial is fine nice agar

PHOTO: Michael Godel
Rick James Ice Sculpture, Niagara Icewine Festival

On Friday, January 10th, 2014 I was a most elated guest at the Xerox Icewine Gala: A Bacchus Evening of Icewine and Revelry. For a list of continuing events this weekend and next, here is a link to the festival site. More information here. With kind thanks to Magdalena KaiserSmit and Wine Country Ontario, I had the good fortune to taste a host of Niagara’s finest renditions, along with some very special bottles of sparkling and still wines. Here are notes on six wines sampled at the Fallsview Casino Grand Ballroom last Friday night.

From left: PELLER ESTATES SIGNATURE SERIES ICE CUVÉE, CREEKSIDE ESTATES WINERY SYRAH RESERVE BROKEN PRESS 2010, RAVINE VINEYARD RESERVE RED 2008, PILLITTERI ESTATES CABERNET SAUVIGNON ICEWINE 2011, and VINELAND ESTATES RIESLING VIDAL ICEWINE 2012

PELLER ESTATES SIGNATURE SERIES ICE CUVÉE, VQA Niagara Peninsula, Onatrio (284547, $31.95, WineAlign)

This is Peller’s most versatile fizz, a blend of traditional method Chardonnay and Pinot Noir sweetened by a dosage of Vidal icewine post disgorgement of its lees. The lees has been left to linger in the bottle, in spirit. Sapid, savoury bubbles tingle the senses to the bone and will offer the most comforting and proper pleasures to those discriminating and otherwise. Appealing to a large common denominator, this Peller Sparkling can really do no wrong.  90  Tasted January 2014  @PellerVQA

CREEKSIDE ESTATES WINERY SYRAH RESERVE BROKEN PRESS 2010 (202127, $39.95, WineAlign)

The floral lift from three to four percent Viognier gives notice to bend the brawny, savoury black olive and blistered Ancho fruit into balance. Syrah in a sunshine state but not from concentrate. Would accept a glass of this Brokenpress at any beck and call. “Grab your wine, take me where you been, with the violin time and the moon gettin’ thin.” From my earlier note: “Offers up gorgeous pine and pepper-laced correctness and so much juicy, fresh warmth from a terrific Syrah vintage in Ontario and even more parochial so on the St. David’s Bench. This Queenston Road Vineyard red is winemaker Rob Power’s secret weapon, absolutely freakin’ delicious stuff and the epitome of what Syrah should be like from Niagara. Verve, rigor and yet also flirtatious with expertly judged wood and tannin to re-fresh its spirit and lengthen its life. Love it.”  91  Tasted twice, October 2013 and January 2014  @CreeksideWine

PHOTO: Michael Godel
S’mores, Niagara Icewine Festival

PILLITTERI ESTATES MERLOT FAMILY RESERVE 2002, VQA Niagara Peninsula, Ontario (71753, $39.95, WineAlign)

Served from Jeroboam, one of 23 produced and a testament to the precocious, facile touch of then winemaker Sue-Ann Staff. The extreme five litre format has certainly been kind to the hermetic 11-year slumber of this Merlot, as has the above average red Niagara growing season. Charlie pulled out this rare behemoth “for the special occasion” and despite and with thanks to the perfect vintage meets size storm, it has held up with dramatic fortitude. Unmistakably predicated Pillitteri chocolate perfume, brushed violet, mulberry and oven-warmed baking spice. Holding in sustained concentration, the toffee, caramel and umami of wizened, oxidized fruit not yet a twinkle in its soapy sandalwood eye. How could Sun-Ann have known what time-cheating lengths her Merlot would see to?  93  Tasted January 2014  @Pillitteriwines

RAVINE VINEYARD RESERVE RED 2008, St Davids Bench, Niagara Peninsula (20483, $55.00, WineAlign)

This Bordeaux style blend (40 per cent Merlot, 33.3 Cabernet Sauvignon and 26.7 Cabernet Franc) is clothed in a coat of arms all about texture. A drawn and raised relief of dried, candied bramble fruit and charcoal lines of savoury, earthy hickory and herbs. Hearty warmth from a cool vintage, meat on a stick in a glass, charred, roasted and smoking. A spit of gamey goodness. Holding strong but drink now.  90  Tasted January 2014  @RavineVineyard

PILLITTERI ESTATES CABERNET SAUVIGNON ICEWINE 2011, Niagara On The Lake (46557, 375 ml, $60.00, WineAlign)

A most unique and striking rendition, wearer of many hats, confounding and curious. There is a funk about him that stands apart from the rest. Like a really well-aged, superb piece of washed rind cheese, then turning unabashedly sweet, with verve and symphonic tone. An orange sky of an icewine, anti-bittersweet, accented by mace and anise, carob even. “Here is what I know now brother. Here is what I know now sister.” Cabernet Sauvignon, in a vintage equipped with striking acidity, can turn into something to look forward to. One of the more interesting icewines to date.  91  Tasted January 2014  @Pillitteriwines

VINELAND ESTATES RIESLING VIDAL ICEWINE 2012, VQA Niagara Peninsula, Ontario (163018, 375 mL, $60.00, WineAlign)

This represents the icewine revolution, for the first time adding 15 percent Vidal juice into the Riesling mix. In 2012, the normally stand alone Riesling needed a shot in the arm, provided by the Vidal, a dose of icewine magic by winemaker Brian Schmidt. Lifted tree fruit blossom and added weight are the result, without hyper-sweet flavours. Riesling is the rock, Vidal the roll as this RV crashes into me. The pit orchard fruit is reduced and recognizable to taste, yet reserved and in phonic harmony. “Sweet like candy to my soul, sweet you rock and sweet you roll.” Brotherly love icewine, full of Schmidt wisdom.  93  Tasted January 2014  @benchwineguy

Good to go!

Winemakers in the most famous regions of Spain and Italy have gone pro in the practicum of wine that speaks loud and clear. If there is a downside it is the blurring of lines and overlapping of circles, where regions set far apart show similar, if near identical characteristics in their wines. How does this happen? How can winemaking trump terroir?

The simple answer is wood. Barrel usage is a global affair, with wineries scouring oak forests the world over to age their wine. French oak is most used and whether you make wine in central Italy or northern Spain, the oak you employ may result in more than just the commonality of wood. If your processes are tied by similar or even identical ties, your wines may taste eerily like one another, if not outright like kissing cousins.

Despite the oligopoly of technique and the lack of winemaking individuality gone viral in this generation, there are three things that continue to work in favour of regional character. The first is obvious. Soil. Or, more importantly, the components, the rocks and minerals that fleck the earth. Secondly, attitude. Call it conceit if you like but when a winemaker has the guts to make wines we like to call grippy, you can’t help but stand up and take notice. Third and so important to the consumer, is price. Spending $15-30 on wines from the most historic locales such as Burgundy and Bordeaux is almost always nonsensical and a waste. No where else in the world offers grip, pomp and pride like Spain and Italy and in that go to mid-price range.

A pentavalent and benevolent group fits this requiem for commercial gain. Rioja, Ribera del Duero and Priorat from Spain. Chianti and Abruzzo in Italy. A Venn diagram of commonality can be agglomerated from their proclivities. It is in these fab five Old World wine regions where a twain of ancient and state of the art collide. Here are seven gripping wines from Spain and Italy.

From left: CEPA 21 HITO 2010, ÉBANO CRIANZA 2008, and RESALTE DE PEÑAFIEL PEÑA ROBLE RESERVA 2004

Ribera Del Duero

The history: Located in north-central Spain, on a plateau, 90 minutes from Madrid. Ribera, or “river bank,” extends from both sides of the Duero. The Denominación de Origen (D.O.) of Ribera del Duero dates back to 1982.

The lowdown: Highest average elevation in Europe for growing red wine grapes. Summers are hot, winters are cold, rainfall is minimal. Lower vineyards are alluvial with sand and reddish clay. Higher ones built of limestone, marl and chalk. Tempranillo in the main grape. Finest recent vintages include 2004, 2009 and 2012.

CEPA 21 HITO 2010, Ribera Del Duero, Spain (360503, $17.95, WineAlign)

Oh the shaken, modern humanity. Nothing shocking here, this 100 per cent Tempranillo parfait of silky chocolate, mixed berries, vanilla and wood chips. Finds parity in biting red cherry flavour. Though it may as well be any ambiguous, heterogeneous or hermaphroditic $30 IGT, its price puts it at the front of the line. Fun to drink, high-toned, textured and structured, though its origins are not at once obvious. Will evolve felicitously for five to seven years.  89  Tasted December 2013  @DrinkRibera

ÉBANO CRIANZA 2008, Ribera Del Duero, Spain (355099, $21.95, WineAlign)

Amid a sea of Spanish reds, this Ribera stands alone as the most modern on the table. Dusty, trenchant dark chocolate, mocha crema, thick, syrupy, rehydrated plum fruit. Accented by both white and black pepper, anise and a late lash of astringent tannin. Abrasive as a pleading Waits croon, this Crianza is “better than a cup of gold. See only a chocolate Jesus can satisfy my soul.” Another Ribera with qualities akin to present day, Sangiovese dominated Chianti Classico. Immaculate confection.  89  Tasted December 2013  @EuroVinatage

RESALTE DE PEÑAFIEL PEÑA ROBLE RESERVA 2004, Ribera Del Duero, Spain  (355107, $31.95, WineAlign)

Typically modern version with just the right amount of age. Interesting to see nearly 10 year-old Ribera, with so much obvious oak and modernity retain its fruit lushness and presence after such a chunk of time could have stripped away its freshness. Candied violets and pansy, peppery nasturtium and marble slab, rocky road ice cream. Oak nearly integrated but persistent in chalky texture. Confounding bareback ride on a wild 100 per cent Tempranillo horse that bucks as if Bordeaux or Rhône varieties would seem to bolster the whole.  90  Tasted December 2013

From left: CIRELLI MONTEPULCIANO D’ABRUZZO 2012, CASTELLO DI QUERCETO CHIANTI CLASSICO 2011, PLANETS DE PRIOR PONS 2009, and ONTAÑÓN RESERVA 2004

Abruzzo

The history: Central Italy, stretching from the heart of the Apennines to the Adriatic Sea.

The lowdown: Mostly mountainous and wild terrain. The four DOC produced in Abruzzo are the Contro Guerra, Trebbiano d’Abruzzo, Montepulciano d’Abruzzo and Montepulciano d’Abruzzo Colline Teramane. Montepulciano is the most planted red variety. Finest recent vintages include 2006, 2009 and 2010.

CIRELLI MONTEPULCIANO D’ABRUZZO 2012, Abruzzo, Italy (663939, $17.95, WineAlign)

Winemaker superstar to be Francesco Cirelli does what more should do. Age organic grapes of purity and pristine quality in clay Amphore. The natural empathy and wisdom of crop rotation (for more than just grapevines) drives the logic and proportion of Cirelli’s wines. This Md’A smirks and balks at thoughts of it as entry-level, though it concedes to the moniker ’poster child’. From 15 year-old vines set in sandy clay soils near Atri in the Colline Teramane zone. The fruit is like raspberry felt, lifted, spritely, gregarious and inviting. The wine never plunges into bitterness, nor does it depend on any crutch to remain upright and weightless.  90  Tasted September 2013 and January 2014  @TheLivingVine

Chianti

The history: In central Tuscany. The two Chianti zones, Denominazione di origine controllata (DOC) and Denominazione di Origine Controllata e Garantita (DOCG), produce the largest volume of DOC/G wines in Italy.

The lowdown: Chainti Classico must have a minimum 80 per cent Sangiovese, the main variety of the region. Other indigenous grapes include Canaiolo and Colorino, bur Cabernet Sauvignon and Merlot are also used. Soils vary from marl of layered sandstone, to chalk and clay, blue-grey sandstone and clay-limestone. Finest recent vintages include 2006, 2007 and 2011.

CASTELLO DI QUERCETO CHIANTI CLASSICO 2011, Tuscany, Italy  (680496, $22.95, WineAlign)

Heather meadow Sangiovese, emotive of old school Chianti Classico aromas, notably tea, new leather and sour cherry. Texturally succulent and lush, like mini-modern Sangiovese Grosso. Nearly syrupy and 90′s-styled by a heavy-handed, wood-soaked guilty conscience. The kind of CC to “waste away the weekend with perfect regard for how cavalier we used to be.”  89  Tasted December 2013  @ChiantiClassico  @ProfileWineGrp

Priorat

The history: In Catalunya, northeast Spain. The most recent regulations of the DOQ were defined in 2006.

The lowdown: Dominated by hillside vineyards with poor soils, the dark slate called Licorella and low-fielding old vines. Garnacha and Carinena are the most planted, but also international varieties such as Cabernet Sauvignon, Merlot and Syrah. Finest recent vintages include 2004, 2009 and 2012.

PLANETS DE PRIOR PONS 2009, Priorat, Spain, (314559, $24.95, WineAlign)

Clearly contemporary, voluptuous Garnacha blend, in symmetry with foil Carinena, In support are small amounts of Cabernet Sauvignon (10 per cent), Merlot (five) and Syrah (five). Chalk, grain and chocolate intensity, scents of dusty mulberry, menthol tobacco, eucalyptus and licorice. Works its international styling to great effect, if a bit heavy, woody and hollow up the middle. Lags just behind the stellar 2008 and yet this ’09 will have many a follower. Just a bit more structure would make it a prize.  89  Tasted December 2013

Rioja

The history: In northern Spain, on both sides of the River Ebro. The oldest Designation of Origin in Spain (DOCA), established in 1926.

The lowdown: Confluence of Atlantic and Mediterranean climates, with soils ranging from chalky-clay, to ferrous-clay and alluvial. Tempranillo is the most planted (red) grape. Finest recent vintages include 2005, 2005, 2010 and 2011.

ONTAÑÓN RESERVA 2004, Rioja, Spain (725895, $25.95, WineAlign)

The animal that is an ’04 Rioja Reserva is a VINTAGES darling. Here is yet another example in a long line-up spread out over several months of releases. 2004 palate fatigue should certainly have set in but for this youthful yet learned Ontañón. The dichotomy is not lost with much wood to be nosed though it’s neither abstruse nor resinous. More like a smoking cedar plank beneath the rendering weight of a slow-roasting porcine slab. Tangy cherry, sour plum and really stretched length. Mineral finish. Brillo Tempranillo with a touch of Graciano.  91  Tasted December 2013  @TandemSelection

Good to go!

No other grape causes more of a stir, is responsible for more hair to fall and breaks more hearts. It doesn’t play well with others. It refuses to share, to be blended, to give anything less than 100 per cent. For many, there is no other variety. How often does a conversation begin with “what is your favourite wine” and end invidiously with “Burgundy?” End of argument. Nothing more to discuss. While Burgundy certainly persists as the historic locale possessive of the title “when it’s great, it’s the best,” Pinot Noir has flown the coop. The expatriate extraordinaire has migrated about the globe and is no longer always a wannabe facsimile where it’s now grown and bottled.

A bold statement to be sure is coming, now. Save for the Oregonian version, Ontario has become the place to produce Pinot Noir out of soils not called Côte de Nuits or Côte de Beaune. The argument finds root in the climate (cool) and the terroir (ideally suited). The anomaly that is this season’s Polar Vortex notwithstanding, Ontario’s weather is Pinot weather. The thin-skinned variety thrives in Ontario’s typical autumn conditions, maturing evenly and with a phenolic ripeness necessary to fulfill complex tendencies. Soil could not compose itself any better. The huge rock beneath the surface in Prince Edward County screams Pinot Noir, if by way of Burgundy. The Niagara Escarpment and its foothills beg to support Pinot vines. No, really. Go stand in the Lowrey Vineyard on the peninsula. The land beneath your feet will whisper sweet Pinot nothings into your ear.

Arguing the meritorious benefits of grapes and specific sites is an exhausting though compulsory one. I have been a staunch supporter of the need for planting Riesling and Gamay everywhere. Ontario can and will do no wrong with these varieties, whether it be PEC, LENS or any Niagara Peninsula terroir. Chardonnay too, though it produces the greatest wines in the appellations of the Beamsville Bench, Twenty Mile Bench and Vinemount Ridge. The benches likewise work wonders for Cabernet Franc, though many producers make terrific renditions down by the lake.

Pinot Noir requires more site-specific consternation. The learning curve inhabited by our top Pinot producing stars has pinpointed certain neighborhoods that support their clairvoyance and expensive habits. Norman Hardie knows the Pinot innuendo of both Prince Edward County and the Niagara Peninsula. Hardie’s Unfiltered 2012 ”brings to mind indelible Burgundy, enveloped in PEC’s warm ’12 blanket.” Thomas Bachelder makes Pinot in Burgundy, Oregon and Niagara, but it is his Lowrey Vineyard 2011 that blows my mind. “The somewhereness of this St. David’s vineyard can’t be denied, and in the hands of Thomas Bachelder the extraordinary happens.” The micro-terroir studies of Ed Madronich and Jay Johnston is the stuff of quantum eonology. The Summit Block 2011 does “impossible Burgundy,” between a Flat Rock and an escarpment.

So where is the best site for making Pinot Noir in Ontario? Prince Edward County? Twenty Mile Bench? Beamsville Bench? Vinemount Ridge? St. David’s? Has the industry matured to such a level that a Cru system should now be defined? The answer may not be forthcoming today but it’s just around the corner. Pinot needs to be cultivated and fostered so that plots can continue to be identified and qualified. The future of the industry depends on it.

I have recently tasted more than 30 Ontario Pinot Noir. Many are worthy of a second look and more than a dozen a place in my cellar. Here are notes on five more, all deserving of their place in the Pinot sun.

From left: CAVE SPRING PINOT NOIR DOLOMITE 2011, INNISKILLIN MONTAGUE VINEYARD PINOT NOIR 2011, TAWSE GROWER’S BLEND PINOT NOIR 2010, HIDDEN BENCH ESTATE PINOT NOIR 2010, and 13TH STREET ESSENCE PINOT NOIR 2010

CAVE SPRING PINOT NOIR DOLOMITE 2011, VQA Niagara Escarpment, Ontario (26351, $21.95, WineAlign)

Part Beamsville Bench (70 per cent) and part Twenty Mile Bench (30), this best of both worlds Pinot is full of calcium magnesium carbonate, Jurassic bark. Playful as opposed to angry, this is not so much Snoop Dogg’s Dolomite but more like an animated Futurama. Seduces with a sweet red berry entry and bound by a really fine acid/tannin/fruit balance. Admittedly not overly complex but for the price it shows good structure. As far as Pinot goes, this one is a made for beef or rack of veal.  89  Tasted October 2013  @CaveSpring

INNISKILLIN MONTAGUE VINEYARD PINOT NOIR 2011, VQA Four Mile Creek, Niagara Peninsula, Ontario (997353, $24.95, WineAlign)

Montague is a single-vineyard child of rain and heat. The flux of the growing season translates to a troubled and disjointed youth; musty, earthy and unforgiving. Still this Inniskillin is thick, unctuous, sharp, chewy and while currently situated on the darker side of Pinot, all this will change. Not yet showing what he is, the ’11 will “keep on keepin’ on, like a bird that flew,” and eventually be tangled up in blue.  89  Tasted October 2013  @InniskillinWine

TAWSE GROWER’S BLEND PINOT NOIR 2010, VQA Niagara Peninsula, Ontario (130989, $26.95, WineAlign)

The univocal Pender perfume permeates the Tawse stable of Pinot Noir and seems only magnified in the multiple site Grower‘s Blend. Vintage related warmth and inferable incrassation of fruit. Delves into a deep connection to disparate lands possessive of a common goal.  As if making wine is “your taste combined with all the years of wasting time.” Graceful Pinot Noir with moments touched by hot rocks, toasted red rice, a gentle smoulder and delicate grains of sand.  90  Tasted October 2013  @Tawse_Winery

HIDDEN BENCH ESTATE PINOT NOIR 2010, VQA Beamsville Bench, Niagara Peninsula, Ontario (winery, $40, WineAlign)

Clean, pure and crisp. As if raspberries covered in Beamsville dirt with an underlying lurk of grain and tannin. Crackling Pinot studded by caper berry and a sheer Mediterranean point of view. From an earlier note: “Takes my previous impressions to a higher plane. Standing correct by calling it a “a vintage relative release” but it’s so much more than “a quaffable, generous fruit sui generis.” Beets turn into plums. Opaque hue reminds of graceful Nebbiolo with a dancer’s legs in aperture. Wins in judicious use of French wood. Tannins persist in the rear-view mirror. Big ’10 that speaks of another level in Beamsville Pinot Noir. “Think about it, there must be higher love.” 91  @HiddenBench  @BenchVigneron 

13TH STREET ESSENCE PINOT NOIR 2010, VQA Niagara Peninsula, Ontario (237222, $44.95, WineAlign)

Only the second coming of The Essence. Lucid, willing and able Pinot Noir from an assemblage of fruit sourced across the region. Atypical in that sense, speaking to a broader range of terroir and to a wider audience. Breadth and depth much like a Côte de Beaune, earthy of serious dirt layered over top a cherry core. Attention now and for five plus years is needed because though to taste it’s currently confounding, time will see more complexity, development and emerging emotion. It will then solicit a cry of  ”baby, sweet baby, you’re my drug. Come on and let me taste your stuff.”  91  Tasted October 2013  @13thStreetWines

Good to go!

As a Super Bowl libation of choice do you consider wine a foray into the arena of the absurd? If so, you may be right, but you may be wrong. The Super Bowl is absurd. So, what are the odds that wine figures into your Super Bowl gathering? You might just be surprised.

I have participated in the same season-long NFL pool for the past 27 years. It was a “fax” pool in the 90′s and persists as an early days of the internet, send your picks in by e-mail endeavour. I’m still waiting for our administrator to make use of a free internet betting site but then again, there is a certain kind of comfort in the naiveté of low stakes, old-school pool participation. Meanwhile, I wouldn’t watch a single snap without something riding on the games. With apologies to my Peyton Manning-worshipping son, the NFL is just not that interesting and it’s a brutal sport.

Think about it. The game itself is a barbaric testosterone display of gladiator proportions, a war waged by freak of nature behemoths intent on killing one another between the blow of every whistle. Watch an NFL game and you’ll see that a player remains down and hurting after almost every play from scrimmage. When an elite athlete stays down, trust me, he’s hurt. Something has pulled, torn or broken nearly every time you see it.

Then there are the costs; production, hosting, advertising and tickets. According to the Philadelphia Business Journal, “At $4M for Super Bowl ad, it’s ‘almost impossible’ to see return on investment.” The cost to Jersey City for hosting “is a tax on our resources to some degree,” said Mayor Steve Fulop. According to NewJersey.com, “the police presence alone will cost city taxpayers several hundred thousand dollars.” The market for ticket prices opened at $4,000 but now they are just giving them away, with $3,088 being the current average price as of Tuesday afternoon, this according to the Bleacher Report. If you think the prices are too high, you have no business going to the Super Bowl. In 2013 Beyoncé was not paid for performing at the halftime show, though she was awarded $600,000 for “production costs.”

Is this shaping up to be the saddest Super Bowl ever? Joshua M. Brown sure thinks so. “This Sunday, Super Bowl XLVIII (48) will be played in an open-air stadium, built atop a New Jersey swamp, in 2 degree weather, while pretending it’s actually taking place in New York.” So, now does it seem like such a far-fetched idea to drink wine while watching the Super Bowl? Sure, 99 per cent of the American Football hypnotized viewers will have a beer or 12 on Sunday. Hopefully a few thousand will be creative enough to get up from the couch and source something local and craft-related. I will be bringing fine-ish wine to the grid iron festivities. There are well thought out, dedicated and purposed reasons for my choices.

The original elite athletes on this planet were from ancient Greece. Though they may not have tossed around or beat each other silly over an oblong-shaped ball covered in pigskin, they personify the term ‘forbearer’ for real sport. Besides, real men drink Greek red wine.

@zoltanszabo @johnszabo Real men drink Montenegrin & Macedonian, not to mention Naoussan & Thessalian..this is going in my Super Bowl column—
Michael Godel (@mgodello) January 29, 2014

Wine produced in a region defined by its volcano is also a must. Nowhere does the vinous world bequeath an emphatic lava flow of energy and verve like Etna. Football is a mob mentality game of raw and pure emotion, much like the terroir-driven Nerello Mascalese and Nerello Cappuccio from Sicily.

Zinfandel is a natural for the Super Bowl. Bold, deep, dark, rich and striking. The brambly flavours scream rough and tough. Zinfandel always lives on the edge. It will also stand up to and support the fatty, greasy and cheesy gamut of flavours on the SB coffee table.

A classic Cabernet-Merlot blend is a must for all the red meat that will be consumed on Sunday. Don’t bother with the modernity or overpricing of soft, voluptuous and velvety Bordeaux or Napa.  This game and your aged beef require some grit. If you live in Canada, go local, as in Okanagan Valley or Niagara Peninsula.

For the sensitive and cerebral man, the Peyton Manning armchair quarterback if you will, look for a well-aged and thoughtful white wine. Hunter Valley Semillon comes to mind. The last time the Seattle Seahawks played in the Super Bowl was 2006. That strikes me as a good vintage to help settle the score.

Here are my five wine picks for Super Bowl 2014 and some music to match.

From left: NICOSIA FONDO FILARA ETNA ROSSO 2010, THYMIOPOULOS VINEYARDS YN KAI OUPAVÓS XINOMAVRO 2010, MCWILLIAM’S MOUNT PLEASANT ELIZABETH SEMILLON 2006, RAVENSWOOD OLD VINE ZINFANDEL 2010, and MALIVOIRE ‘STOUCK’ CABERNET/MERLOT 2010

NICOSIA FONDO FILARA ETNA ROSSO 2010, Sicily, Italy (362129, $19.95, WineAlign)

Wines from Sicily’s Mt. Etna region and the indigenous variety known as Nerello Cappuccio may seem like a space oddity to many but those who have opened their hearts and minds to the volcanic wonders float “in a most peculiar way.” This Rosso carves a bowie-knife line of lava mineral and Mediterranean salinity right through with bang on acidity and vitality of red fruit. A minor detractor in that it’s a bit saturated, muddled and earthy for Etna, but it brings the mountain down to the tasting room. Licorice, cirasu, plum and the dried grape feeling of zibbibbu. Contagious in spirit.  90  Tasted January 2014

THYMIOPOULOS VINEYARDS YN KAI OUPAVÓS XINOMAVRO 2010, Unfiltered, Naoussa, Greece (360750, $19.95, WineAlign)

Magnificent Macedonian, built upon the unheralded yet stalwart variety Xinomavro. Pure, sweet-smelling gardenia and the refuse of ancient rolling stones express every bit of sun and wind-swept, low bush vines goodness. Purposefully and thankfully unfiltered, so that all the delicious sweet and sour cherry and great biting but sweet tannin are left in. Purity, good sugar/alcohol heights without oak corruption. Earth possessive of mythic undercurrent, sage, wealth of  knowledge, sweet anise and hyssop. Scents of game on the grill. Amazing complexity and length. While tasting this Xinomavro it made me “feel so hypnotized, can’t describe the scene.” Get your rocks off to the Greek.  91  Tasted January 2014  @thymiopoulosvin

MCWILLIAM’S MOUNT PLEASANT ELIZABETH SEMILLON 2006, Hunter Valley, New South Wales, Australia  (724492, $19.95, WineAlign)

Such a rare occasion to peer into the portal of aged Hunter Valley Semillon so expectations run high along the lines of gain the ridge and peer out over the great expanse. Emerging classic secondary notes, in tropical low-bush, caramelizing tangy fruit meets sweet hive sticky fashion but, and I take care to be sure, the fruit suffers under a yoke of petrol and a scraping of rocks. The lemon is faint, the fruit disappointingly fading. Listen closely to her voice, “I can’t sing, I ain’t pretty and my legs are thin.” Sure, acidity steals the show but at what cost? Still, a study in Semillon is always a positive so the cellar aging and delayed release must be appreciated. Oh, well.  89  Tasted January 2014   @McWilliamsWines

RAVENSWOOD OLD VINE ZINFANDEL 2010, Sonoma County, California, U.S.A. (673798, $21.95, WineAlign)

Consistency thy name is Ravenswood in the key of Zinfandel. From typically gnarly old vines scattered around Sonoma County and so young at heart. As solid as a wine can be when blending from so many sites. Vanilla is its calling card, flavouring the pool of berry syrup along with a tobacco-like smokey accent. Good tartness balances the rich fruit. At only 5g/L of residual sugar, this Zinfandel reaches sugar mountain with natural sweetness so, “ain’t it funny how you feel when you’re finding out it’s real.” Bring on the big game chili and beef stew.  89  Tasted January 2014

MALIVOIRE ’STOUCK’ CABERNET/MERLOT 2010, VQA Lincoln Lakeshore, Ontario (321836, was $29.95, now $24.25, WineAlign)

This Niagara Bordeaux-inspired blend comes from a legendary vineyard in the making. Cabernet Sauvignon, Cabernet Franc and Merlot all ripen and develop phenolic pitch with Findhorn-like, remarkable quality. How and why it ended up on the VINTAGES Bin-End list is beyond explanation. It was a must buy before, now it’s a steal. From A long and ‘wine-ding’ tasting road:  ”From down on the Lincoln Lakeshore is a pitchy rendition with a pronounced roasted espresso note. Seems to me the motherly, Cabernet Franc’s genes have imparted their wisdom into this (63%) Cabernet Sauvignon dominant beauty with big Cassis fruit. Chic, juicy, with a filled in mid-palate and stiff structure. Grab a glass, “leave your cares behind, these are the good times.”  91  Tasted March 2013  @MalivoireWine

Good to go!

Villa Maria Production Winemaker Josh Hammond had to be on the verge of exhaustion when he sat down with John Szabo and I at the WineAlign office last week. Hammond was a Montreal stop away from a near coast-to-coast, Canadian jaunt to promote the wines of the New Zealand Sauvignon Blanc and Pinot Noir pundit. I will assume that Hammond is usually more animated than he was that afternoon and will hedge my bets he is customarily content to let the wines speak for themselves. After 52 pioneering years, Villa Maria has earned the latitude.

Josh Hammond could pass for the second coming or be the separated at birth doppelgänger to The Who lead vocalist Roger Daltrey. I am very familiar with those kind of piercing blue eyes, having gazed into them repeatedly from my 9th row floors Maple Leaf Gardens seat at the December 16, 1982 iconic band’s “final” concert. Hammond has that Face Dances, You Better You Bet, maturing British glam look, marked by rock-star tussle, salt & pepper hair. Petite too and always behind blue eyes. OK, I hear you. Godello digresses.

PHOTO: Michael Godel
Villa Maria Tasting with Josh Hammond

The 27 year-old wine facilitator’s globe-trotting efforts are in support of an amazing, sustainable journey, aka the vision of Villa Maria founder Sir George Fistonich. Villa Maria is a Kiwi leader in organic grape farming and carbon footprint reduction. Sir George and team are keen to peddle the concept in their literature, employing buzz phrases like, “there is no end point,” “leave something for the next generation” and “overriding business objective.”

Worm farms, vineyard rows wildflowers and snaffling flocks of sheep are all a part of the Villa Maria world. And yet, the discussion and tasting with John, Josh and I virtually ignored the notion of sustainability. No hidden agenda or bad intent was meant to label the Fistonich organic principles as Milquetoast, but this tasting concentrated solely on vintages, terroir diversity and the bottles at the table. Good wine is good wine, no matter the virtuous or commendable maker’s actions.

I got the feeling that Josh cares most about the finished product. Though he’s a child prodigy of the land he now juices to fashion Villa Maria’s large yet manageable output, the peculiarities of the process did not steal the tasting’s limelight. That worked to great effect. We talked about how the 2013 vintage shone on Sauvignon Blanc. We were introduced to the ways of Villa Maria’s unshakable, panoptic Pinot Noir. Here are notes on the six wines tasted.

From left: PRIVATE BIN SAUVIGNON BLANC MARLBOROUGH 2013, CELLAR SELECTION SAUVIGNON BLANC 2012, PRIVATE BIN PINOT NOIR 2011, CELLAR SELECTION PINOT NOIR 2009, and SOUTHERN CLAYS SINGLE VINEYARD PINOT NOIR 2010

PRIVATE BIN SAUVIGNON BLANC MARLBOROUGH 2013, Marlborough, New Zealand (426601, $16.95, WineAlign)

Ferly opening wine with winemaker Josh Hammond and surely not anticipated. Opulence upon first aromatic gather, pure and spirited from cold fermented, stainless steel treated 50/50 Wairau and Awatere Valley fruit. The latter adds typical herbaceous and inimical character. Plugged in stellar 2013 vintage, yet with grass uncut, low on mow, left to grow. Still, the herbiage is exaggerated so thanks is owed to the lemon, paraffin and lanolin. Juicy, fresh, crisp value SB.  88  Tasted January 2014

CELLAR SELECTION SAUVIGNON BLANC 2012, Marlborough, New Zealand (974527, $21.95, WineAlign)

The 2012 season was not Sauvignon Blanc philanthropic so extended time on lees pays off towards supplemental body and texture. What speaks loudest is the odiousness of capsicum and even more obvious green cubanelle pepper. More green runs amok, in peppercorn, green tea ice cream and lime sherbet. Unique and conspicuous expression. A cooler year so some residual sugar accords the balancing act. Not able to shake that omnipresent layering of all things pepper.  87  Tasted January 2014

PRIVATE BIN EAST COAST GEWÜRZTRAMINER 2012, New Zealand (357509, $14.95, WineAlign)

Grapes sourced from three growing areas; Auckland, Gisborne and Waipara. Warm, aesculapian tonic, with a coursing note like the spiked heat of a drop of venom in neutral alcohol. Ethereal, jazz/R&B Gew, tropical, unctuous but not chewy, angled by wood sealant spice. At this price, in comparison to other North Island renditions, with a good bitterness, it does the variety proud. Gewurztraminer a world away might say I “see your eyes in mine, leave the rest behind.” Though it may hit the ground running, it makes quick work of itself.  87  Tasted January 2014

PRIVATE BIN PINOT NOIR 2011, Marlborough, New Zealand (146548, $21.95, WineAlign)

That Villa Maria can make 80,000 cases of Pinot Noir this proper is nothing short of remarkable. Aged in French oak for 8-10 months. As Pinot like as could be hoped for considering the case amount. Every drop must go through Malolactic fermentation. Winemaker Josh Hammond and crew insist upon it, though it’s nothing but painstaking cellar/lab work. The Pinot character initially shines, with loads of plum and black cherry, but there is a momentary lapse. But, “if you’re standing in the middle, ain’t no way you’re gonna stop.” So, the definitive Marlborough ectodermal line painted through the in door speaks quickly and leaves by the out-door. From a smoking gun, rising like a Zeppelin. Large volume, big production, drinkable in the evening Pinot Noir.  88  Tasted January 2014

CELLAR SELECTION PINOT NOIR 2009, Marlborough, New Zealand (285361, $32.95, WineAlign)

A selection of Villa Maria’s best fruit is siphoned out of 12-month aged, 30 per cent new French oak barrels. Seemingly entering or hinting at an oxidizing, metallurgical time coming soon. The current holding pattern is a beautiful one, behind blue eyes, very floral and prompts thoughts of the same 2009 vintage in Ontario. From a who’s who of Awatere and Wairau Valley vineyards, sites chosen to qualify for the Reserve wines. From ultra-healthy, crop-thinned vines, the Cellar Selection gives a scent of candied flowers and a taste of rosewater molasses. Fine and warming. Keeps me warm, let’s me wear its coat. Could be confused for $50 Sonoma it’s just so pretty, sweet and fruit forward. The time in glass breathes life back upon itself. Flourishes and finishes with a touch of pipe smoke, signalling quality.  91  Tasted January 2014

SOUTHERN CLAYS SINGLE VINEYARD PINOT NOIR 2010, Marlborough, New Zealand (Agent, $59.95, WineAlign)

From Villa Maria’s Rutherford Vineyard, a gentle north facing slope set upon heavier clays. An SV whose world is a flood…one with the mud.” A heavier style, a jar of clay, yet not overtly varnished by any particular coat. Small berry, dark fruit concentration, in some ways anti-Pinot or rather Pinot of a new religion. The spice is classic Marlborough, vanilla sneaks in and the texture is grainier and loamier than the Cellar Selection. Big, ripe and communicative of a confected sensibility. As far as New Zealand goes, this one floods piously of Adventist Pinot Noir. Leap of faith.  90  Tasted January 2014

Good to go!

There was a time when Ontario wine held no candle to my thoughts, filled no glass in my tasting regimen and occupied no place in my cellar. My how time and five years of enlightenment have changed me. Rarely does a day go by when that holy trinity of wine attention does not focus on something from Ontario.

My current obsession lies in the white wines from the 2012 vintage. The two previous years were so different, 2010 at first seemingly hot and bothered, then having emerged from its shell it has since clearly spoken in a language of elegance. The 2011 that followed gave wines of piercing acidity, verve and even austerity. Chardonnay, Riesling and Semillon all grabbed my acidulated attention.

First encounters with 2012 provided great skepticism. I continue the journey of ’12 discovery and the doors of perception are beginning to open. As a white wine vintage in Ontario, 2012 is shaping up to be a classic. Candour and acidity are there, but it is the rich, fullness of the wines that have taken the industry’s prowess to a whole new level. Riesling is brilliant. Pinot Gris the best ever. Though conditions may have not produced the coolest Chardonnay, winemakers who exercised restraint made beautiful wines. White blends that made use of highly aromatic varieties made their best wines to date. Reach out and touch Ontario’s 2012 whites.

The question is always being asked, what’s in a wine vintage? Not long ago I was emphatic to state there are no longer bad vintages in Ontario. The wisdom, experience and winemaking acumen has rendered that notion obsolete. There are challenging years for sure and this harshest of 2014 winters will certainly test the mettle of winemakers. Vintage variation is real and yes, there are no bad vintages, only different ones.

The new Kew Vineyards in Beamsville is on to something and 2011 was a terrific vintage to sidle up to their unique production of red wines. While appassimento remains an Ontario enigma, not quite like growing and producing a southern Italian grape like Aglianico, but the method is still a bit of a side-show. Kew reigns in the practice and matches it to the parameters of the Ontario vineyard and the climate. Kew the new red in Ontario.

Here are six new releases, a new Kew, a Prince Edward County classic Sparkling and four definitive whites from the 2012 vintage in Niagara.

From left: FLAT ROCK TWISTED 2012, TAWSE SKETCHES OF NIAGARA RIESLING 2012, KEW VINEYARDS SOLDIER’S GRANT 2011, FLAT ROCK NADJA’S VINEYARD RIESLING 2012, SOUTHBROOK VINEYARDS TRIOMPHE CHARDONNAY 2012, and HUFF ESTATES CUVÉE PETER F. HUFF 2007

FLAT ROCK TWISTED 2012, VQA Niagara Peninsula (1578, $16.95, WineAlign) VINTAGES ESSENTIAL

Though the warmth of the 2012 vintage could have suffocated a blend such as this Twisted, to the contrary, this harmonious white unfolds as a cold play. Cool, crisp, wonderfully tart and full of citrus zest. Plenty of sunshine but no burn. Waxy and rich like excellent Moscato along with the creamy confection of mango and the tang of what pale, trenchant pineapple used to be, before it went golden. The blend of Riesling, Gewurztraminer and Chardonnay magnetizes the opposing forces of residual sugar and modest alcohol. “And you are not wrong to ask who does this belong to? It belongs to all of us.” Best Twisted to date.  89  @brightlighter1  Tasted January 2014

TAWSE SKETCHES OF NIAGARA RIESLING 2012, VQA Niagara Peninsula, Ontario (89029, $17.95, WineAlign) From the VINTAGES, February 15th, 2014 Release

Frothing at the glass, full on soda aromatic entry, verging to off-dry white peach and yellow plum flavours. Full of tang and zest, enriching flavours that render the soda irrelevant. All in, vigorous ’12, most ever perhaps. From my earlier note: “s’got quite the tropical warmth for Bench Riesling. When considered in terms of the vintage, this is nearly a Riesling in the service of a Pinot Gris. Very juicy fruit, dry but bursting in fricative verve. Extreme quality, low-cost. Now on tap at Barque Smokehouse.  89  Tasted August 2013 and January 2014  @Tawse_Winery  @Paul_Pender

KEW VINEYARDS SOLDIER’S GRANT 2011, VQA Niagara Peninsula  (367318, $18.95, WineAlign) From the VINTAGES, February 1st, 2014 Release

Winemaker Philip Dowell draws upon his Aussie roots, delves into a northern Italian technique (appassimento) and along with Beamsville grower Graham Rennie, does the practice proud. Vineland Research Institute has been working towards developing a Niagara appassimento thing, already embraced by the likes of Foreign Affair, Pillitteri and Colaneri. Now Kew takes the torch but with an altered finesse and restraint. Raspberry and the wet warmth of spring sun, saturated earth give way to dusty, sour cherry with an accent of peppery, herbaceous Loire-style Cabernet Franc. The dust ultimately trumps the sharp and then submits towards a metallurgical length. Would work with eclectic flavours, like Buffalo Chicken Nachos. It’s true.  88  @kewvineyards  Tasted November 2013 and January 2014

FLAT ROCK NADJA’S VINEYARD RIESLING 2012, VQA Twenty Mile Bench, Niagara Peninsula (578625, $19.95, WineAlign)  From the VINTAGES, February 1st, 2014 Release

A champion cyclone of forces combined to elevate the already incumbent position of this Twenty Mile Bench Riesling. An ideal growing season magnified transmission upon a paradigmatic two and a half-acre block. This southern-most and highest altitude section of Flat Rock’s vineyard rests aboard a solid bed of limestone and wake me up if that rock was not drawn up into the vines in this stellar Riesling vintage. Sure its warm and nearly off-dry but such an effortless squeeze of lemon hydrates and elevates orchard fruit and honey out of the year of the lemon. After each sip its “every time you kiss me, lemon crush.” Love this prince of a Twenty Mile white in 2012, the dynamism smiling on the tart, succulent fruit. The length is one of outright bravado. This will develop for 20 years, of that I am convinced. There is just so much fruit. A Nadja for the ages.  92  @Winemakersboots  @UnfilteredEd  Tasted January 2014

SOUTHBROOK VINEYARDS TRIOMPHE CHARDONNAY 2012, VQA Niagara On The Lake (172338, $22.95, WineAlign) From the VINTAGES, February 15th, 2014 Release

A sachet of fiendish raising agent and scotch kindled toast seem initially atypical for the vintage but are kept in check and work alongside one another to great effect. Halfway in there are notes of lemon butter, saltwater-marked wooden ship, pine forest on a warm morning and organic smells of the world outside. The glow and ardor of what Chardonnay can rightfully be in 2012 take the lead at the mid-point and carry Triomphe through to an eco-rich, full-bodied good glass. “On the water, very free, and easy.”  89  Tasted February 2014  @SouthbrookWine

HUFF ESTATES CUVÉE PETER F. HUFF 2007, Traditional Method, VQA Prince Edward County, Ontario (198754, $39.95, WineAlign) From the VINTAGES, February 15th, 2014 Release

This is a glorious vintage for the classic Chardonnay and Pinot Noir flagship Huff bubbles. Lees affected in waves of chewy, fernetty, lime sherbet, ginger, coriander seed and apical almond butter. The humidity of the vintage plunges this complex sparkler into the brewing smells of a late fall apple orchard. Bronzing in attitude to middle age, a kind of medieval bubbles, hard on you, not letting go of its barbaric hold. The colour speaks of age but there is a huge amount of verve and life left yet. Your full attention is required to gather Huff’s traditional thoughts and this is quite possibly the most rambunctious PEC fizz I’ve ever encountered.  So different from the 2008 ”austere, dry, flinty wine of slate.”  92  Tasted February 2014  @HuffEstatesWine

Good to go!

If you live in Canada, purchasing wine ties you directly to a monopoly. There are exceptions, though still imperfect ones, like the free market culture of Alberta and the developing tiered system in British Columbia. The earnest call across the country to free my grapes continues though regrettably, stiff resistance stifles the cause.

Manitoba and BC allow direct to consumer inter-provincial wine imports. Consumers can order from out of province and receive direct shipments so long as the wine  is 100 per cent Canadian. Nova Scotia has passed enabling legislation that will follow a similar path. If you reside in Quebec or a fortiori, in Ontario, having wine shipped to you remains taboo. The alternate recourse of consignment wines available for purchase through local importers is an irregular option and having to buy by the case designs no compass of mass appeal.

Spend even a fraction of the time I do in trying to seek out the best values, at the best prices and in the categories that cater specifically to personal tastes and you will understand how difficult it is to be satiated in such a constricting climate. I am not the only one seeking out red wines made in the vineyard, through minimalist oak intervention, unhindered by residual sugar, produced by passionate and honest winemakers who are vigilant with the softest of hands.

Who does not want their wine to have mass in it, as in life? Who would reject an elixir drawn from iron-rich earth, boiled through limestone and warmed to a rosy madder? Who can deny the pure joy culled from a wine that might steal the words from the mouths of poets?

In Canada, unearthing such gems requires intestinal fortitude, especially considering the search is mapped out in government-controlled stores. Stock norms do not include wines made from lesser-known grapes, from regions and appellations less frequented. It takes time, effort and most of all, patience. Life can get in the way of the endless and unavailing chase; work that pays, kids, weather, fatigue. Sometimes it just makes sense to abide and even embrace the easier, well-worn path. This is where the bigger wineries step in, toting larger case loads and a middle-of-the-road, radio bathos experience.

There are varietal vicissitudes to ferret out from varieties you might have chosen to avoid. New World Pinot Noir and Chardonnay. Zinfandel. Rhône blends. Sangiovese blended with Cabernet Sauvignon. Tempranillo. All these grapes are often mistreated, modernized, smothered in oak and homogenized so that their indigenous origins are blurred into a bar of mass-produced chocolate. Occasionally they are done right by their makers.

In what has been such relentless cold, snow and ice, now into the oppressive dog days of winter, don’t think of drinking commercial wine as copping out. The big houses can be your friend, so loosen up and trust me when I tell you I’ve worked very hard to weed out the chaff and promise only to recommend the whole wheat. Here are seven current releases that made the pecuniary cut.

From left: Mission Hill Reserve Pinot Noir 2011, Clos Du Val Zinfandel 2011, and Robert Mondavi Chardonnay 2011

Mission Hill Reserve Pinot Noir 2011, VQA Okanagan Valley British Columbia (545012, $24.95, WineAlign) From the VINTAGES Feb. 15, 2014 Release

Here’s a juicy plum wine with noticeable warm alcohol that goes subterranean and won’t make you homesick for alien Pinot Noir. Athletic red with a quick first step and nerve, running a west coast offence, scoring points.  Char in licorice and a grid-iron, “uptight, uptight” bitter tendency but is a most saucy rendition. Extra point from clean, easy sweet tannins. Good length. Pinot on the radio. Really attractive price puts it at the head of its class.  90  Tasted February 2014  @MissionHillWine

Clos Du Val Zinfandel 2011, Napa Valley California, USA (590216, $24.95, WineAlign) From the VINTAGES Feb. 15, 2014 Release

Every so often a grape variety confounds and astounds, like this pretty in zinc Zinfandel. Almost mute as far as Zin goes, this CdV ”set out on the heels of the unknown.” Times like these normally produce lumbering, high-octane interpretations but this radical face is the Simon and Garfunkel of the variety. Singing with soft harmonies and composed as if by a deft balladeer. Flair comes from Spanish-like modernity – a good thing for Zin. Less bramble, more Ribera. Less reduction, more Montsant. Smooth as silk, reeking in vanilla, raspberry and symptomatic by a kiss of mineral. If but for one hollow mid-verse this would truly sing but that really is no big thing.  90  Tasted February 2014  @ClosDuValNapa

Robert Mondavi Chardonnay 2011, Napa Valley, California, USA (310409, $25.95, WineAlign)

One of the more quintessential, mid-range, rich and opulent Napa Chardonnays that steps out of the lobster butter dish in 2011. Apple-tinged terpenes show their presence, along with tarragon and a bag of just opened good and plenty. Piquant, poignant vintage, peppery and acting cooler than I ever remember it to be. Whether by chance or by choice, this is a welcome direction though I doubt its kind will soon be seen again.  89  Tasted January 2014  @RobertMondavi

From left: Umberto Cesari Liano Sangiovese/Cabernet Sauvignon 2009, Wairau River Reserve Pinot Noir 2010, Grant Burge The Holy Trinity Grenache/Shiraz/Mourvédre 2011, and Beronia Viñas Viejas 2010

Umberto Cesari Liano Sangiovese/Cabernet Sauvignon 2009, Igt Rubicone Emilia-Romagna, Italy (225086, $29.95)

Decidedly modern in many ways; oak impart, varietal alliance and braggadocio. The nose speaks highly of unsettled alcohol and alchemy. Big on black cherry and earthy with a welcoming and necessary roasted rare and still kicking game component. The mellow support of Cabernet Sauvignon is kicked upside the head by full throttle, oak-laden Sangiovese. Though hot and bothered, there is a keen sense of acumen on display by the Emilia-Romagna team at Umberto Cesari.  89   Tasted January 2014  @UmbertoCesari

Wairau River Reserve Pinot Noir 2010, Marlborough, New Zealand (361253, $29.95, WineAlign) From the VINTAGES Feb. 15, 2014 Release

Wonderful value in premium Marlborough Pinot Noir. Alluring sylvan aromatics, in a potpourri of violet, rose, plum and strawberry. Sharp, cranberry-pomegranate-cherry fruit flavours, the grain of red fife, and eye-popping acidity. An earthy terroirist, layered and delicious. Warm but not alcohol driven, touched by oak but not shaken and with just one coat of paint.  91  Tasted February 2014  @wairauriver

Grant Burge The Holy Trinity Grenache/Shiraz/Mourvédre 2011, Barossa, South Australia (Agent, 236257, $29.95, WineAlign)

The right Rhône immediacy of the 2011 Barossa vintage gets its hooks right in. Snapping with a direct blow uppercut to the jaw, this Grenache, Shiraz and Mourvédre blend goes right for the jugular with passion, not sugar. It’s a tricky mix, angular yet smooth, floating like a butterfly and stinging like a bee. Terrific charred, meaty flavours mixed with juniper and black raspberry, savoury spice and a chain of tannic length. Will age with metronome precision over a period of 10-15 years.  91  Tasted January 2014  @GrantBurgeWines

Beronia Viñas Viejas 2010, Rioja, Spain  (Agent, $30.00, WineAlign)

This 100% Tempranillo is Beronia’s enigma. Sourced from 40-plus year-old vines and housed for 14 months in new French oak. The Van Morrison bottling, if you will. Forget thoughts of a gnarly, tar and brambly red. This one is compliant and inviting. Cherry cheesecake gives it a dessert-like funk, with a baking spice and savoury plum pudding chaser. Vanilla is the unifying factor, the glaze, the icing on the cake, thanks to those new barrels. “You say “France” and I’ll whistle.” This is a pleasure to taste and ready for consumption.  90  Tasted January 2014  @BodegasBeronia

Good to go!

Friday is Valentine’s Day, again. May as well be Groundhog Day, only the movies aren’t as good. You do know that songs about Valentine’s Day rarely look at the bright side of life. Case in point David Bowie, Linkin Park, Marilyn Manson and even Jewel. Last year I played the cruel card against a worthy Valentine’s adversary, the wine in the pink pajamas, Rosé. Like it or not, I’m sticking to the 2013 pronouncement, “just say no to pink wine for Valentine’s.”

I can and will pick wines for any and every occasion, from the Ice Storm to the Super Bowl, from Halloween to sipping along with Rock and Roll. Valentine’s Day receives no exemption but there can be no sugar coating cupid’s get in the mood juice by way of the pink stuff. Blush and bride do not connect as the greatest Valentine’s Day pairing.  A real man will drink Rosé any day of the year, just not tomorrow. February 14th is so hyper-candied that ingredients like salinity, minerality, positive bitterness, animale and tannin are essential in the name of balance. Just don’t pair your dry red wine with chocolate.

The wines I’ve picked out for her, for him and for each other all exhibit at least a few complex characteristics. They also hail from nooks in the world a patron saint of lovers might find a respite away from the demands on his match-making time. Here are five wines that say “you can kiss my sweet pink wine, Valentine.”

From left: Terres Blanches Muscat Sec 2012, Boutari Santorini 2012, Domaine Lambrusques Esprit Sauvage 2011, The Foreign Affair The Conspiracy 2012, and Verbena Brunello Di Montalcino 2008

White for her

Terres Blanches Muscat Sec 2012, Pays D’oc, Languedoc-Roussillon (Midi), France (653188, $13.95 WineAlign) From the VINTAGES Feb. 15, 2014 Release

Dry Muscat can be dull as paint drying and though this entry-level rarity (for Canada) is a bit aromatically quiet for the species, the palate really shines. This must be the place to explore the dry example of the variety. A naïve melody with “feet on the ground, head in the sky.” Will appeal to fans of Unoaked Chardonnay and white Rhône blend rangers. Tasty bits of clementine, nougat and anise. The good bitters of a cocktail coming up to room temperature. Good tangy finish that goes on for quite some time. We’re talking head of the class.  88  Tasted February 2014

White for him

Boutari Santorini 2012, Santorini, Greece  (47985, $15.95, WineAlign) From the VINTAGES Feb. 15, 2014 Release

The soda, stones and salinity of Assyrtiko from Santorini can be a trifecta of allegorical wonderment. This one has all that but it is the lemon drop nose that leads so in that sense it’s more basic than others. That said it is a perfect pale-bronzing entry into Thira’s Cycladic, Aegean world. At this price there is more pith and bitter nut oils but the wine remains lively. Add to that the savoury garrigue of the island’s low-bush vineyards and a slow-flowing note of warm lava. Not surprising given the above average temperatures of 2012, leading to a reductive note. Still, Assyrtiko always thrills.  89  Tasted February 2014  @Boutari  @DrinkGreekWine

Red for her

Domaine Lambrusques Esprit Sauvage 2011, Pic Saint Loup, Languedoc-Roussillon (Midi), France (354142, $17.95, WineAlign) From the VINTAGES Feb. 15, 2014 Release

This Languedoc-Roussillon red blend wheels out a quirky beat but is so generous of flavour it will have great appeal, if not to the masses. Unmasked by wood or cane, it almost seems to apologize for being so tasty. Pic St. Loup may not be a household name and though it “started off with nothing,” this village might tell the Esprit Sauvage  “you’re proud that you’re a self-made man.” Confident in bracing tannin and acidity though they steal away like a Xeroxed, three-minute George Harrison pop song. At the end of the day I’m happy to be stuck in Midi with a Pic St. Loup.  89  Tasted February 2014

Red for him

The Foreign Affair The Conspiracy 2012, VQA Niagara Peninsula, Ontario, Canada (149237, $19.95, WineAlign) From the VINTAGES Feb. 15, 2014 Release

Quickly reminiscent of its 2011 predecessor but also different, in a basking, vintage-related warmth and reductive currency. This could not have been an easy wine to temper in 2012 considering the ripasso methodology. Just softened plum is painted all over its sheen with the poaching aromas steaming away. Grilled, melting licorice, caramelizing and disapparating before your eyes. Not to mention a French vanilla creamy garagiste waft, like nuts and bolts ice cream. But I will admit the tang, acidity and tenacity increases with each sip and swirl. Such a unique bottling to Ontario. Is there anything else like it not from Lake Erie North Shore?  89  @wineaffair  Tasted February 2014

Red for each other

A conundrum here. On one hand this Verbena is ready to take up residence in the modern world. On the other, there are hallmark ancient Sangiovese Grosso varietal and Montalcino cellar smells. Leather, game, seeping, weeping cherries, dried flowers, cave must and animale. The game really stands out and though it’s neither mutton nor bretty funk, it’s got musk. Angular yet sweet tannins envelop flavours of roasted plum and licorice. Copiously endowed with intense, dense, chewy fruit so expect this to last for 10-15 years. Makes for great value in Brunello out of a trying but thankfully not flamboyant vintage.  92  Tasted February 2014  @ConsBrunello

Good to Go!

Thomas Bachelder is a quote sprinkler. Like this: “It’s not because you can’t tell something blind that it doesn’t exist.” On Monday, February 10th, the Quebec native courted and mesmerized a room of 50 Ontario Wine Society members, guests and wine writers at the University of Toronto’s Faculty Club. If there is another winemaker’s brain that can dish out dissertations with gifted, hypnotic babble like Bachelder, I’ve yet to hear it. All so unbelievable and believable at the same time. Whatever the former Le Clos Jordanne and Lemelson winemaker is selling, I’m buying.

I would crawl up any staircase, rearrange busy schedules and mobilize the troops to taste the wines of Thomas Bachelder. So, when the call came from OWS President Ken Burford to join Bachelder and partner Mary Delaney for another tasting of the Bachelder Project, mobilize I did.

For a brief history on the Burgundy, Oregon and Niagara terroirist, check out my November 2013 tasting report, with thanks again to Tony Aspler.

Related – Vineyards, winemakers and their sense of place: Bachelder and Leaning Post

The nine-deep tasting focused on the 2011 vintage, with one (2010) exception. While it was not a perfect storm of the entire (15 wine) Bachelder portfolio, it was a pretty damn good attempt. It’s hard to believe that a Canadian citizen who happens to make wine in three countries is forbidden to hoard enough of his own wines to conduct tastings at his leisure. Canadian cross-border restrictions meant Bachelder had to deliver his Oregons to a New York post office box and then carry them across at Fort Erie. Imagine the scenario. Customs officer: “What are the wines for?” Bachelder: “I am the winemaker and they are for a tasting in Toronto and for my cellar.” Beyond absurd. The rest were sourced from SAQ and LCBO stores scattered about the two provinces.

Tasting these '11 @Bachelder_wines for the 2nd, 3rd and in some cases 4th time, I am struck by the feeling I am becoming friends with them—
Michael Godel (@mgodello) February 11, 2014

The serendipity and synchronicity of the three winemaking regions has meant the stars have aligned in Bachelder’s favour. These tastings simply write themselves. The year 2010 was warm in Burgundy, Oregon and Niagara, classic in 2011 and in 2012 warm again. The 2013 vintage looks to be another trifecta classic. “If the wines are all of a similar weight, you can really see each country’s terroir for what it is.”

Ontario Wine Society Bachelder Tasting

“Burgundy is my favourite place to make wine,” admits the flying vintner. ”I’m not ashamed to say that (in a room full of Ontario Wine Society members) it’s exciting to be tasting wines from other places.”

On Pinot Noir: “If you push too hard and try to make that darker Pinot, you lose elegance.  You can’t try to make a hot vintage an elegant one. You have to live with it.”

On Niagara: “Are we still prejudiced against Ontario wines? If you are standing in a store with Oregon, Niagara and Burgundy in front of you and $50 in your pocket, what are you going to choose? No one ever passes a $50 Burgundy my way because I look like a nice guy.”

On barrel aging: “It’s not about the oak flavour, it’s about the texture. That’s aging Chardonnay in oak. What’s happening in the barrel is a reduction sauce, a demi-glace, sucking the moisture out of the wine. Humidity leaves the wine and the alcohol stays. It’s a permeability stage, in the fight against residual sugar and low acids, which are poison to balance.”

On his choice of grapes: “The great thing about making Pinot and Chardonnay is they take 16 months so you have to leave them alone, go away and let them be.”

On Stelvin (screwcap) vs cork, he avoids the question and says it’s the bottle with the thick neck he wants, the one that pours with ceremony.

1,500 cases is just about the maximum Bachelder intends to make in each of the three regions. On expansion: “There’s only so much you can do in a person’s cellar without them saying what the hell are you doing here.” These refreshed tasting notes are transcribed in the prescribed order poured by Bachelder and though I’m still not sure of the method behind the line-up’s madness, call me crazy if I wasn’t transfixed.

From left: Chardonnay Classique Niagara 2011, Pinot Noir Oregon 2011, and Chardonnay Oregon 2011

Chardonnay Classique Niagara 2011, VQA Niagara Peninsula, Ontario (302083, $29.95, SAQ 11873721, $29.95, WineAlign)

From three blocks, Wismer, Saunders and Wismer-Foxcroft. Has gained fleshy weight and waxy polish in three short months, despite the tightness of the vintage. Juicier now, with zest akin to Clementine. Should this upward trend continue, cool down often and always with this exemplary Niagara Chardonnay. From my earlier November 2013 note: “Lean and mean Niagaran, in a hue and a style that brings Burgundy to mind. Comblanchien layers of limestone salinity, like a villages from Côte de Beaune. Tang, pine forest, Warheads sour candy and just a hint of the barrel but you know it’s there. A simple, Chuck Berry three chord arrangement. “I was anxious to tell her the way I feel,” even if I had no particular place to go.”  90

Pinot Noir Oregon 2011, Willamette Valley, Oregon, USA  (333278, $34.95, WineAlign)

On a night like this Bachelder’s recently gravelly Oregon Pinot ’11 seems to have shed its tough outer layer. Signals the evolutionary advance with a Parliament Cordell Boogie Mosson space bass note, which then blows quickly away. The wine exudes spirited cherries, Barbarescish tar and duly scented rose. Thomas notes that Burgundy should be the reference point though it does not specifically emulate Chambolle-Musigny. Built of a specific Oregon mindset but with a broad inter-connectivity to Bachelder’s other terroirs, especially considering the 2011 vintage kismet between the mothership convention of Niagara, Oregon and Burgundy. Thomas describes this Pinot as, “just shy of perfect ripeness, but not green, which is a perfect indicator of terroir.” She is perhaps advancing quickly. Is she too beautiful.? From my earlier September 2013 note:  “Bleeds Willamette terroir. Punctiliously phenolic from marine sediment and seemingly obvious early-ripening. Provocative in ruby, sugar-sour cranberry meets redolent raspberry. Chalky, tannic and serious. It’s tough on me right now. Come on Thomas, would ya please lighten up? I don’t want to have to wait to drink the first case.” 90

Pernand Vergelesses 1er Cru ‘La Creux De La Net’ 2011, Burgundy, France (SAQ 12089524, $38.50, WineAlign)

A metallurgical slant this time around and iodine, though sweet, like a geologist’s preferred cocktail. The palette is Rothko maroon and in cohorts with what is ascertained by the palate, scheme fruits and hearts both red and black.  From my earlier November 2013 note: “Has the sense to be subtle, effortless and akin to Chambolle. Not so much openly ripe fruit but more the flowers that come before. Cherries dabbed by a citrus fragrance, or the spritz of squeezed zest and an unusually smoky musk. Insinuates new world (think Oregon) though it tells a rubble tale of its limestone slope climat.” 90 

Pinot Noir Lowrey Vineyard 2011, VQA St. David’s Bench, Niagara Peninsula, Ontario (361816, $44.95, WineAlign)

Legerdemain from what must be posited as a parcel capable of proliferating the richest and most structured Niagara Pinot Noir. Remarkable purity out of this magic vineyard, lissome tannins and an unmistakeable blooming rose note here now, fragrant like never before. Yet unknown but very known vineyard, especially if you have also made the acquaintance of Five Rows and Leaning Post. Peerless local Valentine’s Pinot. From my earlier October 2013 note: ”Springs eternal from an ocean of cranberry and an island of spice. The somewhereness of this St. David’s vineyard can’t be denied, and in the hands of Thomas Bachelder the extraordinary happens. I am simply blinded by the light, by the weight and the weightless gravity. By a sweetness that just isn’t sweet, like exotic red fruit that knocks you sideways upside the cerebral cortex. Not to mention an iron madness that “plays that song with the funky break.”  94

Pinot Noir Johnson Vineyard 2011, Willamette Valley, Oregon, USA (SAQ, 12065338, $44.25, WineAlign)

Devastating underestimation on my part when first sampled back in November. How could I have been so blind to the depth, density and irresistible pastry chef layering. The Bachelder Chardonnay may be the stuff of demi-glace but the Pinot is so much more a thing of chemistry. A wall of sound, of no moving parts, with no separation and if an astringency was ever there, it has since departed.  Since November, this has improved more than any other wine in the room. From my earlier November 2013 note: “Here there wafts an increased “blister in the sun,” more terroir from a tight vintage full of pumped over tannins. An accented aromatic membrane envelops this Johnson, of orange zest and studded rind, in violet tendency, with more flesh. Even if she speaks in Frainc-Comtou dialect when she walks through the door, she walks out distinctly Oregonian singing as a Violent Femme. Pure and clean up front, she builds, then leaves a trail of tangy fruit behind. Tangled web of Pinot.  93 

Chardonnay Oregon 2011, Willamette Valley, Oregon, USA (273334, $29.95,  SAQ, 11845359, $29.95, WineAlign)

Yet another three months later re-taste to show Bachelder’s Oregon terroir may be the most difficult to assess in its infancy. This short slumber has changed everything. Oregon distinction, smell it, commit it to memory and you’ll never forget it. “Picture yourself staring at a loved one in a restaurant,” says Thomas. “Would you be able to pick this out as Chardonnay?” Some ciderish activity, from sedimentary and volcanic soils that used to mingle with ocean waters, give this a sea salt and fossilized lava stillness. More buttery (dare I say, popcorn) goodness than the rest. And restrained tang. And length. Wow.  From my earlier November 2013 note: While Burgundian in hopes and dreams, this is very much a $29 Oregon white.  No mask, no hidden altruism, simply the right Chardonnay for the right price. Bone dry, orchard driven, high acid, void of harmful terpenes. There is a salinity and piquancy not influenced by PH, perhaps by the ocean, by sandstone, but regardless it’s unique to place, unlike Niagara, Prince Edward County, or for that matter Burgundy.”  91

From left: Chardonnay Saunders Vineyard 2011, Chardonnay Wismer Vineyard 2011, and Bourgogne Chardonnay 2010

Chardonnay Saunders Vineyard 2011, VQA Beamsville Bench, Niagara Peninsula, Ontario  (324103, $44.95, WineAlign)

Saunders is quiet right now, in cool waiting and in display of the most elegance I’ve encountered from any Bachelder Chard, at anytime, anywhere. Background spice, backing vocals are in the isolated spotlight. This I am keying on as much as any note, in any wine here tonight. Not giving it up as easy as before. Extra swirl time required. Will re-visit in the summer. Right, Thomas? From my earlier July and November 2013 notes: “From Beamsville, right beside 30 bench, has a texture, a depth and a mouth feel  in ’11 that bounds and leaps towards the ethereal. A dancing stag, displaying, performing a mating ritual dance.  Melons, ripe and fleshy are in this Saunders. “What’s carrying this wine is site, site and site.” A great clay slice of the Beamsville Bench. From my earlier note: ”Takes the baton from Wismer ’10 in a transfer of power, tension and excitement. Clarity of textural fruit is driven by Beamsville Bench clay-silt soil. Highly dependent on yeast chains, sticking, spreading and expanding. Savoury, buttered stones show negligible encumbrance due to vines that will not carry an excess of new oak.”  93

Chardonnay Wismer Vineyard 2011, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (345819, $44.95, SAQ 12089591, $44.95, WineAlign)

Increased richesse and oomph and though I continue to hesitate to admit it, Saunders is the (Jackson Browne) elegant bottling in ’11. Wismer the (Warren Zevon) gregarious, mineral character werewolf of Niagara, what with its a touch of anxiety, fuller texture and “bite down…draw blood!” From my earlier November 2013 note: “From the Wingfield Block within the 20 Mile Bench grand cru vineyard, ’11 Wismer is greener, in apple and sapid behaviour. The tension is palpable, quarryful, querulous, more calciferous. Fruit here is picked at an altitude as high as the lowest part of Flat Rock’s vineyard. Can a spot be pinpointed, anywhere on the peninsula that produces more piercing Chardonnay in 2011 as this Wismer micro-block?”  91 

Bourgogne Chardonnay 2010, Burgundy, France (272005, $29.95, WineAlign)

Bathed in medicinal permeate, a white rose mingling with marigold floral tone. Waves the hot flag of the vintage draped like a humid blanket over the wholly palatable, imbued netherweave, mineral tang. Still the omnipresent Bachelder acidity tempers the heat. It’s not oxygen on the nose, it’s more carbonic, oleaginous too, with a solar aromatic, malolactic presentation that gives this Chardonnay soft, stable, holistic age. Qualities unique to Puligny and Mâconnais.  90  

Good to go!

The world’s most famous wine critic is not happy. His claim of “wannabe” scribes hell-bent to focus on obscure wines most consumers can never find has raised a maelstrom of retort. Robert Parker published a diatribe last month about ”a vociferous minority” of “euro-elitists” vying for journalistic market share “perpetrating nothing short of absolute sham on wine consumers.”

Them’s fightin’ words. No, not that rant by Robert Parker about Robert Griffin III. Wine critic Robert Parker Jr. railed against a bevy of unnamed bloggers on the natural, honest and low-alcohol wine supporting bandwagon. His claim? Natural wines will be exposed as fraud. Parker’s would-be assailants are an outspoken generation who would seek to bring down those classic grapes capable of ripe extraction and elevated levels of sugar and alcohol, namely Cabernet Sauvignon, Pinot Noir and Chardonnay. The intensity-loving reviewer has positioned himself as the establishment, a victim agonizing over the sanctification of “godforsaken grapes,” like Blaufränkisch and Trousseau.

Alder Yarrow of Vinography took exception and proposed a cage match. His column: Debating Robert Parker At His Invitation. Rebecca Gibb’s take: Should Robert Parker Have Listened to Disraeli? Jamie Goode put in his ever-wry two cents: Novelty at the expense of quality? This after Jancis Robinson chimed in with Bottle fight: Novelty v classic wines. Talia Baiocchi had this to say: The Robert Parker Tirade, Continued. Eric Asimov brought it down to a New York state of mind with Why Can’t You Find That Wine? Meanwhile, Steve Heimoff took the other side: There are some kinds of blogs we just don’t need.

Robert Parker to the wine writers, "I want to see all of you succeed." #WWS14—
Fred Swan (@norcalwine) February 19, 2014

There isn’t a writer in the bunch I wouldn’t read, can’t learn from or don’t find funny, but the need to chime in on what is obvious and already understood leaves me dumbfounded. In wine, as in life, there are some things that just are what they are, like them or not. Mr. Parker, you carved your niche. Those who lay with you ate cake. The model worked. It held water and was extremely successful for a long time. You are this week’s Napa Wine Writers Symposium keynote speaker, where you will feel the love. No one will ask, what have you done for me lately? You created the establishment and are of course trying to protect the status quo. You’ve been ridiculously prolific. Integral to the high-frequency, high-end wine buyer. And you are just a writer. Really. So what if the dogs are seeing signs of Queegish dotage. You named no names in your rant, so who exactly did you mean to insult? The world is your oyster. What’s with the bitching?

Robert Parker about to address wine writers at #WWS14. Asimov, Bonne, Yarrow and others in the audience. I expect spontaneous combustion!—
Kort van Bronkhorst (@KortvB) February 19, 2014

Perhaps Parker touched an insecure spot, the one where self-doubt creeps in. The one that drives writers to defend themselves, even if the attack is not a personal one. The need to tear him down is strange at best. It smells of poli-campaign slander. If he’s no longer relevant, as a vehement bunch seem to scream and shout, why bother? Why is the wine writing community one where sides desperately need to be taken? To both sides I caution the high road. Let writers write and if you think they are wrong or have nothing to say, ignore them. Like a tree falling in the forest, is an unread writer ever really heard?

RMP: "My basic philosophy is live and let live." #WWS14—
Jon Bonne (@jbonne) February 19, 2014

It’s understood that controversy sells and lively discourse is healthy. In this case it has produced more than a novella of interesting reads. The current generation of critics, bloggers and reviewers is replete with some stupidly smart writers who have chosen wine as their raison d’écrire. That they chime in and offer their take on everything from varietal obsessions to tasting bans and producer/journalist relationships is certainly fascinating. Arguing the merits of varietal worthiness is fine. Discussing the pros and cons of esoteric versus classic wines on restaurant cards is relevant. Throwing sticks onto the ice, choosing teams and starting fights simultaneous to the debate loses sight of the original topic. I am not suggesting a wine writer’s love in but would more levity and space not foster an environment where the wines themselves matter more than the people who talk about them?

Alder Yarrow and Robert Parker shook hands. Smiles, no punches. #WWS14—
Fred Swan (@norcalwine) February 19, 2014

Tasting, talking about and writing up wines seems the course to stay, whether it be reviews on varieties never heard of or an obnoxiously fat glass of buttery Chardonnay. Richard Auffrey fights the good fight but still takes a stab at the beast. The always dry W. Blake Gray floats on in his singular, ethereal way, and by doing so, gets it right. He wants you to know I’ll have some Roussillon, hold the Rivesaltes. With Tuba and Alto Sax. Perhaps Gray would agree with me. If I need a dose of scathing criticism or irony I’ll turn on Bill Maher, or put on a Bill Hicks Rant in E-Minor.

RMP: "I just don't think by and large most people like negativity. I’m a glass half full guy." #wws14—
Jon Bonne (@jbonne) February 19, 2014

Music and wine can work magic when paired together. Jamie Goode has been exploring the possibilities. Sometimes it’s just a matter of breaking wine down to the base, choosing grapes from places where they are made in straightforward and simply powerful ways. Likewise, clicking an uncomplicated, three-chord arrangement on YouTube or the I-pod can really change the outlook of a day. Here are six rock ‘n’ roll wines, in four-four time, ready and willing to ease your mind.

Clockwise from left: Alamos Torrontés 2013, Lar De Paula Crianza Tempranillo 2008, Sophora Sparkling Cuvée, Grant Burge 5th Generation Shiraz 2012, Thorn Clarke William Randell Shiraz 2010, and Poderi Colla Dardi Le Rose Bussia Barolo 2008

Alamos Torrontés 2013, Salta, Argentina (81539, $13.95, WineAlign)

From Salta in north west Argentina, what is so appealing about this well-priced bottling is the salinity and outright humidity it always displays. Torrontés gives so much away aromatically, by way of flowers and the verdigris of mountain ferns. This Catena entry-level wine achieves all of the above and for a song. This Alamos is medicinal, reeks of orchids sweating in a greenhouse and teases with white pepper. It’s short and quick but efficient. Excellent value.  88  Tasted January 2014  @CatenaMalbec  @MalbecLife

Lar De Paula Crianza Tempranillo 2008, Rioja, Spain (358770, $16.95, WineAlign) From the VINTAGES Feb. 15, 2014 Release

Entry-level Rioja was nothing but a house party. Was surely rocking a year ago but now a fading, dry cake of rusticity, with the slightest hydration of charred sour cherry. Solid Crianza, though short-lived, with some bitter notes and good acidity in tight corners. Where once it “said move it, groove it,” now it laments “baby, don’t you lose it.”  87  Tasted February 2014  @HHDImports_Wine

Sophora Sparkling Cuvée, New Zealand (353656, $19.95, WineAlign) From the VINTAGES Feb. 15, 2014 Release

Frothy, gregarious sparkler from New Zealand with extraordinarily large bubbles, a soft downy texture and a cottony nose. Gentle spice, sweet easy bake brioche and juicy grapefruit is inviting, if advanced by mechanical means. Mellow, smooth, pure and clean with no obvious toast, soap or bitters. Well-priced, drink now fizz.  89  Tasted February 2014  @Select_Wines

Grant Burge 5th Generation Shiraz 2012, Barossa, South Australia, Australia (Agent, $20.00, WineAlign)

High powered, ocean size aromas here, expressing the power and pomp inflection of the Barossan attitude. Very berry and not alcohol shy though it’s a gathered heat and nothing shocking. Swirl this wave of big juice for long enough and though it will feel “like a tooth aching a jawbone,” it’s fleeting and releases to a softer finish. Still, a Shiraz more John than Jane.  88  Tasted January 2014  @GrantBurgeWines  @TrialtoON

Thorn Clarke William Randell Shiraz 2010, Barossa, South Australia, Australia (922773, $43.95, WineAlign) From the VINTAGES Feb. 15, 2014 Release

Surreal, impossibly dense and terrifically complex Barossa Shiraz, full of dark fruit blues and hard-rocking rhythms. Metallic zinc tincture, causing heavy breathing, steaming like a locomotive with “no way to slow down.” Steals words and all sensitivity from teeth and gums. Such a big expression but certainly not one of the all-time one-dimensional losers. So much more than jammy fruit. To put aside and revisit in 20 years.  91  Tasted February 2014  @pontewine

Poderi Colla Dardi Le Rose Bussia Barolo 2008, Piedmont, Italy (596890, $49.95, WineAlign) From the VINTAGES Feb. 15, 2014 Release

Pure Nebbiolo currency, bankable Barolo. This ’08 confirms the old-school austerity of the Colla caste and genre. Parlous handsome perfume, stark, raving Barolo, exact and definitive in angular tannin. Racy, deep and unctuous, nowhere even close to settled or responsive.  There is a lurking depth of flavour not yet willing to cooperate. My kingdom for your Bussia graces.  92  Tasted February 2014  @glencairnwines

Good to go!

I hope the Canadian men’s hockey team was watching the women this afternoon. Lesson number one: Play to the last friggin’ millisecond. Canada versus the United States is hockey incarnate. The games are always exciting.

When we gathered for that first historic Salt Lake City Gold Medal game in 2002, we drank cinquante. Mario would have wanted it that way. For the 2010 Vancouver golden goal win we convened with Steam Whistle. That historic Sunday in February was my first time out of the house after a right AC (acromioclavicular) joint shoulder rebuild. Hockey injury, of course. Wine did not factor into those generation defining Olympic hockey games. Back in 2002 names like Lemieux, Sakic, Fleury, Brodeur, Hull, Leetch, Modano and Roenick were toasted with beer, though back then the brands were not so craft related. In 2010 it was all Sidney Crosby and had I been acquainted at the time with the wonders of Sparkling wine from Nova Scotia, Benjamin Bridge would surely have been flowing.

Meanwhile, Super Mario turned out to be a serious wine collector so I wonder what Le Magnifique will be opening this Friday at noon. Team Canada architect Steve Yzerman is also known to follow the way of the grape and though he won’t be sipping Napa Cabernet with the other brass during the game, I’ve a feeling there’s a ’97 waiting in his hotel room should Canada prevail over their arch rivals.

Hockey stick and wine bottles

The great Rhône wine scribe George Heretier posed the all-important debate, ”who says wine and hockey don’t make a good match?” If you want to exercise the powers of superstition, pulling out those two winning vintages will call upon the hockey gods to carry our Canadian men to gold. That and a Loonie buried beneath the surface at centre ice.

Here are eight great Canadian 2002 and 2010 wines to crack open and sip along with another Canada-U.S. classic hockey meeting.

Clockwise from left: Southbrook Vineyards Cabernet Franc ‘Watson Vineyard’ 2002, Henry of Pelham Family Estate Winery Speck Family Reserve Cabernet Merlot 2002, Rosewood Estates Winery Sémillon 2010, Southbrook Triomphe Cabernet Sauvignon 2010, Burrowing Owl Syrah 2010, Huff Estates Cuvée Janine Sparkling Rosé 2010, and Stratus White 2010

Southbrook Vineyards Cabernet Franc ‘Watson Vineyard’ 2002 ($30, winery) From A long and ‘wine-ding’ tasting road

Shows amazing longevity and freshness. Proof of the Peninsula’s magic to state ”you will never never never know me.” Simply solid red.  91  Tasted March 2013  @SouthbrookWine

Stratus White 2002, VQA Niagara Peninsula (660704, $44.20, WineAlign)  From Select tasting through years of the Stratus Red and White

Performs a demi-sec act which is not such a stretch, considering the late harvest actualities of the Gewürztraminer and the Riesling within. Could pass for dessert-like, cool-climate French (Jura) though after the chimerical declension it’s still nothing but a Chardonnay-galvanized meritage. Like warm honeycomb buttering steamed crustaceous matter. That Stratus White medicine, in rose potpourri and honey completes the classic scene within the portal.  93  Tasted September 2013  @Stratuswines

PHOTO: Michael Godel
Stratus White 2002

Henry of Pelham Family Estate Winery Speck Family Reserve Cabernet Merlot 2002 ($50, winery, WineAlign) From A long and ‘wine-ding’ tasting road

From the Niagara Peninsula shows toffee and concentrated, oxidized fruit. That said, it has aged well and still offers intellectual spirit in dried fruit and potpourri. Great old tune to Dance, Dance, Dance along to.  89  Tasted March 2013  @SpeckBros

Rosewood Estates Winery Sémillon 2010 (177758, $17.95, WineAlign) From Showcase Showdown: Rosewood Sémillon

Shows little procrastination with a superfluity of lemon, lime and paraffin but like all great Sémillon, the wine needs time. A block of wax keeps the honey down but look for a mellifluous ooze three years on. Glittering sheen, diamond-like focus and crusted by an accent of lemon zest. Krystina Roman will lead this grape to stardom. “Come on you stranger, you legend, you martyr, and shine!” Top white. Shine on you crazy Sémillon.  90  Tasted October 2012 and May 2013  @RosewoodWine

Southbrook Triomphe Cabernet Sauvignon 2010, VQA Niagara On The Lake, Ontario (ON, VINTAGES Essential, 193573, $22.95, WineAlign) From: Good Look Ahead at Canadian Wines For Thanksgiving

Drifts effortlessly along in an extreme brightness and lightness of being. A perfumed exotic beauty that displays definitive Cabernet Sauvignon character. Tea, tobacco, Cassis, vanilla, dark berries, proper acidity, good grip and length. Dictionary entry for the vintage, the Niagara-on-the-Lake appellation and the genre. No other sub-$25 Ontario Cab does the warm vintages (’02. ’05, ’07 and ’10) with this kind of grace and power. From and kudos to winemaker Ann Sperling.  91  Tasted September 2013  @SouthbrookWine

Burrowing Owl Syrah 2010 (73072, $41.95, B.C. $39.99, Alberta $44.99, WineAlign) From: Nine big November best buy wines

This Syrah will cure so many ails. Vouchsafe for a pepper-laced, plasmic mouthfeel, a maroon liquid pewter party of rocks and stones in the mouth. Playful and childlike, digs a pony, playing and offering really good fun. Does its own Okanagan thing becuase “ev’rything has got to be just like you want it to.”  92  Tasted October 2013  @BurrowingOwlBC

Huff Estates Cuvée Janine Sparkling Rosé 2010 ($29.95, winery only, WineAlign) From: You can lead a county to the city

100 per cent Pinot Noir grapes is a phenomenal, inaugural genesis effort. More sanguine in colour than one would imagine, this sparkler is wonderfully sweet but also ”turns sweat, turns sour.” Pinot Noir is always potentially so dramatic but who knew it could be like this, like blood swirling in the glass. “Bottled in a strong compression,” with black raspberry, noticeable yeast and impressive finesse.  Out of the cage.  91  Tasted May 2013  @HuffEstatesWine

Stratus White 2010, VQA Niagara Peninsula (660704, $44.20, WineAlign)  From Select tasting through years of the Stratus Red and White

sends me immediately towards Bordeaux, in neo-marmalade, but also buoyed in perfume and body by 25 percent Viognier. “This variety worked so well in the vineyard in 2010,” notes Groux. Niagara honey and near-botrytis via Semillon and Sauvignon Blanc void of grass, full of vigor. A sharp note, neither metallic nor mineral, but a combination of the two is present in this so very concentrated ’10. Of a warm vintage (self-explanatory) fully picked by October 23. Though loaded with early Spring maple sap, foie gras and appley terpines, its sharp and framed by “tannic” tang and protracted length.  92  Tasted September 2013

Good to go!

Sometimes you can go home again. Too often we forget to do just that. As wine agitators we yearn to be blown by a birr to scour the world’s rarely visited vineyards for pearls of indigenous excellence. We are desperate to be curious, to be the first in and we do it for sport. We want to extol the virtues and the natural wonderment of Etna’s Nerello Mascalese and Santorini’s Assyrtiko. We champion the esoteric and the cool.

In the 1970′s American winemakers bottled white wine, including Chardonnay and called it ‘Chablis‘. The same New World daredevils were of the first to put ‘Cabernet Sauvignon’ on the labels of their wines, as opposed to ‘Graves’ or ‘Médoc’. Those were innocently sweet times. The early days of wine as comfort food, wines that reached a consumer comfort zone. The wines themselves were not the attraction, but rather the idea they represented. Cabernet Sauvignon has never looked back and now stands accused as being a ’colonizer’ at the expense of autochthonous varieties. Is the criticism warranted? Should a champion at the top of its game be castigated for its hard-earned, commercial success?

Today’s world of wine is mind-scrambling complex, in a state of sensory overload and full of patent argumentation. Writers, critics and sommeliers agree to disagree about a wealth of topics. They rant about inaccessible restaurant wine lists, feckless wine columns and shoddy blog posts. What grapes to promote heads the heated discussion. There is a constant ebb and flow of complaint, especially with regards to a too cool for school ravenous appetite for the most obscure grapes.

In the name of balance, a return to what got us here is both necessary and welcome. Bordeaux and Burgundy are original and safe terms of endearment. Cabernet Sauvignon and Chardonnay are the grapes of dreams. If you produce them, people will come. They will pull the bottles off the shelves, “not knowing for sure why they’re doing it.” They’ll arrive at the wine store, “as innocent as children, longing for the past. The one constant through all the years” has been Cabernet Sauvignon and Chardonnay. “It reminds us of all that once was good, and that could be again” in the world of wine.

Here are eight renditions of the world’s most planted and famous of varieties, coming soon to a store near you.

From left: Cicchitti Gran Reserva Cabernet Sauvignon 2004, Dry Creek Vineyard Cabernet Sauvignon 2010, Hedges Family Estate Three Vineyards Red 2011, and Maison Roche De Bellene Vieilles Vignes Bourgogne Chardonnay 2011

Cicchitti Gran Reserva Cabernet Sauvignon 2004, Mendoza, Argentina  (301465, $21.95, WineAlign) From the VINTAGES March 1, 2014 Release

Sing-song, spongy sweet Cabernet Sauvignon with not much beyond rich, splintered fruit. Gets behind the wheel, drives over pavement tar, cooks with gas and nine years on it’s conspicuously copacetic. Is what was and will be should it avoid the mouth of the desert as we “watch a yarn of twine unravel.”  87  Tasted February 2014  @winesofarg

Chantante, spongieux doux Cabernet Sauvignon avec pas beaucoup au-delà de riche, fruit éclaté. Obtient le volant, peasily ousse sur le goudron de la chaussée, cuisine avec gaz et neuf ans c’est visiblement copacetic. Est-ce qu’il y avait et il sera devrait éviter l’embouchure du désert comme nous “regardons un fil de ficelle démêler.” 87  Dégusté Février 2014

Dry Creek Vineyard Cabernet Sauvignon 2010, Dry Creek Valley, Sonoma County, California, USA  (642207, $25.95, WineAlign) From the VINTAGES March 1, 2014 Release

Dry Creek Valley Cabernet Sauvignon often walks a tightrope between ripe extraction and savoury pepper. When it holds ground and refuses to bite in either direction the result is increased complexity. Compare and contrast this DCV idea to the Ridge Lytton Springs blends of Paul Draper and then see even greater value from Dry Creek Vineyard. Proper, anaesthetizing alcohol gives gingerly away to winter savory, currant, red pepper flakes and Cab Franc-ish coolness. Creeping tannins, gathering and sucking the daylights out of the fruit will allow for future ever-berry resilience and shine. “That’s the magical kind ’cause it’s flowin’ all of the time.” Let this DCV play its slow hand, settle and enjoy it five-10 years further on down the road.  91  Tasted February 2014  @DryCreekVnyd

Dry Creek Valley Cabernet Sauvignon marche souvent sur une corde raide entre l’extraction mûre et de poivre savoureux. Quand il détient sol et refuse de mordre dans les deux sens, le résultat est une complexité accrue, comme le Ridge cabines de Paul Draper et encore plus les valeurs de Dry Creek Vineyard. Bon, anesthésier l’alcool donne précaution loin de sarriette, de cassis, de flocons de piment rouge et de sang-froid Cab Franc-ish. Creeping tanins, la collecte et sucer les Daylights des fruits permettra avenir résilience jamais-berry et brillance. “C’est le genre magique parce que c’est flowin ’tout le temps.” Que ce DCV jouer son lent main, à s’installer et profiter de cinq-dix années plus loin sur la route.  91  Dégusté Février 2014

Hedges Family Estate Three Vineyards Red 2011, Red Mountain, Yakima Valley, Washington, USA  (1594, $32.95, WineAlign) From the VINTAGES March 1, 2014 Release

A most interesting Washington blend out of a vintage worth seeking out. Abstruse fruit package in five varieties, conjoined like a semi-sweet chocolate dessert of flourless proportions and marked by a grain and an exceptional, altitudinous presence that can’t be denied. Berries of all colours and levels of sweet/tart, evergreen verdigris, velvety texture, richesse, luxury magic mountain air. “Walk in the sun, up on Magic Mountain, Red mountain wine, everybody laughs.” This Hedges has that effect. A more than sensible price for all that’s going on and anything but a burden.  92  Tasted February 2014  @hedgeswine

Un mélange de Washington le plus intéressant sur un millésime vaut vraiment le détour. Paquet de fruits abscons en cinq variétés, uni comme un dessert de chocolat mi-sucré de proportions sans farine et marquées par un grain et une présence altitudinous exceptionnelle qui ne peut être niée. Baies de toutes les couleurs et des niveaux de sucré / acidulé, à feuilles persistantes vert de gris, texture veloutée, Richesse, luxe magie air de la montagne. “Promenade au soleil, sur Magic Mountain, le vin rouge de la montagne, tout le monde rit.” Cette Hedges a cet effet. Un prix plus que raisonnable pour tout ce qui se passe et tout, mais un fardeau.  92   Dégusté Février 2014

Maison Roche De Bellene Vieilles Vignes Bourgogne Chardonnay 2011, Burgundy, France (299867, $18.95, WineAlign) From the VINTAGES March 1, 2014 Release

Technical information overload on the back label indicates attention to detail and something special this way comes. Flamboyance for $19, unabashed, buttery Chardonnay, soft and very, very generous. The expansive palate parches, draws moisture, making for wanting more. As a harbinger for what will be a classic vintage, this RdB offers a gratuitous entry, greater value and likely as much complexity as compared to many wines at twice the price. A bit herbal and vegetal on the back-end, but not out of control.  88  Tasted February 2014  @Rochedebellene

Informations techniques surcharge sur l’étiquette arrière indique l’attention au détail et quelque chose de spécial cette manière vient. Flamboyance pour 19 $, éhontée, beurre Chardonnay, doux et très, très généreux. La bouche large de la dessèche attire l’humidité, ce qui pour vouloir plus. Comme un signe avant-coureur de ce qui sera un millésime classique, ce RdB offre une entrée gratuite, une plus grande valeur et probablement autant complexité par rapport à de nombreux vins à deux fois le prix. Un peu de fines herbes et végétaux sur l’arrière, mais pas hors de contrôle.  88  Dégusté Février 2014

From left: Rustenberg Chardonnay 2012, Keint He Portage Chardonnay 2012, Keint He Chardonnay FoxCroft Vineyard 2012, and Le Clos Jordanne Village Reserve Chardonnay 2010

Rustenberg Chardonnay 2012, Stellenbosch, South Africa (598631, $19.95, WineAlign) From the VINTAGES March 1, 2014 Release

Subtle and reserved for Stellenbosch Chardonnay, in its own dépêche mode, not in any hurry or trapped by fashion. Speaks in the dialect of the green apple orchard and subtle spice helps to render its baby fat. Amenable and approachable, chanting, building power as it goes, restoring faith in the variety. Your own personal Chardonnay Jesus. Would reach out to touch so many imbibing ways. To sip with small bites, with the fish of the day and with a sweet lemon dessert.  90  Tasted February 2014  @RustenbergWines @WoodmanWines

Subtil et réservé à Stellenbosch Chardonnay, dans son propre mode de dépêche, pas pressé ou piégé par la mode. Parle dans le dialecte du verger de pomme verte et d’épices subtiles contribue à rendre sa graisse de bébé. Prête et accessible, le chant, renforcer le pouvoir comme il va, rétablir la confiance dans la variété. Votre propre Jésus de Chardonnay personnelle. Devrait atteindre pour toucher tellement de façons de imbibition. Pour siroter avec de petites bouchées, avec le poisson du jour et un dessert au citron doux.  90  Dégusté Février 2014

Keint He Portage Chardonnay 2012, Prince Edward County, Ontario (Winery, $20.00, WineAlign)

Made from estate County fruit augmented by some bunches from Lighthall Vineyards. Same 12-month oak treatment (as the Voyageur) though typically more wood-spice pronounced on County fruit. Same goes for the feeling of minerality and a warm note of creamed wheat. The spice is one of peppercorn, the angles in lemon and green apple, the often tragically hipster terpenes not overwhelming and the opulence of the vintage remains king. There is a kinship here to the Niagara Vinemount Ridge’s Quarry Vineyard. Bury this 2012 treasure for three years and “let’s just see what tomorrow brings.”  89  Tasted February 2014  @KeintHeWinery

Fabriqué à partir de comté immobilier fruits augmentée par quelques grappes de Lighthall Vineyards. Même traitement de chêne 12 mois (comme le Voyageur) mais en général plus de bois épices prononcé sur le comté de fruits. En va de même pour le sentiment de minéralité et une note chaude de blé à la crème. L’épice est l’un des grains de poivre, les angles de citron et de pomme verte, les terpènes souvent tragiquement hippie pas écrasante et l’opulence du millésime reste roi. Il ya une parenté ici pour Quarry Vignoble du Niagara Vinemount Ridge. Enterrer ce trésor 2012 pour trois ans et “nous allons voir exactement ce que l’avenir nous réserve.” 89  Dégusté Février 2014

Keint He Chardonnay FoxCroft Vineyard 2012, Niagara Peninsula, Ontario (Winery, $28.00 )

Fruit sourced from a single Niagara block. Despite having made the yeomans voyageur trek out to the County for vinification, integrity of the Foxcroft vibe has been maintained. Freshly cored Kenyan pineapple juice poured atop oat grain in a limestone molcajete. Bottled on Sept. 15th, like all the ‘12’s. Fullish, bullish extraction and at 13.5 percent abv, this Foxcroft has been handled with Wise acumen, with more rich texture than the others. A chew of nutty, non-acidic hard pineapple comes later and this finishes with a mild-mannered, even keel feel to it, like the winemaker and the estate’s keeper.  90  Tasted February 2014

Le Clos Jordanne Village Reserve Chardonnay 2010, VQA Niagara Peninsula, Ontario, Canada  (33936, $30.00, WineAlign) From the VINTAGES March 1, 2014 Release

Here’s a Niagara Chardonnay that provides a sense of oneness or connectedness to place and community. Big atomics in ecstasy and a warm set of opulent accessories that steal the visual and aromatic show. The tinges are gold, platinum and patina all layered into one. Smells of a well thought out barrel program and of the land. Tastes earthy, sweet and racy. Huge NP expression “and I can see, hear, smell, touch, taste. And I’ve got one, two, three, four, five senses working overtime.” There may be too much going on but this is a wine that will run on high energy for 10 years. Winemaker Sébastien Jacquey waited patiently, honed and reigned in his golden vintage. Take note from here on out.  91  Tasted February 2014  @LeClosJordanne

Voici un chardonnay du Niagara qui fournit un sens de l’unité ou la connectivité de lieu et de la communauté. Big atomiques en extase et un ensemble chaleureux d’accessoires opulents qui volent le spectacle visuel et aromatique. Les reflets sont l’or, le platine et patine tous posés en une seule. Les odeurs d’un programme de canon bien pensé et de la terre. Goûts terreux, doux et racé. Expression de NP énorme ”et je peux voir, entendre, sentir, toucher, goûter. Et j’ai eu un, deux, trois, quatre, cinq sens des heures supplémentaires.” Il peut y avoir trop de choses, mais c’est un vin qui se déroulera sur une grande énergie pendant 10 ans. Oenologue Sébastien Jacquey attendit patiemment, poli et régna à sa cru d’or. Prenez note à partir de maintenant.  91  Dégusté Février 2014

Good to go!

I know you are about to scream at your screen. Not another column about the health benefits of drinking wine. Delete. Wait, hear me out.

Related: A wine prescription for cold and flu and Feeling under the weather? Drink wine

In a recent joint study between the Health Sciences Department, Brock University and the Oncology Department, McMaster University, scientists set out to prove the Inhibition of human lung cancer cell proliferation and survival by wine. Published a month ago, here is the paper’s conclusion: “Red wine inhibits proliferation of lung cancer cells and blocks clonogenic survival at low concentrations.” Nice.

The study was prefaced through the idea that “compounds of plant origin and food components have attracted scientific attention for use as agents for cancer prevention and treatment. Wine contains polyphenols that were shown to have anti-cancer and other health benefits.” Put two and two together and voilà. The group investigated the “effect of wine on proliferation and survival of human non-small cell lung cancer (NSCLC) cells and its effects on signaling events.” The findings are nothing short of astonishing.

The operative observation here is that low doses (read: moderate consumption) of wine may have anti-cancer and chemo-preventive properties.” White wine’s cancer fighting properties exist (at two per cent concentration) though they are not in the same league as Red wine (five per cent). Or, you need to (very rough math) drink 250 per cent more white wine to reap similar benefits. Such a quagmire.

Evangelia Litsa Tsiani, associate professor of community health sciences at Brock University added “our next step is to use doses of wine that correspond to moderate wine consumption in humans – one to two glasses per day – and examine the effect on tumor growth in mice.”

We already know that the Brock University Cool Climate Oenology and Viticulture Institute’s lecture series (now in its seventh season) has had a major impact on the global grape industry. Dr. Belinda Kemp, CCOVI Scientist, Oenology noted that “they’re a great resource for the wine industry and wine researchers anywhere in the world.” I wonder if the department has plans for a wine and health benefits lecture during its eight season. Hint, hint.

The ancients, or late Bronze Age people’s such as the Egyptians, Arameans, Assyrians and Babylonians used the natural world to prevent sickness and disease. Archaeologists recently discovered wine in an Israeli wine cellar, dating back to 1700 BCE. Think the Greeks invented wine? This discovery is 1,262 years older than the Parthenon. That’s nearly as old as the Pyramids. Wine and health relations go back to a time when a woolly mammoth still walked the earth, a time when The Hammurabi code was written. The premise? A commitment to protection of the weak from being brutalized by the strong. Just like wine.

In an attempt to justify what may be construed as profligate connections, the fact of the matter remains. With each passing study conjured up and proven by internationally recognized educational institutions, the health benefits of wine continues to develop as a thing of undeniable valence. Take honest wine with food, take it regularly and live longer. Here are 10 current releases to help keep the wolves of virus and disease at bay.

From left: Dante Robino Bonarda 2011, Domaine Des Amadieu Cuvée Vieilles Vignes Cairanne Côtes Du Rhône Villages 2011, Bodegas Olarra Anares Reserva 2006, Fantinel Sant’helena Pinot Grigio 2012, and Mike Weir Limited Edition Riesling 2012

Dante Robino Bonarda 2011, Mendoza, Argentina (277640, $14.95, WineAlign) From the VINTAGES March 1, 2014 Release

Sourced from the Santa Rosa sub region of Mendoza. From sandy soils and built upon a brooding, musty set of wood-influenced aromatics that put the lurking fruit to test. Painfully dry with pronounced flavours of red licorice, sour black cherry, spice and baked figs. Gains richness as it breathes and then the drying tannins take over. Quite an effort for $15. Worth a look for something different and in spite of the idiomatic value it speaks.  88  Tasted February 2014  @DanteRobino

Provenant de la sous-région de Santa Rosa de Mendoza. De sols sableux et construit sur un ensemble de moisi couvaison des composés aromatiques du bois d’influence qui mettent le fruit qui se cache à l’épreuve. Péniblement sec aux saveurs prononcées de réglisse rouge, griotte, d’épices et de figues cuites. Les gains richesse comme il respire, puis les tanins de séchage prendre le dessus. Tout un effort pour 15 $. Cela vaut le coup pour quelque chose de différent et en dépit de la valeur idiomatique elle parle.  88   Dégusté Février 2014

Domaine Des Amadieu Cuvée Vieilles Vignes Cairanne Côtes Du Rhône Villages 2011, Rhone, France (354233, $18.95, WineAlign) From the VINTAGES March 1, 2014 Release

Paying a bit of extra attention to lower-priced, high alcohol Rhônes can offer rewards. There is much metal and merit in this Cairanne. At the price it imitates the grandeur of more expensive villages, like Châteauneuf-du-Pape and to a more realistic extent, Vacqueyras. Hued in drupe, holly berry pitch, saturated in berries, spiked by berry liqueur and seeping along with spices and extracts. Outwardly generous in flavour, knowing well that “while we’re on the way to there, why not share.” All in all he ain’t heavy, he’s my brother.  89  Tasted February 2014  @Amadieu_G

Payer un peu d’attention supplémentaire à bas prix, Rhônes forte teneur en alcool peut offrir des récompenses. Il ya beaucoup de métal et de mérite dans cette Cairanne. Au prix il imite la grandeur de villages plus chers, comme Châteauneuf-du-Pape et dans une mesure plus réaliste, Vacqueyras. Hued en drupe, houx hauteur de baie, saturé dans les baies, dopés par baie liqueur et infiltration avec des épices et des extraits. Extérieurement généreux en saveurs, sachant bien que “pendant que nous sommes sur le chemin de là, pourquoi ne pas partager.” Dans l’ensemble, il n’est pas lourd, il ya mon frère.  89   Dégusté Février 2014

Bodegas Olarra Anares Reserva 2006, Rioja, Spain (244723, $19.95, WineAlign) From the VINTAGES March 1, 2014 Release

Perhaps it’s just as a comparison to the rest of this Spanish armada fiasco I am in the throes of tasting but this Tempranillo with minor support from two G’s, Garnacha and Graciano, really has got a hold on me. I grant that it’s a bit faded and heading to melted toffee but at $20 and with the idea to enjoy it now, the wild raspberries, gariga and spicy wood notes are a treat. Savoury, licorice, roast tomato and grilling baby veal flavours will help with a slow braise of the animal’s tougher cut.  90  Tasted February 2014

Peut-être c’est juste que la comparaison avec le reste de cette armada fiasco espagnol je suis dans les affres de la dégustation mais ce Tempranillo avec le soutien mineur de deux G, Garnacha et Graciano, vraiment a obtenu une prise sur moi. Je reconnais que c’est un peu défraîchi et la position de caramel fondu mais à 20 $ et avec l’idée de profiter de ce moment, les framboises sauvages, gariga et des notes de bois épicés sont un régal. Salés, réglisse, rôti de tomate et griller saveurs bébé de veau aideront avec un lent braise de coupe plus difficile de l’animal.  90   Dégusté Février 2014

Fantinel Sant’helena Pinot Grigio 2012, Collio, Friuli, Italy (310144, $19.95, WineAlign) From the VINTAGES March 1, 2014 Release

High quality Pinot Grigio from Friuli, with an Alps to Adriatic micro-climate ideally suited to both warm and cool the needs of the variety. You might ask, what difference does that make? Plenty. So much more distinct than reputation would hold and anything but just a Northern Italian white. Lit candle waxy and spiced in Sandalwood, with a lemon peel feel, cool climate salinity and gravelly, silt-inflected Spring run-off. The world’s fleet of Pinot Grigio “have been through hell and high tide,” but thanks to Friuli, the grape keeps its respect. Full flavoured, with smithy verve, punchy, more than practical.  90  Tasted February 2014  @ProfileWineGrp

Mike Weir Limited Edition Riesling 2012, VQA Beamsville Bench, Niagara Peninsula, Ontario (229286, $22.95, WineAlign) From the VINTAGES March 1, 2014 Release

The off-dry nose is an anomaly and I’m very curious to see where this goes. Persists very sweet to taste, without enough acidity, unfortunately, though the tropical flavours are boisterous and plentiful. This is a more than admirable attempt at a Kabinett style done right by a Mosel intimacy and attitude, though it’s lacking in body and structure. Still, it will age longer and develop more secondary characteristics than many a Niagara Peninsula Riesling, especially for the price. Worth tracking a case of 12 for five to 10 years.  89  Tasted February 2014  @WeirWine

Le nez de demi-sec est une anomalie et je suis très curieux de voir où cela va. Persiste très doux au goût, sans suffisamment d’acidité, malheureusement, bien que les saveurs tropicales sont bruyants et copieux. Il s’agit d’une tentative plus admirable à un style Kabinett bien fait par une intimité Moselle et de l’attitude, si elle fait défaut dans le corps et la structure. Pourtant, il va vieillir plus longtemps et développer des caractéristiques plus secondaires que beaucoup de Niagara Peninsula Riesling, surtout pour le prix. Suivi d’un cas de 12 pour cinq à 10 ans la peine.  89  Dégusté Février 2014

From left: Southbrook Triomphe Cabernet Sauvignon 2012, Trimbach Réserve Riesling 2010, Le Clos Jordanne Village Reserve Pinot Noir 2011, Marchand Tawse Meursault 2011, and Kistler Mccrea Vineyard Chardonnay 2011

Southbrook Triomphe Cabernet Sauvignon 2012, VQA Niagara On The Lake, Ontario (193573, $22.95, WineAlign) From the VINTAGES March 1, 2014 Release

Southbrook’s seminal Cabernet has become that kind of go to, reliably delicious and affordable red, not unlike Sterling’s Napa bottling that emerged in the late 1990′s. That this can happen in any vintage out of the Niagara Peninsula is really quite amazing. Even more incredible is that here in 2012, it’s almost too much of a good thing, too hot, too sweet. Still, only Triomphe smells like this and on that note I must give it my thumbs up. The Peninsula’s earth, the purity of that warm, rich ’12 fruit, a touch of disco, that Sperling perfume. The palate is explicitly sweet, on that I’m sure most would agree but the wood is an afterthought. Alcohol is in check, berries are ripe, tannins are refined, ready to resolve slowly, efficiently and with pleasure. Direct, solid and righteous, despite the sugar high.  89  Tasted February 2014  @SouthbrookWine  @TrialtoON

Trimbach Réserve Riesling 2010, Alsace, France (995316, $27.95, WineAlign) From the VINTAGES March 1, 2014 Release

Such a dry and powerful Alsatian example. Tight, angular, typically piercing and even more citrus-driven than ever. Jacked up, better than your average Joe Riesling. As a textbook example from a place where the variety rules, it tells “me that this world is no place for the weak.” Still, I find the Reserve bottling a bit overpriced, not having as much personality such as the cost-equivalent Zind-Humbrecht Herrenweg de Turckheim. Another Trimbach that’s just “gotta have no illusions” and look sharp.  90  Tasted February 2014  @trimbach  @WoodmanWines

Un tel exemple alsacien sec et puissant. Tight, angulaire, généralement perçant et même plus agrumes axée que jamais. Mis sur cric, mieux que votre moyenne Joe Riesling. Comme un exemple classique d’un endroit où les règles de la variété, il dit “moi que ce monde n’est pas un endroit pour les faibles.” Pourtant, je trouve la Réserve embouteillage un peu trop cher, ne pas avoir autant de personnalité tels que le coût équivalent Zind Humbrecht Herrenweg de Turckheim. Un autre Trimbach qui est juste ”Gotta Have pas d’illusions” et regardez pointu.  90   Dégusté Février 2014

Le Clos Jordanne Village Reserve Pinot Noir 2011, VQA Niagara Peninsula, Ontario (33894, $30.00, WineAlign) From the VINTAGES March 1, 2014 Release

Something’s missing, or rather something is happening here. The LCJ omnipresent warm Pinot coat of harm is conspicuous in its absence, or has it been reigned in? This 2011 is so much more friendly, more soft-spoken, expertly judged and picked ripe fruit richer than before. Plenty of tang and tannin but the pronouncement is in a savoury basil/chervil kind of way. Not just another high made by just another crazy guy. A most excellent, bright, Roxy Village Reserve, full of atmosphere and ambient music.  91  Tasted February 2014  @LeClosJordanne

Il manque quelque chose, ou plutôt quelque chose qui se passe ici. Le manteau chaud omniprésent LCJ de Pinot de préjudice brille par son absence, ou at-il été régné en? Ce 2011 est beaucoup plus convivial, plus à la voix douce, experte jugé et ramassé des fruits mûrs plus riche qu’avant. Beaucoup de saveur et de tanin mais la déclaration est dans un savoureux basilic / cerfeuil sorte de façon. Pas seulement un autre haut fait par juste un autre gars fou. Un excellent, clair, roxy Village Reserve, plein d’atmosphère et musique d’ambiance.  91  Dégusté Février 2014

Marchand Tawse Meursault 2011, Burgundy, France (285866, $66.95, WineAlign) From the VINTAGES March 1, 2014 Release

Winemaker Pascal Marchand possesses post-modern abilities to coax the most richesse from out of the basic of basic appellations in the Burgundian universe. This ’11 elevates an umbilical villages to exalted heights and it has really settled into its skin since I last tasted it in May of 2013.  The land is speaking and oozing in a primordial drenching. The tang and verve melts in the mouth, like foie gras cotton candy. What sets it apart is the end game mellow melding of pronounced flavours left to free fall effortlessly into a black hole of critical mass.  92  Tasted May 2013 and February 2014

Vigneron Pascal Marchand possède des capacités post-modernes pour amadouer le plus Richesse de l’extérieur de la base des appellations de base de l’univers bourguignon. Cette ’11 élève un villages ombilical à des hauteurs exaltées et il a vraiment installé dans sa peau depuis que j’ai goûté en mai 2013. La terre parle et suintant dans un trempage primordial. La soie et la verve fond dans la bouche, comme le foie gras de barbe à papa. Ce qui le distingue est la fin du jeu fusion douce de saveurs prononcées de gauche à la chute libre sans effort dans un trou noir de masse critique.  92  Dégusté mai 2013 et Février 2014

Kistler Mccrea Vineyard Chardonnay 2011, Sonoma Mountain, Sonoma County, California (353706, $92.95, WineAlign) From the VINTAGES March 1, 2014 Release

The vineyard speaks first, has the microphone, tells of its volcanic, limestone story going back to 1988. Talks in a Chablis whisper which may come across as narcissistic or somehow simple, but surely deserving to receive the benefit of the doubt. The kind of toast that has you reaching for the last jar of homemade berry jam. Lemon/lime reduction, as a gelée, consommé or demi-glace of fine Chardonnay whiffed by subtle smoke and non-discernible fat. The most subtle of all the Kistlers.  93  Tasted February 2014  @TheVine_RobGroh

Le vignoble parle d’abord, a le microphone, raconte sa volcanique, calcaire histoire remontant à 1988. Pourparlers dans un murmure Chablis qui peut apparaître comme narcissique ou en quelque sorte simple, mais sûrement digne de recevoir le bénéfice du doute. Le type de pain que vous a atteint pour la dernière pot de confiture de petits fruits maison. Citron / réduction de la chaux, comme une gelée, consommé ou demi-glace de fin Chardonnay whiffed par la fumée subtile et graisse indiscernable. Le plus subtil de tous les Kistlers.  93  Dégusté Février 2014

Good to go!

Part two: 25th anniversary of the Cuvée 2014 Expert’s Tasting at Brock University

Flights three, four and five: Pinot Noir, Red Blends and Wine Options.

Related – When experts break wine together

The Expert’s Tasting is more than just a study on Niagara wine. It eulogizes what came before, reflects back on what is lost and ultimately asks the questions, “Where do we go from here? Which is the way that’s clear?” Grow grapes, make wine. Rock on.

The Brock University Cool Climate Oenology and Viticulture Institute now lays claim to being the central hub of information and guidance for Niagara’s wine industry. In partnership and in sharing expertise with Wine Country Ontario, the Grape Growers of Ontario, the Vineland Research and Innovation Centre, VQA Ontario and Niagara Culinary College, Brock’s CCOVI is the go to rock, central to Niagara’s world-class wine growing soil.

In 2015, the annual Cuvée gala weekend, one of the most prestigious celebrations of Ontario wine and food, will now be organized by Brock University’s Cool Climate Oenology and Viticulture Institute (CCOVI). The theme will be a look forward to Ontario’s significant wine styles and emerging varieties. Props to that.

The #CCOVI event continued the task of celebrating the annual VQA Promoters awards, handed out to the individuals who supported and promoted the industry through media, the LCBO, at large and over the course of a lifetime.  The 2014 awards were handed out to William Mancini, Lloyd Schmidt, Erik Peacock, Shawn McCormick, David Lawrason and posthumously, care of his wife Rose Lamas-Churchill, to David Churchill.

At the Expert’s Tasting wines were poured blind. The third and fourth flights (Pinot Noir and Red blends respectively) showcased just how far Niagara has travelled in fashioning quality reds. The Pinot Flight was all about balance and elegance. Bench Pinot stands out like a beacon on the Escarpment’s shelves. Blends centred around Merlot, Cabernet Sauvignon and Cabernet Franc are excelling with each passing vintage, in kind to the ever-increasing wine acumen of the growers and winemakers. That and the macro-intense studies of Niagara’s micro-terroirs.

@ericvellend It's who u ride with. Oh the palates. Greats @Matt_Loney @RichieWine @brightlighter1 FTR, Richie was mum http://t.co/6dE9Y0r8gt—
Michael Godel (@mgodello) March 02, 2014

This final flight of five wines (in order, Chardonnay, Pinot Noir, Syrah, Riesling and Cabernet Sauvignon-based blend) made for a less confounding competitive round, which was not the case in 2013. I clearly found vicarious fortune through the mates at my table. It’s not just who you know, but who’s palate you draft behind.

Dear @WineCountryOnt & @CCOVIBrockU, you of #glc generosity, largesse, community #Cuvee2014 + #ExpertsTasting = wine cup runneth over #ccovi—
Michael Godel (@mgodello) March 02, 2014

Here are my notes on the final 19 wines poured at the Expert’s Tasting 2014.

FLIGHT #3 – YOU’VE BEEN PINOT’D!!

From left: Devil’s Corner Pinot Noir 2012, Flat Rock Gravity Pinot Noir 2012, Inniskillin Pinot Noir Reserve 2011, 13th Street Essence Pinot Noir 2010, and Fielding Estate Pinot Noir Jackrabbit Flats Vineyard 2010

Presented by Dr. Belinda Kemp, CCOVI Scientist, Oenology. “There is nothing funny about Pinot Noir,” she complains in deadpan humour, “it’s the unfunny grape. Fascinating, but nothing to laugh at. It’s not funny at all.”

Devil’s Corner Pinot Noir 2012, Tamar Ridge, Tasmania, Australia (317966, $23.95, WineAlign) From the VINTAGES March 1, 2014 Release

A good fresh start to the flight. At first earthless, weightless, cran-raspberry scented. Feminine, warm, inviting and then turning temperamental, difficult, evolving. Ultimately maternal, clay-influenced, brought down to mother earth. Vanilla ringer.  87  Tasted March 2014  @BrownBrothers

Un bon nouveau départ à la (troisième de l’expert de dégustation) vol. Au début Earthless, en apesanteur, cran-framboise parfumée. Féminine, chaleureuse, accueillante et puis, se tournant capricieux, difficile, en constante évolution. En fin de compte maternelle, argile influencé, ramené à la terre mère. Vanille sonnerie.  Dégusté Mars 2014

Flat Rock Gravity Pinot Noir 2012, VQA Twenty Mile Bench, Niagara Peninsula (1560, $29.95, WineAlign)

In a vintage potentially muddled by warmth and a humidor of radio frequency, duplicating berry phenolics, Flat Rock’s Gravity remains a definitive, signature house Pinot Noir. In 2011, the head of the FR class from its most expressive barrels shared the limelight (and top juice) with the Pond, Bruce and Summit one-offs. In ’12, Gravity’s sandbox was its own. The style is surely dark, extracted, black cherry bent, as per the vintage. Yet only the Rock’s soil does earth in this variegate, borne and elevated by the barrel’s grain. There are no fake plastic trees in a Flat Rock Pinot. “Gravity always wins.”  90  Tasted March 2014  @Brighlighter1

Dans un millésime potentiellement confus par la chaleur et une cave de la fréquence de la radio, la duplication des composés phénoliques des baies, la gravité de Flat Rock reste un définitif, maison de signature Pinot Noir. En 2011, la tête de la classe FR de ses barils les plus expressifs partage la vedette (et le jus dessus) avec les mesures ponctuelles Pond, Bruce et Summit. En ’12, bac à sable de gravité était son propre. Le style est certainement foncé, extrait, pliée de cerise noire, selon le millésime. Pourtant, seulement le sol de la roche ne terre dans ce variegata, porté et élevé par le grain du baril. Il n’y a pas d’arbres en plastique faux dans un Flat Rock Pinot. “Gravity gagne toujours.”  Dégusté Mars 2014

Inniskillin Pinot Noir Reserve 2011, VQA Niagara Peninsula (winery, $24.95, WineAlign)

A by-product of a rain-heat-rain, cold soak-warm ferment-16 month French barrel childhood. The ’11 Reserve Pinot is impressively floral while simultaneously brooding and serious. The middle palate binds citrus and savoury, gilded, dulcet rose, Langhe-like. Breakdown happens late, in syrupy alcohol and charred pulp. “In that case I’ll have a rum and coca-cola.” Complex Pinot for the common people.  88  Tasted March 2014  @InniskillinWine

Un sous-produit d’une pluie-chaleur-pluie, le froid tremper-chaud ferment-16 mois baril français enfance. Le ’11 Réserve Pinot est alors impressionnante floral simultanément couvaison et grave. Le milieu de bouche se lie d’agrumes et salé, doré, rose suave, Langhe-comme. Répartition arrive en retard, dans l’alcool sirupeux et pâte carbonisée. “Dans ce cas, je vais avoir un rhum et de coca-cola.” Pinot complexe pour les gens ordinaires.  Dégusté Mars 2014

Domaine Queylus Pinot Noir ‘Le Grande Reserve’ 2011, VQA Niagara Peninsula (winery, $65, WineAlign)

The Thomas Bachelder mentored, two-vineyard assemblage Grande Reserve Pinot Noir grinds more cracked pepper than any predecessor. Every barrel from the Lincoln Lakeshore (formerly Le Clos Jordanne’s, Neudorf Family La Petite Colline Vineyard) and the Twenty Mile Bench (Mountainview) appellations were scrutinized to determine the final blend. Bachelder sees black fruit in the early life yet despite the ebullient seasoning, the LGR’s genes are intrinsically feminine. Red cherry, tellus fertility and a mother’s strength hold the family of barrel children together. This is an ambitious and hard to read Pinot Noir. Judgement reserved for five years before the word classic will be used.  92  Tasted March 2014  @QueylusVin

Le Thomas Bachelder mentor, l’assemblage de deux vignoble Grande Réserve Pinot Noir broie poivre craqué plus que ses prédécesseurs. Chaque baril de Lincoln Lakeshore (anciennement Le Clos Jordanne de, Neudorf famille La Petite Colline Vineyard) et le Twenty Mile Bench (Mountainview) appellations ont été examinées attentivement afin de déterminer l’assemblage final. Bachelder voit fruits noirs dans le début de la vie et pourtant, malgré l’assaisonnement bouillante, les gènes de la LGR sont intrinsèquement féminin. Rouge cerise, tellus la fertilité et la force de la mère détiennent la famille des enfants de baril ensemble. Il s’agit d’un Pinot Noir ambitieux et difficile à lire. Jugement réservé pendant cinq ans avant le mot classique sera utilisé.  Dégusté Mars 2014

13th Street Essence Pinot Noir 2010, VQA Niagara Peninsula, Ontario (237222, $44.95, WineAlign)

Five months have aged the Essence with more bronzing minerality and core strength. Imagine the old-world chemistry it will enumerate after five more years. Previous note: “Only the second coming of The Essence. Lucid, willing and able Pinot Noir from an assemblage of fruit sourced across the region. Atypical in that sense, speaking to a broader range of terroir and to a wider audience. Breadth and depth much like a Côte de Beaune, earthy of serious dirt layered over top a cherry core. Attention now and for five plus years is needed because though to taste it’s currently confounding, time will see more complexity, development and emerging emotion. It will then solicit a cry of  ”baby, sweet baby, you’re my drug. Come on and let me taste your stuff.”  91  Tasted October 2013 and March 2014  @13thStreetWines

Cinq mois ont vieilli l’essence avec plus de minéralité de bronzage et la force de base. Imaginez la chimie du vieux monde, il va énumérer après cinq années de plus. Note précédente:… “Seule la seconde venue de l’Essence Lucid, désireux et capables Pinot Noir à partir d’un assemblage de fruits provenant de toute la région atypique en ce sens, parler à un plus large éventail de terroir et à un public plus large étendue et la profondeur un peu comme un Côte de Beaune, terreuse de terre grave posés sur le dessus une cerise noyau. attention maintenant et pour cinq ans et est nécessaire parce que le goûter est actuellement confondre, le temps voir plus de complexité, le développement et l’émotion émergents. Elle sera ensuite solliciter un cri de “bébé, bébé doux, tu es ma drogue. Venez et laissez-moi goûter vos trucs.”  Testé Octobre 2013 et Mars 2014

Fielding Estate Pinot Noir Jackrabbit Flats Vineyard 2010, VQA Lincoln Lakeshore (winery, $24.95, WineAlign)

Though a recent phenomenon, a Bench area winemaker’s keen interest in the Lincoln Lakeshore as a unicorn Pinot growing locale has come out of the forest’s shadows. From dual-vineyard plots and specific barrel choosing, the JRF expressly microwaves its agminate gathering, that is, 14 months on lees in barrel, a warm vintage and virtually unfiltered ferment. Completely free of its closet, there is coffee, toffee and strong tea overtop rufescent fruit close to its earthly roots. An austere, tough and gritty Pinot Noir, from the Burgundy side of the pond, echoing the presenter’s choice of words. “It’s fascinating but nothing to laugh about.”  89  Tasted March 2014  @RichieWine

Bien que d’un phénomène récent, le vif intérêt d’un vigneron de la zone du Banc de la Lincoln Lakeshore comme un Pinot locale croissante licorne est sorti de l’ombre de la forêt. Des parcelles à double vignoble et choix de canon spécifique, la JRF tout micro-ondes expressément sa collecte de agminate, soit 14 mois sur lies en barriques, un millésime chaud et ferment pratiquement non filtré. Complètement libre de son placard, il ya du café, caramel et thé fort overtop Rufescent fruit proche de ses racines terrestres. Un austère, dur et graveleux Pinot Noir, du côté de l’étang de Bourgogne, en écho le choix du présentateur de mots. «C’est fascinant, mais pas de quoi rire.”  Dégusté Mars 2014

The Foreign Affair Pinot Noir 2009, VQA Niagara Peninsula (winery, $43.95, WineAlign)

An ambitious and in retrospect streetwise project now in the golden age of its life. From fruit grown both on the estate’s Crispino Vineyard and at the Vineland Research Centre. Then winemaker Ilya Senchuk dried 40% of the grapes which subsequently spent 15 months in French and Hungarian oak. The modest 13.1 per cent alcohol has realized a resolved, gentle and effortless balance of figgy/raisin-driven fruit and clear spirit. The beaver is not so different from a Tawny meets Reserve Port, Pinot-style. Appassimento, you’ve been Pinot’d.  ’Ciao’ for hello and goodbye because now is the time to drink.  88  Tasted March 2014  @wineaffair

Un projet ambitieux et débrouillard, rétrospectivement, maintenant dans l’âge d’or de sa vie. De fruits cultivés à la fois sur Crispino Vignoble de la succession et au Centre de recherche de Vineland. Puis vigneron Ilya Senchuk séché 40% des raisins qui a ensuite passé 15 mois en fûts de chêne français et hongrois. Le modeste alcool 13.1 pour cent a réalisé une résolu, équilibre doux et sans effort de figgy / fruités raisins secs et l’esprit clair. Le castor n’est pas si différent d’un Tawny Port répond Réserve Pinot style. Appassimento, vous avez été Pinot’d. «Ciao» pour bonjour et au revoir parce que c’est maintenant le temps de boire.  Dégusté Mars 2014

FLIGHT #4 – RED ROAD TEST – ARE WE ON THE RIGHT TRACK?

From left: Konzelmann Estate Winery Heritage Reserve 2012, Hillebrand Trius Red 2011, Fielding Estate Winery Cabernet Merlot 2010, Trius Grand Red 2010, Stratus Red 2007, Creekside Estates Reserve Meritage 2004, and Henry Of Pelham Estate Cabernet/Merlot 2002

Presented by Trius Winery at Hillebrand winemaker Craig McDonald. McDonald makes one of Niagara’s now flagship red blends, the Trius Grand Red. He brings red blend experience to the table in spades and hearts, particularly from his work at Penfolds in the Barossa Valley, but McDonald is an ardent voice for the relationship between varietal and land. He wants you to decide for yourself, are red wines working and excelling in Niagara? In this flight, Craig’s advice is “I want you to think about the dominant varietal.” Not as easy as you might think.

Konzelmann Estate Winery Heritage Reserve 2012, VQA Niagara Peninsula (149179, $30, WineAlign)

A Merlot-based blend with support from Cabernet Sauvignon and Cabernet Franc. The dominant varietal is the blend’s soft presence, lifting up an otherwise ground espresso, black pepper, currant and verdigris paste in its 14 per cent frame. Yet so young and unsettled, with Franz drive, chalky extract and hard bite. In this Heritage’s “edges and lines your engine’s alive,” so as a first red road-test, it sets a solid course.  88  Tasted March 2014  @KonzelmannWines

Un mélange à base de Merlot avec le soutien de Cabernet Sauvignon et Cabernet Franc. Le cépage dominant est la présence douce du mélange, soulevant un espresso moulu contraire, de poivre noir, de cassis et vert de gris coller dans son cadre de 14 pour cent. Pourtant, si jeune et instable, avec Franz entraînement, extrait calcaire et morsure dur. Dans ce patrimoine “des bords et des lignes en vie, de votre moteur” de manière un premier rouge route-test, il établit un plan solide.  Dégusté Mars 2014

Hillebrand Trius Red 2011, VQA Niagara Peninsula  (303800, $22.95, WineAlign) VINTAGES ESSENTIAL

Most of the 47 per cent Merlot, 40 Cabernet Franc and 13 Cabernet Sauvignon fruit was sourced from the Clark and Carlton Vineyards in Four Mile Creek. From the outset age is the focus point. Is this already showing wear and tear or is the sinewy, cassis, toffee, sweet balsamic and emulous acidity congregation preparing a long road ahead for this Niagara exhibit? Crisis? What crisis? It’s just a normal day and this Meritage will say, “maybe I’ll find my way.”  87  Tasted March 2014  @TriusWines

La plupart des 47 pour cent Merlot, Cabernet Franc 40 et 13 Cabernet Sauvignon fruits provenait de les Clark et Carlton Vignobles à Four Mile Creek. Dès l’âge de départ est le point de mise au point. Est-ce montre déjà l’usure ou est le nerveux, de cassis, de caramel, balsamique doux et jaloux acidité congrégation prépare un long chemin à parcourir pour cette exposition Niagara? Crise? Quelle crise? C’est juste une journée normale et ce Meritage dira, «peut-être que je vais trouver mon chemin.”  Dégusté Mars 2014

Fielding Estate Winery Cabernet Merlot 2010, VQA Niagara Peninsula (winery, $35.20, WineAlign)

Does anybody really know what wine this is? Does anybody really care? The experts do, as do I. Chosen for back-to-back Expert’s Tastings by a panel of Niagara’s finest palates? AYFKM? What does that say? Today Richie Robert’s CF (42), Merlot (33) and CS (25) master stroke from Lincoln Lakeshore (warm), Beamsville Bench (warmer) and St. David’s (Lowrey Vineyard – warmest) is singing. Charred cherries, animale game and soft funk like top IGT. Raises its own bar. Previous note: “Alights in lithe tendrils before adding coffee, meritage mid-weight. Currants, nasturtium and red fruit compote buoy this cooler Niagara blend that combines fruit from the Lincoln Lakeshore, St. David’s and Beamsville Benches. A good dancer with “the kind of body that would shame Adonis.” Expertly balanced with the spine to age.”  90  Tasted March 2013 and 2014  @FieldingWinery

Quelqu’un sait-il vraiment ce vin ce que c’est? Est-ce que quelqu’un se soucie vraiment? Les experts font, comme moi Chosen pour Dégustations Expertises dos-à-dos par un panel des meilleurs palais du Niagara? AYFKM? Qu’est-ce que cela veut dire? Aujourd’hui Richie FC Robert (42), Merlot (33) et CS (25) coup de maître de Lincoln Lakeshore (chaud), Beamsville (plus chaud) et Saint-David (Lowrey Vineyard – le plus chaud) chante. Cerises carbonisés, jeu animale et funk doux comme haut IGT. Déclenche son propre bar. Note précédente: “. Descend en vrilles agiles avant d’ajouter le café, meritage mi-poids Groseilles, capucine et compote de fruits rouges bouée ce refroidisseur mélange Niagara qui combine les fruits de la Lincoln Lakeshore, Saint-David et Beamsville Bancs Un bon danseur.” L’ type de corps qui honte Adonis. “experte en balance avec la colonne vertébrale de l’âge.”  Dégusté Mars 2013 et 2014

Trius Grand Red 2010, VQA Niagara Peninsula (winery, $55.00, WineAlign)

Roll out the best barrels from the same Four Mile Creek Clark and Carlton Vineyards. Gravity drip freshly-pressed juice directly into barrel, wait 18 months and voilà, the flagship red from winemaker Craig McDonald. The 45/33/22 Merlot/Cabernet Franc/Cabernet Sauvignon blend radiates of everything under the sun. It’s rich and lush, marked by huge extract and yet it’s also graced by sweet, limber tannins. The middle ground gives faint notes of soy and dill though it can be imagined they will be smothered as the chain lengthens and the flesh becomes more pliable. I’ve one put aside for a visit in 2018.  89  Tasted March 2014

Etaler les meilleurs fûts de les mêmes Four Mile Creek Clark et Carlton Vineyards. goutte à goutte par gravité jus de fruits fraîchement pressés directement dans le cylindre, attendre 18 mois et voilà, le rouge phare de vigneron Craig McDonald. Le 45/33/22 Merlot / Cabernet Franc / Cabernet Sauvignon mélange rayonne de tout sous le soleil. Il est riche et luxuriante, marqué par d’énormes extrait et encore il est également honoré par des tanins doux et souple. Le terrain d’entente donne des notes faibles de soja et aneth si on peut imaginer qu’ils seront étouffées comme la chaîne s’allonge et la chair devient plus souple. J’ai un mets de côté pour une visite en 2018.  Dégusté Mars 2014

Stratus Red 2007, VQA Niagara On The Lake, Niagara Peninsula (winery, $44.20, WineAlign)

On a day like today, the 2007 Stratus Red’s long, long sleep (644 days in mostly new French Oak) seems particularly magnified. Today the moody tincture is a cocktail shaker filled with peat, clay, iodine, strawberry compote, sangria and divaricated tannin. No other red blend today is as complex, shows more road rage or tries to speed off the track. Previous note: “Puts a twinkle in Groux’s eye. “Still very enjoyable, agreeable and ageable,” he smiles and I note it’s not candied like it may have once been perceived.  A healthy and high 88 per cent dose of new oak but it’s not the encumbrance you might expect. Still quite tight, eking strawberry and plum, and indubitably a unique amalgamation. Will offer up five more years of pleasure.”  91  Tasted September 2013 and March 2014  @Stratuswines

En un jour comme aujourd’hui, long, long sommeil de 2007 Stratus Rouge (644 jours dans la plupart neufs de chêne français) semble particulièrement agrandie. Aujourd’hui, la teinture de mauvaise humeur est un shaker rempli de tourbe, de l’argile, de l’iode, compote de fraises, sangria et les tannins divaricated. Aucune autre mélange de rouge aujourd’hui est aussi complexe, montre plus de rage au volant ou tente d’accélérer la piste. Note précédente: “. Met une étincelle dans l’oeil de Groux” Toujours très agréable, agréable et gérable “, il sourit et je constate que ce n’est pas confits comme il peut avoir été une fois perçu une saine et haute 88 par dose cent de chêne neuf, mais il est. pas la charge que vous pourriez vous attendre. toujours très serré, eking fraise et de prune, et sans aucun doute une fusion unique. offrira jusqu’à cinq années de plaisir “.  Dégusté Septembre 2013 et Mars 2014

Creekside Estates Reserve Meritage 2004, VQA Niagara Peninsula (sold out, $45, WineAlign)

A straight up self-starter, 55/45 Cabernet Sauvignon/Merlot, Left Bank galvanized blend. Craig McDonald noted that he and Rob Power “had no idea what we were doing.” What they had was a four year-old vineyard on the Queenston Road, St. David’s Bench in Four Mile Creek. They made this Bordeaux in a challenging vintage when there might not have been a sound mind around (who was paying them any attention) for guidance or encouragement. Though it has crossed the threshold into resinous mannerisms and elements of an armamentarium, the two mad scientists found a way to take 12 per cent alcohol and real fruit on a 10-year journey to the museum. Shows what potential there has always been and where the distinction of the 2014 Niagara reds will be in 2024.  89  Tasted March 2014  @CreeksideWine

A vous auto-démarreur droite, 55/45 Cabernet Sauvignon / Merlot, Rive Gauche galvanisé mélange. Craig McDonald admis que lui et Rob Power “n’avait aucune idée de ce que nous faisions.” Ce qu’ils ont trouvé un vignoble de quatre ans sur la route de Queenston, la Cour du Banc de Saint-David à Four Mile Creek. Ils ont fait ce Bordeaux dans un millésime difficile quand il pourrait ne pas avoir été un esprit sain autour (qui les paie aucune attention) pour obtenir des conseils ou des encouragements. Bien qu’il a franchi le seuil de tics et éléments d’un arsenal résineux, les deux savants fous ont trouvé un moyen de prendre 12 pour cent d’alcool et de vrais fruits sur un voyage de 10 ans pour le musée. Montre ce potentiel, il a toujours été et où la distinction de 2014 rouges Niagara sera en 2024.  Dégusté Mars 2014

Henry Of Pelham Estate Cabernet/Merlot 2002, VQA Short Hills Bench, Niagara Peninsula (winery, $34.95)

A Cabernet Sauvignon and Merlot split with 12 per cent support from Cabernet Franc. Right up there with other classic H of P blends, in ’98, ’05 and ’07. All three levels, the basic Cab/Merlot, this Reserve and the Speck Family Reserve have stood the test of time, perhaps better than any other Bordeaux blends from the region. You can tell this was an enormous wine at one time. Has gently and slowly evolved into its comfortable skin yet the tannin and grit are still in working order. He’s a crooner this CMS, with a soulful Roy Orbison voice. There aren’t many like him. “That’s why I sigh and sip my lonely wine.” If anything has been learned and if anyone had been paying attention to Ron Giesbrecht while he made his wines, there should be many more to come.  91  Tasted March 2014  @HenryofPelham

FLIGHT #5 – WINE OPTIONS

From left: Stratus Chardonnay 2009, Rosewood Estates Pinot Noir 2011, North Shore Project Syrah 2012, and The Foreign Affair ‘The Conspiracy’ 2012

Presented by Peter Bodnar Rod Sommelier and member of the Brock WSET Team. After four serious and wind-sapping flights, the ice was again broken by the jocose Bodnar Rod when he made comment to the hand coverings of a wine pourer. “Maybe Jamie and I can go out tonight with black latex gloves?” Not a word in response from Mr. Drummond but if I were a betting man I’d say he just might join in that fun.

Stratus Chardonnay 2009, VQA Niagara Peninsula (winery, $55)

Comes off like a white blend, aka Stratus White but this is the outright, unchaste vintage talking. Winemaker J-L Groux crafted three wines with viticulturist Paul Hobbs. Here they split the project 50/50 with Hobbs including wild yeast fermentation and whole bunch pressing and J-L adding short skin contact, controlled yeasts and no whole bunch pressing. From extreme low yields, this one puts on a show after only 10 months in barrel. High on aroma, brazen in texture, ambient in flavour bites. Very Niagara if inexactly Chardonnay.  Tasted March 2014  91  Tasted March 2014

Se détache comme un mélange blanc, aka Stratus Blanc mais c’est la pure et simple, parler cru impudique. Oenologue JL Groux conçu trois vins viticulteur avec Paul Hobbs. Ici, ils partagent le projet 50/50 avec Hobbs y compris sauvage fermentation de la levure et le groupe entier urgent et JL ajoutant un bref contact de la peau, des levures contrôlées et pas toute la bande de pressage. De rendements extrêmement faibles, celui-ci met sur un spectacle après seulement 10 mois en barrique. Haute sur l’arôme, la texture d’airain, ambiant dans les piqûres de saveur. Très Niagara si inexacte Chardonnay.  Dégusté Mars 2014

Rosewood Estates Pinot Noir 2011, VQA Beamsville Bench (112177, $21.95)

What an arid specimen, tasted blind so distinctly Bench Pinot though the earthy, cranberry and cherry dust had me leaning Short Hills. The Rosewood reveal reminds of “little lonely eyes open and radiant,” berries from acidity victorious Wismer blocks on the Twenty Mile Bench. Previous note: “…and her libidinous solid core of red fruit habituated by a fencing of skin-tight acidity will see prolonging returns. Will run on like a Dave Matthews jam, in wine years scads longer than the temperate Rosewood ’10. An Escarpment’s native flint rocky note whispers “hey little dreamer’s eyes open and staring up at me…wait until I come I’ll take your soul.” Halloween wine indeed.”  89  Tasted September 2013 and March 2014  @RosewoodWine

Quel spécimen aride, dégustés à l’aveugle Banc si distinctement Pinot bien terrestre, la canneberge et de cerise poussière m’avait appuyé Short Hills. Le Rosewood révéler rappelle “petits yeux solitaires ouverts et rayonnants,” baies de l’acidité victorieux blocs Wismer sur le banc Twenty Mile. Note précédente: “… et son noyau solide libidineux de fruits rouges habitués par une clôture de l’acidité de la peau étanche verront rendements prolongeant sera exécuté sur une confiture comme Dave Matthews, dans les années à vin scads plus long que le tempéré Rosewood ’10.. silex natif notes rocheux chuchotements d’un escarpement “hey les yeux du petit rêveur ouverte et les yeux fixés sur moi … attendre jusqu’à ce que je viens je vais prendre votre âme.” vin de Halloween en effet. “  Dégusté Septembre 2013 et Mars 2014

North Shore Project Syrah 2012, VQA Lake Erie North Shore (sold out, $22)

A project part Will Predhomme (off the charts Sommelier), Hinterland Wine Company (head of the class Sparkling Wine producer) and Colio Estates (top of the heap Lake Erie North Shore red wine maker). More than impressive first outing with a burst of pretty flowers, varietal perspicuity and articulation. As Predomme notes, this is “pure, naked Syrah.” Farmed at Colio, crushed in LENS and fermented at Hinterland. There is a hint (what can best be described as) carbonic maceration in banana sweetness but it does not linger and the lightness of being meets intensity shows adventure and promise.  87  Tasted March 2014  @northshoreproj

Cave Spring Cellars Riesling ‘CSV’ Estate Bottled 2010, VQA Beamsville Bench, Niagara Peninsula (566026, $29.95, WineAlign)

Was not so easy to return to Riesling 25 wines and three hours later but thanks goodness it was this old (35 years give or take) vines CSV. From the east Bench where limestone rules and rocks, there are apples upon apples in this vintage in waves of luxurious fruit. While Bench Riesling can be so tragically austere, racy and piercing, often in a state of hip “melancholy wine-soaked tenderness,” this CSV ’10 is bathed in luxury and pure pleasure. It’s so much more Germanic in an off-dry way and never forgets its limestone roots. Not necessarily classic Beamsville but not to be missed.  90  Tasted March 2014  @CaveSpring

N’était pas si facile de revenir à 25 Riesling vins et trois heures plus tard, mais Dieu merci, c’était ce vieux (35 ans donner ou prendre) vignes CSV. De la magistrature est, où les règles et les roches calcaires, il ya des pommes sur les pommes dans ce millésime dans les vagues de fruits de luxe. Bien Banc Riesling peut être si tragiquement austère, racé et perçant, souvent dans un état de hanche “mélancolique tendresse de vin trempé,” ce CSV ’10 est baigné dans le luxe et le plaisir pur. C’est tellement plus germanique de manière demi-sec et n’oublie jamais ses racines de calcaire. Pas nécessairement classique Beamsville mais à ne pas manquer.  Dégusté Mars 2014

The Foreign Affair ‘The Conspiracy’ 2012, VQA Niagara Peninsula (149237, $19.95, WineAlign) From the VINTAGES Feb. 15, 2014 Release

Young, huge, rich and oozing in oak soaked spice. Currants, pepper, whole grain, berries and chalk. All in for $20. Previous Note: Quickly reminiscent of its 2011 predecessor but also different, in a basking, vintage-related warmth and reductive currency. This could not have been an easy wine to temper in 2012 considering the ripasso methodology. Just softened plum is painted all over its sheen with the poaching aromas steaming away. Grilled, melting licorice, caramelizing and disapparating before your eyes. Not to mention a French vanilla creamy garagiste waft, like nuts and bolts ice cream. But I will admit the tang, acidity and tenacity increases with each sip and swirl. Such a unique bottling to Ontario. Is there anything else like it not from Lake Erie North Shore?  89  @wineaffair  Tasted February and March 2014

Jeune, grand, riche et suintant en chêne imbibé d’épices. Groseilles, poivre, grains entiers, fruits et craie. All-in pour 20 $. Note précédente:. “Vite rappelle de son prédécesseur 2011, mais également différente, dans un pèlerin, de la chaleur vintage liés et monnaie réductrice Cela n’aurait pas été un vin facile à tempérament en 2012 compte tenu de la méthodologie de ripasso prune juste ramolli est peint partout. son lustre avec les arômes de braconnage vapeur loin. grillé, fondant réglisse, caraméliser et disapparating devant vos yeux. Sans oublier une vanille française crémeuse garagiste bouffée, comme les écrous et boulons de la crème glacée. Mais je vais admettre la saveur, l’acidité et la ténacité augmente avec chaque gorgée et remous. telle une bouteille unique à l’Ontario. Y at-il quelque chose de semblable pas du lac Érié Côte-Nord? “  Dégusté Février et Mars 2014

Good to go!

With frozen Pond Inlet at Brock University as the backdrop to the 25th anniversary of the Cuvée 2014 Expert’s Tasting, 160 industry professionals gathered to break wine together. The original congress in 1989 might have heard the whisper, “si tu id aeficas, ei venient.” Fast forward to 2014 and Dr. Linda Bramble references Phil Alden Robinson’s declaration in Field of Dreams, “if you build it they will come.” Come they have, for 25 years running.

Dr. David Bergen spoke about the history of Niagara wines meeting the world and the movement towards what would eventually become VQA. He complemented Niagara’s true sense of community as an industry. Dr. Bergen was himself a vinous pioneer, having been a part of a group of other wine geeks back in the 1980′s tagged the PDU or, the Port Dalhousie Underground.

On the après, après, après Cuvée foggy (not the weather) morning of Saturday, March 1st there was ’89esque Steel Wheels Tour electricity in the air, waiting for the band to come on stage. The feeling was palpable, on a Bodhi guide to parochial wine enlightenment, through an aggregate of palate harmony and a caucus of local knowledge. Glass (a VQA Promoters Award decanter to be specific) was even broken, as if a Semitic bride and groom had spoken their vows to signal the reception’s begin. They had come from Niagara near, they had travelled from Ontario, Quebec, New York and beyond far. All for the purpose of tasting a covey of blindly, though anything but randomly chosen flights that have helped to define and will see to advance the future of Niagara’s viticulture industry.

PHOTO: Michael Godel
CCOVI Brock U Expert’s Tasting 2014

There were Brock University Cool Climate Oenology and Viticulture Institute luminaries, including Dr. Bramble, Dr. Janet Dorozynski , Dr. Belinda Kemp, Barbara Tatarnic and Brock’s Brian Hutchings, Vice-President, Finance and Administration. Wine Country Ontario’s Magdalena KaiserSmit, Quebec’s Véronique Rivest, winemakers and winery leaders filled the room. WineAlign was well represented by David Lawrason, Sara d’Amato and Steve Thurlow. I spoke at length with Bryan Calandrelli, winemaker at Freedom Run Winery on Friday night about the Cuvée weekend. His thoughts returned again and again to Niagara’s sense of community. That and a depth of quality are what separate the region from its American brethren in Niagara, the Finger Lakes and Long Island.

The 2014 edition of the Experts Tasting was different. The room was packed. I’m not sure there was a single empty chair. This year a larger group of Toronto Sommeliers made the trip, including Will Predhomme, Christopher Sealy, Bruce Wallner, Lori O’Sullivan, Joel Wilcox, Michelle Paris, Craig MacLean, Marissa Kelly, Joshua Corea, Rebecca Meir Liebman and Emily Bibona. City chefs joined in, including Ortolan’s Daniel Usher and the Cheese Boutique’s Afrim Pristine. Forging a tasting relationship with a core of Toronto’s most passionate wine dealers is both brilliant and necessary, for all parties involved.

PHOTO: Michael Godel
Riesling Flight CCOVI Brock U Expert’s Tasting 2014

The experts broke down 33 wines in five flights, progressing through Riesling, Chardonnay, Pinot Noir, Red Blends and culminating in a friendly blind tasting competition round, each table of seven for themselves.

Studying wine in a setting and with a structure like the Expert’s Tasting presents a constructible universe in infinitary logics. In the bubble of a cozy room like the Pond Inlet “every set will arise in the construction process…. In infinitary logic, there are far more than only countably many formulas, and one can cook up a formula to define a specific set, by using the formulas that define its elements.” There are limitless boundaries and infinite possibilities allowed when attempting to identify, describe and define the wines at such a blind tasting. The latitude afforded, the manifest humility and the cooperation leading to revelation combines for an exhale of the most relaxed kind.

The #CCOVI event also celebrates the year’s VQA Promoters and lives that were lived. The 2014 awards were handed out to William Mancini, Lloyd Schmidt, Erik Peacock, Shawn McCormick, David Lawrason and posthumously, care of his wife Rose Lamas-Churchill, to David Churchill. Charles Baker of Stratus Vineyards had the difficult task of reminding the Niagara community of friends lost in 2013, Gerry Ginsberg & Barbara Ritchie. Baker then spoke about Churchill, the long time VINTAGES writer and LCBO lab tasting room director. It was David who granted me entrance into the lab in 2012. I will always be grateful.

Here are notes on the first two flights at the Expert’s Tasting.

FLIGHT #1 – ARE YOU EXPERIENCED

Clockwise from left: Charles Baker Riesling Picone Vineyard 2012, Rosewood Estates Riesling 2011, Ravines Wine Cellars Riesling Argetsinger Vineyard 2011, The Foreign Affair Riesling 2010, Charles Baker Riesling Picone Vineyard 2009, Charles Baker Riesling Picone Vineyard 2006, and Cave Spring Cellars Riesling CSV 2003

Presented by writer Rick VanSickle, winesinniagara.com with an ode to Jimi Hendrix and also, curiously to Taylor Swift. The absurdity of the duet mirrored the .429 (three for seven) batting average of Charles Baker Picones being passed into the flight by the CCOVI panel. That and a comedic pathos to soften the cumulative, piercing acidity of the Riesling gathering. An auspicious beginning. Not to be ignored were Rick’s improbable choice of kitsch props. Ice broken. Rick’s apocalyptic take? “I love the smell of Riesling in the morning. Riesling is the bomb.”

Charles Baker Riesling Picone Vineyard 2012, VQA Vinemount Ridge, Niagara Peninsula (241182, $35, WineAlign)

Baker’s iconic child yet breathes in unsettled, spumous emission from out of a warm vintage. So primary and such a hard act to follow. Vanguard Vinemount Ridge, arid as the desert and citrus, carbonic tight. Treated with cool, cooler and colder methods to seek result and strike balance in an opulent, lees-appertained, tangy finish. A Picone that says I don’t live today, so it is told and canvassed, ”uh, get experienced, are you experienced?”  91  Tasted March 2014 @cbriesling

Enfant emblématique de Baker respire encore en suspens, l’émission spumeux de l’extérieur d’un millésime chaud. Alors primaire et un acte difficile à suivre. Vanguard Vinemount Ridge, aride comme le désert et les agrumes, serré carbonique. Traités à l’aide des méthodes les plus froids et les plus froids frais de rechercher résultat et bilan de la grève dans un, lies-appartenu, finition piquante opulent. Un Picone qui dit que je ne vis pas aujourd’hui, il est dit, et avait prospecté, “euh, se connu, Are You Experienced?”  Dégusté Mars 2014

Rosewood Estates Riesling 2011, VQA Beamsville Bench (Winery, $16, WineAlign)

Single (21 Street) Vineyard, clone-focused, superior Twenty Mile Bench fruit steals its way into the flight. Seltzer dry, austere and asking, can you see me? Pumps up its volume with an off-dry request, in pineapple, white flowers and a bite of yellow plum. Tied together by a thumping, Noel Redding bass line. Definitive, affordable stuff. For the Bench, “you can see in the future of a thousand years.”  88  Tasted March 2014  @Rosewoodwine

Simple (21 rue) Vignoble, clone axé, supérieure Twenty Mile Bench fruit vole sa place dans le vol. Seltzer sec, austère et demander, pouvez-vous me voir? Pompes son volume avec une demande de demi-sec, de l’ananas, de fleurs blanches et un morceau de prune jaune. Attachés ensemble par un bruit sourd, Noel Redding ligne de basse. Définitive, trucs abordable. Pour la Chambre, “vous pouvez voir dans le futur de mille ans.”  Dégusté Mars 2014

Ravines Wine Cellars Riesling Argetsinger Vineyard 2011, Finger Lakes, New York (winery, $24.95)

The Ravines ringer that dwells high above the shore of Seneca Lake is conspicuous for being of the oldest Riesling vineyards in New York’s Finger Lakes. The limestone soils on one hand apply swift, lean minerality and prickling flower aromas, on the other a drix sense of verboten. Did Argetsinger come to add love or confusion? “Would I be truthful, yeah, in, uh, in choosin’ you as the one for me?” The winemaker would ask to wait 10 years to reel in this Riesling’s wonders. In its current stark, dry as a bone (three g/L residual) state, it’s all lime and minerals. Though they tell each other “we are never getting back together again,” perhaps time will tell if the Jimi and the Taylor in this Riesling can coexist.  89  Tasted March 2014  @ravineswine

The Foreign Affair Riesling 2010, VQA Niagara Peninsula (127290, $24.95, WineAlign)

Older, bolder, warmer, darker. In 2010 this retrofits 10% NP dried grapes in the Venetian appassimento method. The rubric sees to an early showing of secondary notes, pushed along by 20 g/L of residual sugar. Wholly unique Riesling with ”strange beautiful grass of green, with your majestic silver seas.” The most hydrated in the flight (ironic, no?) and this in spite of a third stone from the sun vintage. Up on the Vinemount Ridge.  87  Tasted March 2014  @wineaffair

Plus ancien, plus audacieux, plus chaud, plus sombre. En 2010, ce rétrofit 10% de raisins secs NP dans la méthode de appassimento vénitien. La rubrique voit un indice précoce de notes secondaires, poussés le long de 20 g / L de sucre résiduel. Riesling tout à fait unique avec des “étrange belle herbe de vert, avec vos majestueux mers argent.” Le plus hydratée dans le vol (ironique, non?) Et ce en dépit d’une troisième pierre à partir du millésime de soleil. Sur la Vinemount Ridge.  Dégusté Mars 2014

Charles Baker Riesling Picone Vineyard 2009, VQA Vinemount Ridge, Niagara Peninsula (241182, $35, WineAlign)

In a struck match state of mind, crazy enough to set a guitar on fire, onstage. The burning smell is infectious and dangerous but the palate heads to higher notes, in honey and at the 22nd fret of top E, string bent. Notable that this tough, economically not-viable vintage was stopped at a natural residual sugar of 21 g/L, 50 per cent higher than in 2012. In that sense this is old-school Baker, closer to mother Germany and not yet the current incarnation of the winemaker’s Vinemount Ridge oeuvre. Alright, in 2009 ”I have only one burning desire” Picone, “let me stand next to your fire.”  90  Tasted March 2014

Dans un état de concordance frappé d’esprit, assez fou pour mettre une guitare sur le feu, sur scène. L’odeur de brûlé est contagieux et dangereux, mais les têtes de palais à des notes plus élevées, dans le miel et à la case 22 de haut E, chaîne pliée. À noter que ce millésime difficile, économiquement pas viable a été arrêté à un sucre résiduel naturel de 21 g / L, 50 pour cent de plus qu’en 2012. Dans ce sens, c’est la vieille école Baker, plus proche de la mère et de l’Allemagne n’est pas encore l’incarnation actuelle de Vinemount Ridge l’œuvre du vigneron. Bon, en 2009: «Je n’ai qu’un seul désir brûlant” Picone, “laissez-moi me tiens à côté de votre feu.”  Dégusté Mars 2014

Charles Baker Riesling Picone Vineyard 2006, VQA Vinemount Ridge, Niagara Peninsula (241182, $35, WineAlign)

Only Charles can follow Charles, as only Jimi could follow Jimi. Just ask Peter Townshend. The combined forces of vintage, off-dry level of residual sugar (23.9 g/L) and age have ushered this Picone into a realm of adipose, butyraceous, chewy texture. The ’06 is emblematic of its time, stunning, psychedelic, experienced. It speaks clearly and with conceit. Tasting it eight years on you can hear Baker’s 2006 voice saying ”if you can just get your mind together uh-then come on across to me.” We have and continue to follow Charles, and we are paying close attention to every vintage along the ride.  93  Tasted March 2014

Seulement Charles peut suivre Charles, comme Jimi ne pourrait suivre Jimi. Il suffit de demander Peter Townshend. Les forces combinées de cru, le niveau de sucre résiduel (23,9 g / L) et l’âge-sec ont inauguré ce Picone dans un royaume de tissu adipeux, butyraceous, texture moelleuse. Le ’06 est emblématique de son temps, à l’étourdissement, psychédélique, connu. Il parle clairement et avec orgueil. Goûter huit ans, vous pouvez entendre la voix de 2006 Baker disant «si vous ne pouvez obtenir votre esprit ainsi uh-alors venir sur vers moi.” Nous avons et continuons de suivre Charles, et nous prêtons attention à chaque millésime le long de la promenade.  Dégusté Mars 2014

Cave Spring Cellars Riesling CSV 2003, VQA Beamsville Bench  (winery, $50, WineAlign)

Mind bending to taste a piece of recent history, a Riesling rooted in the rocks, blues and pop of the limestone, sandstone and shale Bench, but a wine also futuristic, distorted and soulful. From 25 plus year-old vines, this foxy lady has entered into true, secondary territory. She’s softened and her perfume is cast in vanilla butterscotch so much so she might mess with tasters’ minds in a flight of oaked Chardonnay. She’s “a cute little heartbreaker.”  92  Tasted March 2014  @CaveSpring

Esprit de flexion de déguster un morceau de l’histoire récente, un Riesling enracinée dans les roches, de blues et pop de la pierre calcaire, grès et schiste Banc, mais un vin aussi futuriste, déformée et soulful. De 25 plus ans vignes, cette dame rusée a conclu vrai, territoire secondaire. Elle s’adoucit et son parfum est coulé dans la vanille caramel tellement qu’elle pourrait salir avec les esprits de dégustateurs dans un vol de Chardonnay boisé. Elle est «un peu crève-coeur mignon.”  Dégusté Mars 2014

FLIGHT #2 – THE NEW ABC – APPEALING BALANCED CHARDONNAY

Clockwise from left: Flat Rock Cellars Chardonnay 2012, Fielding Estate Chardonnay Estate 2012, G. Marquis Chardonnay The Silver Line 2011, Kittling Ridge Chardonnay Barrel Fermented 2012, Cave Spring CSV Estate Bottled Chardonnay 2010, Rosewood Estates Chardonnay Reserve 2009, and Stratus Chardonnay 2010

Presented by James Treadwell, Sommelier, Treadwell Farm-To-Table Cuisine. Treadwell so astutely refers to Chardonnay as the “polarizing varietal,” the one so many love to love, and love to hate. What turned out to be so striking was the newer to older, first to last ascendency of glycerin and extract. In just a few short years, Niagara Chardonnay has undergone a rapid change and increasingly speaks in a cool climate vernacular.

Flat Rock Cellars Chardonnay 2012, VQA Twenty Mile Bench, Niagara Peninsula (681247, $16.95, WineAlign)

Has spent some quality time and knows its way around a barrel but its attitude is young, fresh and alive. From 12 and 13 year-old estate vines and kissed by only 15 per cent new oak. “But here’s a funky fact that I know is real.” Flat Rock’s Chardonnays are red-hot and this fresh-faced ’12 has “baby appeal.” Blatant, colorable value on the Twenty.  89  Tasted March 2014  @Winemakersboots

A passé du temps de qualité et connaît son chemin autour d’un baril, mais son attitude est jeune, fraîche et vivante. De 12 et 13 ans vignes du domaine et embrassé par seulement 15 pour cent de chêne neuf. “Mais voici un fait génial que je sais, c’est vrai.” Les chardonnays de Flat Rock sont d’un rouge ardent et cette ’12 frais face a “appel de bébé.” Flagrante, valeur colorable sur la vingt.  Dégusté Mars 2014

Fielding Estate Chardonnay Estate 2012, VQA Beamsville Bench (355842, $21.95, WineAlign)

Heavy lees and a charitable, warm temperature barrel ferment have imparted greenhouse humidity into this soft, lush Chardonnay, outgoing in personality. Effortless and easy to love if not perceptibly cerebral, though a mineral streak channels equality and “a delicate balance.” To some this may just feel like spinning plates but take the time to get to know Richie Robert’s wine and music on the radio your head will find.  89  Tasted March 2014  @FieldingWinery

Lies lourdes et un organisme de bienfaisance, chaude température baril ferment ont conféré humidité de la serre en cela, Chardonnay luxuriant doux, sortant de la personnalité. Sans effort et facile d’aimer si pas sensiblement cérébrale, mais une égalité de chaînes minérale à balayage et “un équilibre délicat.” Pour certains, cela peut tout simplement envie de tourner les plaques, mais prendre le temps d’apprendre à connaître le vin et la musique de Richie Robert sur la radio de votre tête trouverez.  Dégusté Mars 2014

G. Marquis Chardonnay The Silver Line 2011, Single Vineyard Niagara Stone Road, VQA Niagara On The Lake (258681, $17.95, WineAlign)

Big, big wine in bold expression. Enveloped by well-judged oak. Might lack just a bit of cohesion, layering and synchronicity. Otherwise really fine effort from the Magnotta world. From earlier notes: “Some extra credit is awarded for a wine that knows its place, in this case the watershed of the Niagara Stone Road. Though faint, the impart of minute shells and rock fragments from an ancient sea-washed down from the escarpment has found its way into the Silver Line. The reality is that the dominant aroma is that of popcorn butter drizzled over top Niagara River stones. Opulent and tropical while at the same time like chewing on pomaded pop rocks. Works the wet and acidified vintage well with a healthy dose of the barrel.” From my previous note: “Streaks across and plays a lick on atomic 16 rails at breakneck speed, all the while jonesing for of a slice of custard pie. “It’s sweet and nice” with lead, nuts and spice. The G. might stand for grateful or great, as in value.”  88  Tasted October 2012, February and March 2014  @GMarquisWines

Grand, grand vin dans l’expression audacieuse. Enveloppé par un boisé bien jugé. Pourrait manquer un peu de cohésion, la superposition et la synchronicité. Sinon effort vraiment beau du monde Magnotta. De précédentes notes: “Certaines cartes de crédit supplémentaire est accordé pour un vin qui sait sa place, dans ce cas, le bassin versant de la Stone Road Niagara Bien que faible, l’confèrent des coquilles minute et de fragments de roche à partir d’une ancienne mer arrosés de l’escarpement a. trouvé sa place dans la ligne d’argent. La réalité est que l’arôme dominant est celui de pop-corn au beurre arrosé sur les pierres supérieures de la rivière Niagara. tout Opulent et tropical dans le même temps comme mâcher sur les rochers de la pop pommadés. Travaux du millésime humide et acidifié bien avec une bonne dose de canon “. De ma note précédente: “. Séries partout et joue un coup sur atomiques 16 rails à une vitesse vertigineuse, tout en jonesing pour d’une part de tarte à la crème” Il est doux et gentil “avec plomb, de noix et d’épices Le G. pourrait se tenir. pour reconnaissant ou grande, comme la valeur “.  Dégusté Octobre 2012, Février et Mars 2014

Kittling Ridge Chardonnay Barrel Fermented 2012, VQA Niagara Peninsula (367862, $16.95, WineAlign)

From many miles away within a single vineyard along the Merrit Road, this KRC is akin to a mini-Lenko, in high-tone toast and micro-Pender like by way of a comparison to his treatment of Daniel’s fruit in 2011. Wild, piercing ray of unbroken Beamsville laser vision hits a wall of lees within the barrel to settle quietly upon the can’s floor. Buttered niblets are the warm and comfortable conclusion.  87  Tasted March 2014

De nombreux miles de distance dans un seul vignoble le long de la route de Merrit, ce KRC s’apparente à un mini-Lenko, en haut ton pain et micro-Pender comme par le biais d’une comparaison à son traitement de fruits de Daniel en 2011. Sauvage, rayons perçant ininterrompue vision laser Beamsville frappe un mur de lies dans le canon de régler tranquillement sur le plancher de la boîte. Niblets beurre sont la conclusion chaleureux et confortable.  Dégusté Mars 2014

Cave Spring CSV Estate Bottled Chardonnay 2010, VQA Beamsville Bench, Niagara Peninsula (529941, $29.95, WineAlign)

Citrus meet butter. From oldest (36-40 year-old), lowest-yielding vines on Cave Spring’s stony, limestone, rich clay, overlying shale and sandstone soils, this CSV sashays out in depeche mode. The oak, lees, malolactic, batonage and assemblage is nothing short of mad science meets high fashion. “Don’t take this way, don’t take that way. Straight down the middle until next Thursday. Push to the left, back to the right, twist and turn ’til you’ve got it right.” Builds up slowly, scales back in restraint and with only 60-65 per cent barrel ferment in 2010, it set out to get the balance right and succeeded. The definitive CSVC study.  91  Tasted March 2014

Citrus répondent beurre. Du plus ancien (36-40 ans), les vignes sur la pierre de Cave Spring, le calcaire, l’argile riche, recouvrant schiste et de grès sols plus bas rendement, ce CSV flâne dans depeche mode. Le chêne, lies, fermentation malolactique, bâtonnage et assemblage n’est rien de la science folle rencontre la haute couture. “Ne prenez pas de cette façon, ne prenez pas de cette façon. Droite au milieu jusqu’à jeudi prochain. Poussez vers la gauche, vers la droite, tourner et tourner jusqu’à ce que tu as raison.” S’accumule lentement, échelles de retour en retenue et avec seulement 60-65 pour cent baril ferment en 2010, il a entrepris de trouver le bon équilibre et réussi. L’étude CSVC définitif.  Dégusté Mars 2014

Rosewood Estates Chardonnay Reserve 2009, VQA Beamsville Bench (winery, $28, WineAlign)

One of then winemaker Natalie Spytkowsky’s under the radar and unsung oeuvres out of the estate’s Renaceau Vineyard. A wild ferment, full-out malolactic and French oak barrel thang, beginning to show some age, like a well-made, dirty martini for a hard living brat pack. Sappy, herbal resin leads this ’09 into anointed autumn ripeness. It was and is a 14 per cent, 4.2 g/L, small lot (125 cases) piece of Beamsville history.  88  Tasted March 2014

Un de puis vigneron Natalie Spytkowsky de sous le radar et d’œuvre méconnus de Renaceau Vignoble de la succession. Un ferment sauvage, pleine à malolactique et français fût de chêne thang, commence à montrer des signes d’usure, comme un bien-fait, dirty martini pour un paquet de gosse dur vivant. Séveux, résine à base de plantes conduit ce ’09 en oint maturité en automne. Il a été et est un 14 pour cent, 4,2 g / L, petit terrain (125 cas) morceau de l’histoire Beamsville.  Dégusté Mars 2014

Stratus Chardonnay 2010, VQA Niagara On The Lake  (Winery, $55.00, WineAlign)

Can’t help but think about buttered popcorn; the best that money can buy in heritage kernels. A magnanimous effort, in a state of equatorial weave with cajoling, candied aromatics. Previous note: “From natural yeast, full batch (bunch) pressing and heeded by Paul’s (Hobbs) call to full malolactic fermentation, this fruit was picked on November 15th, a day “you had to go run and pick fast.” Groux is not trying to make California or Burgundy but make the best in Niagara. Clarity and sun drenched hue, tropical fruit dominance, sweetness, malo-butterscotch obviousness. Some tart orchard fruit late but certainly warm vintage wine. Not the most arid Chardonnay but blessed with great length.”  91  Tasted March 2013 and 2014  @Stratuswines

Vous ne pouvez pas m’empêcher de penser à maïs soufflé au beurre, le meilleur que l’argent peut acheter dans les noyaux du patrimoine. Un effort magnanime, dans un état de équatoriale tisser avec cajoler, aromatiques confits. Note précédente:. “De la levure naturelle, pleine lot (groupe) en appuyant et en tiennent compte (Hobbs) l’appel de Paul à la fermentation malolactique complète, ce fruit a été sélectionné le 15 Novembre, un jour” il fallait aller courir et prendre rapidement ”Groux est ne cherche pas à faire de la Californie ou de Bourgogne, mais faire le meilleur à Niagara. Clarté et baignée de soleil teinte, la dominance de fruits tropicaux, de la douceur, malo-caramel évidence. Certains tarte de fruits du verger en retard, mais millésime certainement chaud. Pas le Chardonnay plus aride mais béni avec grande longueur. “  Dégusté Mars 2013 et Mars 2014

Good to go!

Telmo Rodríguez the company is a small wine producer fashioning meager quantities from more DOs (and DOCAs) than can fit into a 620 x 400 jpeg. Telmo Rodríguez the man finds himself at the 20th anniversary year crossroads in celebrating the outgrowth of his dream. This critical juncture requires travel, evangelism and conceit, qualities the laser-focused, frank and facund winemaker possesses in spades.

PHOTO: Michael Godel
Telmo Rodríguez tasting at Archive Wine Bar

“We created a (not mass market) Spanish category of wines available at a good price,” says Rodríguez, “a human type of category.” Spain, according to the flying oenologist, is a passionate country with gastronomic clubs, where people cook and eat, to foster a crazy love of local ingredients. Within a 100 km radius around Basque country, “you have the best available products anywhere in Europe,” he boasts. But, he complains, wine has gone in the other direction. He laments the overuse of international grapes, monosyllabic styling and a disappearance of regional character. Wine as fast food.

PHOTO: telmorodriguez.com
Telmo Rodríguez sites

Rodríguez did not want to make wine from international varieties or from recipes. He wanted to make wine from places and their landscapes. After studying in France (Bordeaux and the Rhône Valley) he returned, not wanting to make wine in France, not wanting to emulate France. So began the terroir journey, from Rioja to Galicia, from Ribera to Rueda.

“In Canada you have been drinking the worst Riojas, the undrinkable Riojas.” So he makes wines without the suffocating slings and arrows of outrageous, appellative fortune; no Crianza, no Reserva, no Gran Reserva. “No designations to help the bad producer,” he quips. Tell us how you really feel Telmo.

All the Rodríguez vineyards are organic, but this is something matter of fact, not a literature littered calling card. “We prefer to be known as a good producer. We don’t give too much importance on the winemaker, but more on the place, with respect and with respect for the land. We don’t move grapes from one place to the other.” This is the import of the most parochial of winemakers. Here are tasting notes on a selection of eight wines chosen from across the vast Spanish Telmo Rodríguez portfolio.

From left: Basa Blanco 2012, Gaba Do Xil Godello 2012, and Gaba Do Xil Mencia 2011

Basa Blanco 2012, Rueda, Spain (SAQ, 10264018, $15.95, B.C. 586016, $18.99, WineAlign)

Verdejo so often reached by walking the flat earth is here circumnavigating a more complex world. Smells a bit like Sauvignon Blanc and Telmo Rodríguez admits “it’s the only mistake I made in my life.” Commercial confessional though it leads the way around a round earth. Cool and full of tang with a heavy emphasis on herbiage and metallurgy. Enticing example full of instant gratification.  88  Tasted February 2014

From Valdeorras, “gold country,” here Godello exhales its perfume in waves of gaseous fumes, rushes, meadow wildflowers, lemon thyme and balm. Viscous and nearly chewy, with a slight oxidative note breathing over dry patina hard candy. Stainless steel imagining itself as green oak and Mediterranean salinity combine to give an aura of Galician warmth. Sea, sun, wood and mineral.  88  Tasted February 2014

Mountain Blanco 2012, Málaga, Spain ($25.95)

“I didn’t want to produce this wine because Malaga was all about sweet, related to the past, to the ancestors, to something very deep. It took 10 years to decide to make this wine.” Sun-baked, trenchant, scorched Muscat. Liquid adobe cake from the brown slate soils, between 600 and 900 metres. Antique of a dry white, tinny, sharp, caramelizing, like the crust on a pork loin. Lengthy mountain jam makes you want to eat a peach. Reminiscent of Auxerrois, though certainly more southerly, Moorish even. Pure sec, 100 per cent Muscatel.  87  Tasted February 2014

Gaba Do Xil Mencia 2011, Do Valdeorras, Spain (SAQ, 11861771, $18.00, WineAlign)

The most Atlantic-influenced wine of the tasting, this fluid, medium-rare red. Rodriguez’ base and necessary expression for the “the freshness of Galicia.” Shares an aromatic commonality with Cabernet Franc though its gait is more Northern Rhône Syrah. Anti-serious, easy wine, existing as “a link to the past.” Like going back in time to Valdeorras’ past, into a beautiful home with all its contents having sat untouched and unharmed for 100 years. Fermented in tank so though it may be unprocessed it has that underlay of mineral and grit. Nothing oxy, flashy or large-scale about it. To have wide but not mass appeal. Beneficial length. Increases in approachability as it lays in glass. A taste of chewing crushed granite and plump plum. Honest and humble Mencía.  89  Tasted February 2014

From left: M2 Matallana 2010, Lanzaga 2008, and Altos de Lanzaga 2004

M2 Matallana 2010, Ribera del Duero, Spain ($42.95, WineAlign)

M2 is 100 per cent Tinto Fino 14 months, aged half in new, half in second use barrels. A Tempranillo of dialect specific to place, just as Pinot would be in Chambertin, Vosne-Romanée or Volnay. Telmo not necessarily making Tempranillo, but rather Rodriguez making Ribera, or more specifically, a Tinto Fino gathering from Los Guijarros, Los Hundidos, Carrahoyales, Los Apriscales and La Pirileja. Blatant are the chalk and mineral intertwines, in marbled goodness. Makes quicker work than the Riojas, sheds its skin, peels away its oak and lets the fruit, soil and rock come forth.  92  Tasted February 2014

Lanzaga 2008, Rioja, Spain (SAQ, 11157151, $28.50, WineAlign)

Tempranillo with Graciano and Garnacha. From Rioja Alavesa, vines water-stressed to survive on shallow soil, digging in to Miocene sandstone strata. Begs for protein and development from an unforgiving, stony, calcareous and silty textured land. Fermented in large cement casks, allowing the fruit, which is nearly unparalleled for Rioja, to shine in all its ripe glory. A wind of perfume, a mistral espléndido. Finishes with chalk and ropy grain. Immense length.  92  Tasted February 2014

Altos de Lanzaga 2010, Rioja, Spain ($103.95, WineAlign)

Composed of Tempranillo, Graciano and Garnacha, 3,000 bottles are made of this ‘Grand Cru’ of Lanzaga. Rodríguez here wants to “try to go as far as possible in the quality of the wine,” a notion that begins and ends with place. “There has to be a rare, exceptional vineyard or it does not make sense to produce a wine like this.” Fermented and aged in the old cellar, in large Foudres, for two years, ”to bring back what once was, a long time ago,” with indigenous (wild) yeasts found in that cellar. Here Telmo reinventing the past, the old Rioja, hinting at something exceptional. There is an elevated sweetness that fades into flowers. Rodríguez feels that Rioja must have been a wine made with many different varieties, like Châteauneuf-du-Pape. Thus the use of the three grapes. Layer upon layer, thin transparent sheets that become one.  93  Tasted February 2014

Altos de Lanzaga 2004, Rioja, Spain ($103.95, WineAlign)

From 65-80 year old vines, 10 years on showing barely discernible age. This wine was an early step in developing the “field blend” dream, of combining several Riojan varieties, “to present the taste, idea and feel of what Rioja used to be.” This wine chases down Telmo’s dream of being a present day, sophisticated winemaker set in an 18th century vintners mind. Altos sets the bar high, in trying to make an exceptional wine, which they would not have been doing then. First and foremost, does this prove or disprove his theory that wine should never be masked by oak?  94  Tasted February 2014

Good to go!

The winter that never ends. White out conditions, snow squalls, wind advisory and chill warnings. Everything just feels heavy. The OPP’s request? Just stay home, Ontario. Prepare for the worst, hunker down and warm the belly with full-bodied wines, strong mocker, beer and hearty winter meals. The weather will step aside in April. Until then, satiate yourself.

Here are six strength fortifying libations to ride the final wave of winter’s brutal conditions.

Clockwise from left: Innis & Gunn Irish Whiskey Finish, 13th Street White Palette 2011, Ara Single Estate Pinot Noir 2011, Planeta Chardonnay 2010, Bachelder La Petite Charmotte Nuits Saint Georges 2011, and Antinori Pian Delle Vigne Brunello Di Montalcino 2008

Innis & Gunn Irish Whiskey Finish, Scotland, United Kingdom (279349, $3.25)

Stout matured over American Oak Heartwood and infused with Irish Whiskey. A Cimmerian entry in hue and hunger peels back to a curious lightness of being. The wood tends to an Arabian mocha aroma, the whiskey to molasses and gingerbread baking spice. The 7.4 per cent alcohol is integrated though an incendiary smoky magic weighs in to toast biscuits and braise a beefy pot au feu. “The Smoky Life is practiced everywhere,” in the I & G. A beer of good charm, smooth, silky, singing in melodic grace and with confidence.  90  Tasted March 2014  @InnisandGun

The grapes: Riesling, Sauvignon Blanc, Gewürztraminer and Chardonnay Musqué

The history: Niagara winery founded in 1998. Chablis native Jean-Pierre Colas joined 13th Street as winemaker in 2009. Co-owners of the winery, the Whitty family has been farming fruit in Niagara for well over 100 years

The lowdown: Much of the fruit comes from the estate’s Creek Shores appellation vineyards, sedimentary, well-drained lighter soils on a landscape highly dissected by its many streams.

The food match: Fish Tacos

13th Street White Palette 2011, VQA Niagara Peninsula (207340, $15.95, WineAlign) From the VINTAGES March 15, 2014 release

JP’s who’s who bottle of white grapes, a mad scientist’s blend, the flask filled with Riesling, Sauvignon Blanc, Gewurztraminer and Chardonnay Musque. A re-release and much improved with a year’s extra weight, its “got your body right now.” Fortified by a carapace of grape spirits and purposeful in a white meritage sense of community, plus citrus, pith and a far-reaching, right correct absinthian length. You better you bet.  88  Tasted October 2013  @13thStreetWines

PHOTO: Michael Godel
Fish Tacos

The grape: Pinot Noir

The history: From Marlborough on the western side of the Waihopai Valley. The name is both the indigenous Maori word for “pathway” and Latin for “altar”

The lowdown: “With rugged mountains on either side and two icy rivers cutting through, it’s a pretty extreme place. The very definition of raw, cool climate conditions.”

The food match: Potato Frittata with Feta and Green Onions

Ara Single Estate Pinot Noir 2011, Marlborough, New Zealand (361279, $23.95, WineAlign) From the VINTAGES March 15, 2014 release

Immediate impressions are of a user-friendly Pinot Noir in conceit of black cherry, chocolate and blueberry spice. These are surface notes quickly displaced by an adventurous senses of living on the edge. The wine dips into a brine and lithic earth saturated by glacial melt. This is a different sort of Marlborough Pinot that speaks a modern english, if too young to be understood. “I’ve seen some changes but it’s getting better all the time.” Will try the Ara again in a year or two and likely say I melt with you.  89  Tasted February 2014  @AraWine_UK

The grape: Chardonnay

The history: Planeta first made this wine 20 years ago in 1994. It has become “the image illustrating the changes taking place in Sicilian wines.”

The lowdown: From Ulmo (calcareous with sections of deep vegetable matter) and Maroccoli (medium clay soil rich in limestone) vineyards in the area of Sambuca di Sicilia. Powerful Chardonnay.

The food match: Taco Night

Planeta Chardonnay 2010, Sicily, Italy (109652, $38.95, SAQ 00855114, $39.15, WineAlign) From the VINTAGES March 29, 2014 release

Wantonly lavish, heavy and tropically delicious. If ever there were a red wine substitute this is the one for the wishful thinker. Tasting this Sicilian is like liquid breathing sweet and salty, drawn butter. It’s a glass of dessert Chardonnay, dichotomous and oxymoronic in congealed warmth like cold-stabilized, oxygen-rich, perfluorocarbon. The tropical warmth is a combination of honey and lemon-glade, like Savennières with an unexpected aged Jura, oxidized, herbal angle. There can be no arguing the complexity of this Sicilian dream. Extreme humidity, with a bitter middle streak and ground nut flavours.  90  Tasted March 2014  @Noble_Estates  @PlanetaWinery 

PHOTO: Michael Godel
Taco Night

The grape: Pinot Noir

The history: Thomas Bachelder, flying winemaker, architect of the Bachelder Project, of trois terroirs, in Niagara, Oregon and Burgundy

The lowdown: “Burgundy is my favourite place to make wine,” admits Thomas Bachelder. “The large négociant control all (44) 1er cru vineyards so there are not a lot of small growers working with Beaune fruit.” Enter terroirman.

The food match: Roast Chicken, Potatoes, Swiss Chard

Bachelder La Petite Charmotte Nuits Saint Georges 2011, Burgundy, France (357228, $49.95, WineAlign) From the VINTAGES March 15, 2014 release

Is so floral, mineral, intense and hypnotic it might be dubbed the Serpent Charmer. Iron and wine indeed, the iron of Nuits, the perfume of Beaune. This provocative bottling represents the third year of production, is conspicuous in Anis de Flavigny and an underlying gate. If montagnes is the harming one, this is the charming one. These are all from the same barrels, so what really affects the wines the most? Land and hand.  93  Tasted November 2013  @Bachelder_wines

PHOTO: Michael Godel
Roast Chicken, Potatoes, Swiss Chard

The grape: Sangiovese Grosso

The history: The family has been in the wine business since Giovanni di Piero Antinori joined the Florentine Guild of Vintners in 1385. The Antinori estate is responsible for some of Tuscany’s most famous wines; Solaia, Tignanello and Guado al Tasso.

The lowdown: As stalwart a Brunello as any, Pian Delle Vigne is not immune to critical conjecture. Applying kudos to any big house in this polarizing vintage will raise an eyebrow or two. Why not Antinori?

The food match: Herb Crusted Pork Tenderloin

Antinori Pian Delle Vigne Brunello Di Montalcino 2008, Docg, Tuscany, Italy (651141, $59.95, Nova Scotia 1006431, $64.80, WineAlign) From the VINTAGES March 15, 2014 release

Goes at it older, bolder, tried and truer than had recently been the case, especially in 2007. Leather, cherries, seeping tea and peppery, earthy, funky dates. Purity of fruit, obviousness in Sangiovese Grosso aromatics and it is only when you taste that you are dealt with the full effect of its power and girth. Quite viscous on the palate, tough, gritty chain of tannin and qualified, felicitous bitters on a very long finish.  Best Pian delle Vigne in some time, at least back to 2001.  93  Tasted November 2013  @AntinoriFamily

Good to go!

Doesn’t every local wine writer’s pilgrimage begin this way? There’s 130 kilometres to Niagara Falls, we’ve got a full tank of gas, half a pack of cigarettes (not really – the only thing we smoke is BBQ), it’s blinding winter morning light out and we’re wearing sunglasses. Well, one of us is.

Related – When expert’s break wine together

With Jake riding shotgun to Elwood we hit the QEW, pause for bench land visits to Flat Rock, Zooma Zooma and Creekside Estates, then make the frozen Falls by dusk. Two slackers we are, Bill and Ted, ponces submissive to wine, travelling through Niagara assembling a library of tasting notes to condign for memory in lieu of history missed and as practice for futures to come.

PHOTO: Michael Godel
Canadian Food and Wine Institute at Niagara College Salmon and Scallops

Niagara’s annual Cuvée rolls out the red carpet for a black-tie gala at Fallsview Casino’s Grand Ballroom. Touted as a celebration of excellence in Ontario winemaking, the event gathers more than 50 wineries and asks that they pour their winemakers’ favourite wines alongside a room full of esculent Niagara eats. Local chefs set lavish food stations and guests are treated to comestible ruminations composed by students from the Canadian Food and Wine Institute at Niagara College. The Sun Media Après Cuvée party features Icewine, sparkling wine and craft beer bars, not to mention a repeat performance by the impolitic, patent, I want you to be moved sound of Jonesy.

PHOTO: Michael Godel
Zagat and Spotlight Toronto’s Suresh Doss and Wine Country Ontario’s Magdalena KaiserSmit

Proceeds from the Cuvée Weekend go to the Niagara Community Foundation. Created in 2000, the Niagara Community Foundation has raised more than $23 million in endowment funds and has granted in excess of $5.5 million to charities working in the arts, heritage, environment, social services, health, education and community development. In 2015, the event will leave the very capable hands of the NCF and fall into the most capable hands of Brock University.

The word cuvée can mean many things in the world of wine. The Champagne tradition carries the most recognizable weight, the practice dictating that the best grapes be used and gently pressed to ultimately produce a sparkling wine of superior quality. In the end any cuvée is a blend no matter how you slice, interpret or break it down. It really comes down to the question of quality. Did Cuvée 2014 put its best foot forward? Were the ace grapes on display?

PHOTO: Michael Godel
Pulling candy from sugar, Canadian Food and Wine Institute at Niagara College

The Cuvée gala, at one time an awards showcase ceremony, has welled to the point of a brimming kitchen sink, perhaps in danger of overflowing. Those who know and have been there agree the change in structure has been for the better. Growing pains are natural, inevitable side effects of growth. It’s more party than oenophile wine think tank, a cultural mosaic and for some, a melting pot. Speeches, awards, thank yous and acknowledgements are barely audible above the revelling din.

PHOTO: Dan Trcka/grapeselections.com
VQA Promoter Award At Large winner Shawn McCormick and Michael Godel

In 2013, to a wine, the pours were best of the best. My take was put into these words. Top juice flows at Cuvée 25th anniversary. In 2014 many vintners poured either their best (Domaine Queylus, Five Rows, Coyote’s Run, Rennie Estate, Stratus, Thirty Bench) or their most unique (Peninsula Ridge, Trius, Southbrook, Riverview, 13th Street, Malivoire). The event and the following morning’s Expert’s Tasting would not be diluted by a few more shots of Prince Edward County and Lake Erie North Shore in the arm.

PHOTO: Michael Godel
Peninsula Ridge Sauvignon Blanc Wismer 2013

Peninsula Ridge Wismer Vineyard Sauvignon Blanc 2013, VQA Twenty Mile Bench, Niagara Peninsula (Winery, $19.95, WineAlign)

Winemaker Jamie Evans and Sauvignon Blanc share a kinesis. When kissed by the wise and wistful fruit that Wismer cedes, compounded by the vintage, this Peninsula Sauvignon Blanc inclines to aeaeae. All parts contribute to a stretched length, from fresh beginning to mouth-watering end. In between there is lees-stirred spice, dry and toasty points but the grass is never overgrown and the berries are golden. A kickstarter sour note propels the wine forward for an even longer taxi onward. What a vineyard, what a wine.  90  Tasted February 2014  @PeninsulaRidge

Westcott Vineyards Chardonnay Reserve 2012, VQA Vinemount Ridge, Niagara Peninsula, Ontario (winery, $29, WineAlign)

From vineyards planted in 2005, this new kid on the Jordan block spent 12 months in oak, half of it new. To a taster, you would never know it. In clone cousin to Le Clos Jordanne’s Chardonnay, this special project is the nephew of a set aside, four-barrel selection. Winemaker Arthur Harder (Calamus) has fashioned a head-turning clean, pure and most mineral-driven Chardonnay from impossibly young Vinemount Ridge vines. A quartz chord runs through it and with just two or three more years of vine age the fruit and adjoining texture will catch up to the rock. That integrated, subtle oak impart is of a Granny Smith apple kind, crisp and taut. Such a memorable inauguration with so much promise that lays ahead.  90  Tasted February 2014

Trius Sauvignon Blanc Wild Ferment 2012, VQA Niagara On The Lake (Winery, $32.00, WineAlign)

Less than 300 cases were produced of this, you guessed it, natural grape skin, wild yeast fermented unique Sauvignon Blanc. Cold bunch pressed and 11 months on the lees lend a fruit/wood spice and gregarious character that is impossible to miss. Winemaker Craig MacDonald shows a savvy Savvy love in his carefully considered treatment of this wine. This ’12 WF steals the show at Cuvée in the category of most compelling and thought-provoking.  91  Tasted February 2014  @TriusWines

Hidden Bench Estate Pinot Noir 2011, VQA Beamsville Bench, Niagara Peninsula (274753, $32.95, WineAlign)

Five months more in bottle has come to this, a Bench perfumed state of mind. On a red raspberry road to absolution. The international coat has now begun to surrender to the maturity and wisdom of the local vine’s intellect, its maker and overseer acting as artificers in planned execution. Earlier note: Deeper, earthier, decreased propriety and more pelage than the previous two vintages. I sense longer hang time, more redress and slower slumber. In Hidden Bench I thought I knew and would always associate with a specific Pinot Noir feel but this ’11 confounds. In a way, that is a large compliment. Fruit reminiscent of a top Central Otago in that it grips my Pinot interest if not my Ontario heart.  91  Tasted October 2013 and February 2014  @HiddenBench

PHOTO: Michael Godel
Southbrook Vineyards Whimsy! Winemaker’s White 2011

Southbrook Vineyards Whimsy! Winemaker’s White 2011, VQA Niagara Peninsula (Winery, $34.95, WineAlign)

PHOTO: Michael Godel
Queylus Pinot Noir Reserve Du Domaine 2011

Domaine Queylus Pinot Noir ‘Le Grande Reserve’ 2011, VQA Niagara Peninsula (winery, $65, WineAlign)

The Thomas Bachelder mentored, two-vineyard assemblage Grande Reserve Pinot Noir grinds more cracked pepper than any predecessor. Every barrel from the Twenty Mile Bench (formerly Le Clos Jordanne’s, Neudorf Family La Petite Colline Vineyard) and Mountainview vineyard were scrutinized to determine the final blend. Bachelder sees black fruit in the early life yet despite the ebullient seasoning, the LGR’s genes are intrinsically feminine. Red cherry, tellus fertility and a mother’s strength hold the family of barrel children together. This is an ambitious and hard to read Pinot Noir. Judgement reserved for five years before the word classic will be used.  92  Tasted March 2014  @QueylusVin

Good to go!

Listening to Flat Rock Cellars’ winemaker Jay Johnston rattle off the numbers and particulars of his 2013 Pinot Noir harvest you can’t help but survey the odds of something preternatural. Vintage speculation for 2013 in Niagara has met with tempered interpretation, a play down on the effects of weather and generalizations that it was just another normal meets classic year. Nothing to see here. You sure about that?

This according to VQA Ontario. “2013 was an interesting year with some significant weather variations through the growing season…weather conditions during the 2013 season were quite variable…with some isolated late frosts in Niagara…temperatures through September and October were slightly higher than normal but October was wet putting pressure on harvest schedules and many wineries worked long hours to optimize harvest strategies around the weather.” Sound the alarm?

Flat Rock’s vineyard is a wondrous bit of topography. Peer out from the conclave tasting room and witness a rolling set of undulating and breaking waves, ascending, descending and demarcating the landscape. Let Ed Madronich point out individual plots and blocks. Imagine each sub-section of the vineyard as its own little hermetic world, with its own soil biology and guided by its own little set of rules. Now taste Pinot Noir tank samples from 19 disparate parcels. Internalize, disseminate, deconstruct and reconstruct. As if you were the master of single varietal assemblage. Mind blowing actually. Nerdy, but mind-blowing.

House and Home Food Editor Eric Vellend and I sat down with Johnston and Madronich at the winery for a comprehensive look at those ’13 Pinots, fresh out of their infancy and just beginning to offer a glimpse of what they will be. A total of 185 tonnes were harvested at a more than modest 24 to 24.5 brix, a sugar quotient effectuated by timing as much as sunshine. Nineteen chapters delineate the story, in 160 barrels and in the end there will be two wines. The 2011 Block Series experiment will once again go unrepeated, though Jay notes a return could be considered for 2014.

PHOTO: Eric Vellend
Flat Rock Cellars Pinot Noir samples from the 2013 vintage

The tank room was very cold on this last day of February 2014 (you don’t say) so Johnston brought up the samples in what can only be described as a highly classified, secret society of winemakers, high-tech way; in plastic water bottles and Erlenmeyer Flasks. The goal was to offer a representation of the fingerprint of the vineyards and the fermentation management through full composite blends of each batch. We tasted through eight of the 19. The first three are from batches that end up in the Flat Rock Estate Pinot Noir. Clonal selections are noted in brackets.

PHOTO: Michael Godel
Flat Rock Cellars 2013 Tank Samples

South (115)

Tang at the forefront, a mineral streak, red berries and a lingering whisper of citrus squeeze from recent (X-mas) sulphuring.

Horseshoe (777)

Dusty and also juicier, from an icy, polar beginning to come back around, calm down and seek a softer, common (to South) end.

Road (777)

Beastly, meanest sucker of the three, speaking with the most rock. The only one (of the first set of three) with some funk.

Monster (A blend of clones)

Funkadelic funky but also the fresh maker. Cherries and high-toned perfume, a feral hint in a leafy, good compost way.

Pond (667/777)

Most like cousin Monster, with increased ferrous activity and striking as the most recognizable to be Flat Rock Pinot Noir, even at only four months of age.

Mountain (667)

The darkest hue yet, with more smoke, heavy rock and a fuller structure.

Bruce/Summit

Bottom and top of the (west) vineyard collide with a mineral tie connecting the two. Grit and toughness here, depths of Mordor and Prunus Serotina, cherries gone black. The combo effect confuses the fruit, rendering the B/S the least subtle and distinctive.

Bruce West

Back to dust but also tang and bigger tannins. Vines with less vigor and smaller berries to thank.

These eight samples all begin in antipodal and far away places but come together to seek common ground. As a window to the outlook for 2013 I can say with unequivocal doubt that if these wines were in bottle they could all be enjoyed right here and now. Pinot Nouveau. They are possessive of a computation in complexity to each tell an individual story. It would be hard to figure Jay and Ed waiting a full 12 months to see them into bottle, especially from the showy blocks. Look for Flat Rock to knock some off to racking in late spring to preserve their amazing level of freshness. The 2013 vintage looks to offer immediate gratification. Its longevity remains to be seen.

PHOTO: Michael Godel
Vineyard view, Flat Rock Cellars. Note the warmest rows.

Notes on (not yet released) 2012′s and 2013′s

Pinot Noir 2012, VQA Niagara Peninsula (1545, $18.95, WineAlign) VINTAGES Essential

Nearly 4000 cases will be available of this nearly-unfiltered, very established and always well-thought out Pinot Noir. A consideration of the plots and barrels micro-management that determine the crasis of this Estate wine demands an extrapolation in full-on assessment. The medium-coarse Chinois filtering lends to a tannic chain of texture thick in grain and chalk. A heavier Estate because when the weather gives you heat you make a climate appropriate wine. This monkey is not a product of arctic air and it “got too deep, but how deep is too deep?” Thermal vintage melt, ritzy ripe cherry stuff in 2012. From the Ritz to the Rubble, if you like, or the Flat Rock.  88

The Rusty Shed Chardonnay 2012, VQA Twenty Mile Bench, Niagara Peninsula (1552, $24.95, WineAlign)

There will be 660 cases of this barrel cherry-picked, now iconic Bench Chardonnay. The warm vintage called for a combo-malo approach, part batch all in, part arrested development. Gravity influenced top down blending also work to seek a svelte elegance and this ’12 really straddles the humid line. Thinks to be ribald but remains chaste, only allowing a kiss from the barrel and a caress from the rocks beneath the soil. Accept immediate but know that deferred gratification is the hallmark of this bottling.  89

Nadja’s Vineyard Riesling 2013, VQA Twenty Mile Bench, Niagara Peninsula  (578625, $19.95, WineAlign)

From a sample just pulled from the tank. Jay Johnston’s concept for Nadja is to create many fermentations together, using 2000L tanks and some barrels. The ferments are arrested when they achieve balance and then blended. Nadja still has her young fizz on and she’s exaggerated in Metallica meets a wondrous kind of sour. Already showing an unfurling of (mostly citrus) fruit but also spice and hurried depth. Frantic Riesling, will she “stop to warm at karmas burning, or look ahead, but keep on turning?”  89-90 

Pinot Noir Rosé 2013, VQA Twenty Mile Bench, Niagara Peninsula (39974, $16.95, WineAlign)

Tasted from a tank sample. The 2013 Rosé marks a change in direction and approach. No longer a one-dimensional, typical method blush made by saignée, bled off cold soaks, the ’13 goes at it half and half through skin fermenting. As soon as the skins dry out they are removed. The result (though not really apparent four months in) will be aridity with the sweet balance arriving by way of a six to seven percent sulphured dose of Gewürztraminer. The sample swims both upstream and down, through waves of salinity and dulcitude. Will lay claim to being one of the more interesting Rosés from the vintage.  87-88

Red Twisted 2012, VQA Twenty Mile Bench, Niagara Peninsula (86918, $19.95, WineAlign)

Tasted from a barrel sample, this singular Bench brew of Syrah, Merlot and Pinot Noir. After 14 months in barrel, all separated at birth, the varieties were blended in mid-January and will be bottled this March. Yet unsettled, there is a level of unctuousness and cake layering. A big red for the believers, for those who lust for big reds. Currently showing its wood, freshness, acids and potential for balance.  87-88

Sparkling Brut 2006, VQA Twenty Mile Bench, Niagara Peninsula (0238311, $35.00, WineAlign)

Tasted with proprietor Ed Madronich at the winery. This was Flat Rock’s first ever Sparkling wine made in a challenging vintage. The base wine was fermented dry and sent to neutral barrels. Sugar and yeast were added after eight months and it then entered the bottle. Newer vintages may see time stretched to 20 months. At this stage it is very much alive, showing the whole orchard and nothing but the orchard, albeit with some fallen fruit. Some sugar lingers but not enough to pull it from dry. With time the orchard gives to grapefruit. In the end it’s big and biscuitous. Says Madronich, “Our wines can go 15 years, no problem.” We’ll see about that.  89 

Unoaked Chardonnay 2007, VQA Twenty Mile Bench, Niagara Peninsula (68015, $16.95, WineAlign)

Tasted with proprietor Ed Madronich at the winery. Six and a half years have done this unoaked Chardonnay six and a half years of wonder. Green herbs and apple jam spread on a whole wheat cracker. To believe there is not a day of oak on this wine is to bury one’s head in the sand and begin again. It’s that stubborn Bench limestone doing the fooling. “We have great soil,” grins Ed. A few minutes and a few more swirls in it begins talking in the vernacular of Chablis, in a matchstick tone. It’s also fleshing as it goes. Six plus years and $17? “It’s crazy.”  90

PHOTO: Eric Vellend
Flat Rock Cellars Rusty Shed Vertical

Rusty Shed Chardonnay Vertical 2011-2006,  VQA Twenty Mile Bench, Niagara Peninsula (1552, $24.95)

Barrel fermented, barrel aged, gravity fed. No other Niagara winery can offer up a vertical like this, in this price range. If there is another, let me know and I’m there.

2011 (WineAlign) Conspicuous by its texture from a mild to middling vintage “when you picked before or after the rain.” Though combined, the antechamber of acidity and good cheer trumps the mudroom of funk and doldrums. A Guns ‘n Roses vintage, a pull in two directions, with a potential for breakdown. “Ev’rything was roses when we held on to the guns.” A soft, buttery note tempers the tang and yet that tang lifts the fruit. The tension is what sets the ’11 up for a classic run.  91

2010 (WineAlign) Increased sugar from a hot year with early ripening. Picking decisions played a crucial role, the prudent winery avoiding the heat of the day. This was key to preserving freshness and acidity. Though the aromas are soft and muted, the palate is lush and plush with a mid-section of adolescent body fat.  89

2009 (WineAlign) A slow and even ripening season culminated with a warm and dry harvest. Ideal harvest conditions. This ethereal ’09 has that late harvest come of age feel but is unwavering from a dry sense of humour. Acting as fresh as the day it was bottled, ole’ blue eyes is in ownership of the best of all the surrounding vintages. It was a very good year for the old Rusty Shed, like “life as vintage wine from fine old kegs, from the brim to the dregs and it poured sweet and clear.” A classic crooner, with wood now neutral and supportive, that will last alongside fruit, to the autumn of its years.  91

2008 (WineAlign) From a cooler, wetter, “Burgundian” vintage. Noticeable terpenes and delineated streaks in the aroma, palate continuum. Like mild cider in a diluted but not watered down way. A matter of elegance and refinement. The oak integration may be the most calming yet and the wine has maintained its freshness. A vintage to measure with clonal ancestors and distant cousins if not Flat Rock siblings.   90

2007 (WineAlign) From a very warm and dry vintage with low yields. Dichotomous, with clean fruit working with and against some barrel and earthy notes. Was a tough year to “manage acidity and freshness,” a fight that was paramount to success. Flint and matchstick also work this ’07, as much like Riesling as Chablis so in that sense this is reminiscent of the Unplugged. In another way, the earth says this is as much of a Brett-influenced vintage as any.  89

2006 (WineAlign) Like the 2007, this has that golden hue so it appears that seven to eight years is the marker for the apogee of consumption. A vintage tough on reds, good on whites. Though not high on opulence, the ingot sheen is like fool’s gold and the trickery works to great effect. A fortune is won in patience because this elegant ’06 eventually sheds its rust, gives up fresh apple and palate cleansing acidity. A show of age and propriety.  90

One more for the road.

Pinot Noir 2003, VQA Niagara Peninsula (WineAlign)

Less than a case is left of this first Pinot Noir made by Ed Madronich. At the time Flat Rock made just 500 cases, including two Rieslings (Estate and Nadja) plus two barrels (43 cases) of Chardonnay. From a cool vintage, 11 years on this Pinot is reddening to maroon, with sour cherry flavours submitted to earth. A hint of soy and toffee. Herbaceous, young vine minted, accented by dill and mushroom. Holding on and showing that older vintages had (not known at the time) depth and structure. Creamy texture if not the cleanest Pinot ever made. First world problem.  88

Good to go!